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| Issue |
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| Vol 40, No 1 (2019) |
An African’s faith: Discourse and disclosure in selected works by Sindiwe Magona |
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Dianne Shober |
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| Vol 40, No 1 (2019) |
On the neo-Vedanta as reconceptualised by Vivekananda in his Complete Works: A cognitive linguistic analysis in light of Conceptual Metaphor Theory |
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Suren Naicker |
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| Vol 40, No 1 (2019) |
English as a medium of worship: The experiences of the congregants of a Pentecostal charismatic church in Soweto |
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Thabisile N. Adams, Anne-Marie Beukes |
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| Vol 40, No 1 (2019) |
Africa in Brathwaite: The matrix of cultural quest, identity and history as poetic vision |
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Muchativugwa L. Hove |
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| Vol 39, No 2 (2018) |
Die intensionele afwyking van die norme van Standaardafrikaans in advertensies |
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Angelique van Niekerk |
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| Vol 39, No 2 (2018) |
’n Korpusondersoek na huidiglik |
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Gerhard B. van Huyssteen |
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| Vol 39, No 2 (2018) |
Toe die vierde Taalkommissie in sy spore gestuit is |
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Christo van Rensburg |
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| Vol 39, No 1 (2018) |
Identity, politics and restriction in Athol Fugard’s art: Writing and liberalism in apartheid South Africa |
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Khaya M. Gqibitole, Shamsuddeen Bello |
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| Vol 39, No 1 (2018) |
A survey of undergraduate students’ attitudes towards studying isiZulu at university |
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Nontobeko T. Mbatha, Thabo Ditsele, Linda van Huyssteen, Christopher Rwodzi |
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| Vol 39, No 1 (2018) |
An inter-semiotic approach to translation: Leonard Cohen in Afri-Kaans |
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Suezette Opperman, Marlie van Rooyen, Kobus Marais |
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| Vol 39, No 2 (2018) |
Norme vir huidiglik |
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Gerhard B. van Huyssteen |
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| Vol 39, No 2 (2018) |
Die ontwikkeling van [ʃ] in Afrikaans |
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Daniel P. Wissing |
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| Vol 39, No 2 (2018) |
Woordeboekdidaktiek in ’n omvattende woordeboekkultuur |
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Rufus Gouws |
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| Vol 39, No 2 (2018) |
Politieke strategieë van aktiviste vir die amptelike erkenning van Afrikaans |
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Jaap Steyn |
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| Vol 39, No 2 (2018) |
From pencil and eraser to blending materials and flipping the classroom: A short history of Teksredaksie and Text Editing |
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Kris van de Poel |
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| Vol 39, No 1 (2018) |
Psychological sequelae of political imprisonment, specifically post-traumatic stress disorder, in 491 Days by Winnie Madikizela-Mandela |
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Marisa Botha |
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| Vol 39, No 1 (2018) |
Considering the alternative: Bakhtin’s carnivalesque and convergence of worlds of animals and humans in Yann Martel’s Life of Pi |
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Susan Marais |
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| Vol 39, No 1 (2018) |
‘Stepping into the painting’: Franz Marc, Mary Oliver and the ekphrastic process |
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Tony Ullyatt |
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| Vol 39, No 1 (2018) |
Gender and the transsexual body in Transamerica |
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Amy A. Jensen |
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| Vol 39, No 1 (2018) |
L’héroïsme de la femme dans l’épopée africaine : un regard critique de Soundjata ou l’épopée mandingue, Emperor Shaka The Great : A Zulu Epic et Nsongo’a Lianja : l’épopée nationale des Nkundo |
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Arthur Mukenge, Josue B. Nkaongami |
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| Vol 39, No 1 (2018) |
Die politiek van die mens-hondverhouding in Op ’n dag, ’n hond van John Miles |
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Adéle Nel |
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| Vol 39, No 1 (2018) |
Are ideophones translatable? The case of translating isiZulu ideophones in DBZ Ntuli’s short story Uthingo Lwenkosazana (The Rainbow) |
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Mthikazi Rose Masubelele |
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| Vol 39, No 1 (2018) |
The indigenous Afrikaans film: Representation as a nationalistic endeavour |
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Hendrik P. van Coller, Anthea van Jaarsveld |
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| Vol 39, No 1 (2018) |
‘Wie het die geheim verklap?’ – Seksuele identiteit in Johann Nell se plaasroman Sondag op ’n voëlplaas (2013) |
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Joanita Erasmus-Alt, Hendrik P. Van Coller |
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| Vol 39, No 1 (2018) |
Brugbouer tussen generasies: Koos Roets se samewerkingsnetwerk in die Afrikaanse filmbedryf |
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Burgert A. Senekal, Cornelia Geldenhuys |
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| Vol 39, No 1 (2018) |
Characterisation and social impact of urban youth languages on urban toponymy: S’ncamtho toponomastics in Bulawayo |
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Sambulo Ndlovu |
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| Vol 39, No 1 (2018) |
Groen postkolonialisme in Etosha (Piet van Rooyen) |
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Susan Meyer |
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| Vol 38, No 1 (2017) |
Cosmogynesis: The female hero in Tanith Lee’s The winter players |
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Eileen Donaldson |
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| Vol 38, No 1 (2017) |
Maxwell Anderson’s song lyric ‘Lost in the Stars’ and his Ulyssean adaptation of Alan Paton’s Cry, the Beloved Country |
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Etienne Viviers |
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| Vol 38, No 1 (2017) |
(In)dependent meaning: Representations of addiction and recovery in selected poems produced in a rehabilitation centre |
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Antoinette Pretorius, Andy Carolin, Reinhardt Fourie, Lida Krüger |
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| Vol 38, No 1 (2017) |
Gothic landscape, memory and food: A reading of Valerio Varesi’s The Dark Valley |
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Allyson Kreuiter |
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| Vol 38, No 1 (2017) |
Cathy’s mourning in Emily Brontë’s Wuthering Heights |
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J. Albert Myburgh |
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| Vol 38, No 1 (2017) |
‘I was a Girl of my Time’: A feminist literary analysis of representations of time and gender in selected contemporary South African fiction by women |
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Jessica Murray |
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| Vol 38, No 1 (2017) |
Ecofeminist invitations in the works of Sindiwe Magona |
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Dianne Shober |
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| Vol 38, No 1 (2017) |
James Henry Greathead and the London Underground |
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Laurence Wright |
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| Vol 38, No 1 (2017) |
Testing the impact of known variables on the attitudes held by Setswana L1-speaking university students towards their L1 |
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Thabo Ditsele |
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| Vol 38, No 2 (2017) |
Strategies used in the translation of fixed expressions in magazines: A comparison of selected texts with Afrikaans as source language and South African English as target language |
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Alan Murdoch |
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| Vol 38, No 1 (2017) |
Imagining the future nation: A critical appreciation of Emmanuel Ngara’s vision in Songs from the Temple |
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Rangarirai A. Musvoto |
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| Vol 38, No 2 (2017) |
The role of usability in e-lexicography |
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André H. du Plessis |
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| Vol 38, No 2 (2017) |
The semantics of the aan-construction in 16th-century Dutch: A semasiological and onomasiological approach |
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Dario Rens |
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| Vol 38, No 2 (2017) |
‘Taming untamed pests’: Representing female sexualities in Tiyambe Zeleza’s Smouldering Charcoal and James Ng’ombe’s Sugarcane with Salt |
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Asante L. Mtenje |
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| Vol 38, No 2 (2017) |
The representation of women in Huisgenoot in 1963 and 2013: A multimodal discourse analysis |
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Susann H. Marais |
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| Vol 38, No 1 (2017) |
‘Speaking’ and ‘silence’ in the memoirs of Petronella van Heerden |
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Lizelle Smit |
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| Vol 38, No 1 (2017) |
Unhomeliness, unending phobias and liminality in Senait Mehari’s Heart of Fire |
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ERRATUM
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Nick M. Tembo |
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| Vol 38, No 2 (2017) |
The ghost of Afrikaner identity in Ancestral voices, Leap year and The long silence of Mario Salviati (Etienne van Heerden) |
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Mariëtte van Graan |
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| Vol 38, No 1 (2017) |
Strategies for building wordnets for under-resourced languages: The case of African languages |
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Sonja E. Bosch, Marissa Griesel |
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| Vol 38, No 1 (2017) |
Diversity, variation and fairness: Equivalence in national level language assessments |
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Albert Weideman, Colleen du Plessis, Sanet Steyn |
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| Vol 38, No 1 (2017) |
Michiel Heyns’s Lost Ground: The white man’s sense of identity and place in a decolonised Africa and a democratic South Africa |
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Renate Lenz |
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| Vol 38, No 1 (2017) |
Meditations in a churchyard: An exploration of Afrikaans graveyard poets and graveyard poetry |
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Gerda H. Taljaard-Gilson |
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| Vol 38, No 1 (2017) |
Reading Zimbabwe’s structural and political violence through the trope of the unnameable and unnamed in Brian Chikwava’s Harare North |
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Gugulethu Siziba |
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| Vol 37, No 1 (2016) |
Critical literacy: The encounter between Western secularism and Islamic spirituality in selected young adult novels – An approach |
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Salome Romylos |
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| Vol 37, No 2 (2016) |
Sentential negation in South African Sign Language: A case study |
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Courtney de Barros, Ian Siebörger |
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| Vol 37, No 2 (2016) |
Stylometry and characterisation in The Big Bang Theory |
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Maryka van Zyl, Yolande Botha |
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| Vol 37, No 1 (2016) |
Redemption and the imagination of childhood: Dickens’s representation of children in A Christmas Carol |
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David E. Robinson |
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| Vol 37, No 1 (2016) |
A panorama of portraits: Elements of empathy in the Yiddish poems of David Fram |
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Hazel Frankel |
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| Vol 37, No 2 (2016) |
Travelling terms and local innovations: The tsotsitaal of the North West province, South Africa |
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Thabo Ditsele, Ellen Hurst |
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| Vol 37, No 2 (2016) |
Indlela or uhambo? Translator style in Mandela’s autobiography |
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Amanda Nokele, Koliswa Moropa |
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| Vol 37, No 2 (2016) |
Using ParaConc to extract bilingual terminology from parallel corpora: A case of English and Ndebele |
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Ketiwe Ndhlovu |
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| Vol 37, No 2 (2016) |
Blended learning in a first-year language class: Evaluating the acceptance of an interactive learning environment |
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Jako Olivier |
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| Vol 37, No 2 (2016) |
Black Afrikaans: An alternative use |
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Anna P. Maritz |
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| Vol 37, No 2 (2016) |
The use of comments as a strategy in the accountable editing of academic texts |
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Amanda Lourens |
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| Vol 37, No 1 (2016) |
T.T. Cloete as literary critic, theorist and literary historian (Part 2): T.T. Cloete as theorist of literary history |
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Hendrik van Coller |
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| Vol 37, No 1 (2016) |
T.T. Cloete as literary critic, theoretician and historian (Part 1): Columns, anthologies and literary criticism |
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Hendrik van Coller |
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| Vol 37, No 2 (2016) |
Designing a digital pedagogical pattern for improving foreign language learners’ oral proficiency |
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Carina Grobler, Tom F.H. Smits |
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| Vol 37, No 1 (2016) |
Reading protest and myth in Malawian literature: 1964–1990s |
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Fetson Kalua |
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| Vol 37, No 1 (2016) |
Oral literature and the evolving Jim-goes-to-town motif: Some early Northern Sotho compared to selected post-apartheid novels written in English |
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Lesibana Rafapa |
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| Vol 37, No 2 (2016) |
Inference generation and text comprehension in bilingual children: A case study |
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Agness Hara, Heike Tappe |
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| Vol 37, No 1 (2016) |
Envisioning dystopia: Eben Venter’s Art of Darkness |
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Harry Sewlall |
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| Vol 37, No 1 (2016) |
Mostly ‘black’ and ‘white’: ‘Race’, complicity and restitution in the non-fiction of Antjie Krog |
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Jacomien van Niekerk |
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| Vol 37, No 1 (2016) |
The trauma of home and (non)belonging in Zimbabwe and its diaspora: ‘Conversion disorder’ in Shadows by Novuyo Rosa Tshuma |
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Johan U. Jacobs |
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| Vol 37, No 1 (2016) |
Freud, Said, and the ancient and classical worlds |
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Roger M. Field |
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| Vol 37, No 1 (2016) |
Antjie Krog’s Mede-wete/Synapse as a challenge to new ways of comparative reading |
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Louise Viljoen |
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| Vol 37, No 1 (2016) |
‘Treppie does not like guests’: Xenia in Marlene van Niekerk’s Triomf |
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Marius Crous |
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| Vol 37, No 1 (2016) |
‘An augury of the world’s ruin’ and the making of the tragic hero in Chinua Achebe’s Arrow of God |
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Ignatius Chukwumah |
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| Vol 37, No 1 (2016) |
Promoting the poetic cause in Ben Okri’s stokus from Tales of freedom (2009) |
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Rosemary A. Gray |
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| Vol 37, No 1 (2016) |
‘Kyk hoe elk in die ander pas’: Landskap, liggaam en die visuele in enkele gedigte van Johann de Lange |
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Adéle Nel, Rickus Ströh |
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| Vol 37, No 1 (2016) |
Just when we thought we were producing fine young men |
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Nompumelelo B. Zondi, Thulani J. Mbuli |
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| Vol 36, No 1 (2015) |
The portrayal of single women characters in selected African literary texts |
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Linda Kwatsha |
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| Vol 36, No 1 (2015) |
Die Auslotung des Menschenmöglichen: Die Verschränkung von Sprache und Identität bei Hugo Loetscher |
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Waldo Grové, Stephan Mühr |
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| Vol 36, No 1 (2015) |
Existence and essence in Venda oral literature |
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Jaco Kruger, Anné Verhoef |
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| Vol 36, No 1 (2015) |
A critical analysis of ‘face’-managing factors in isiZulu idioms |
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M.R. Masubelele |
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| Vol 36, No 1 (2015) |
Tradition and the culture of rights at the crossroads: A literary perspective |
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Nompumelelo B. Zondi, Bonginkosi C. Khuzwayo |
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| Vol 36, No 1 (2015) |
Writing back to colonialism, again: The novel The Chimurenga Protocol and the ‘new’ resistance literary culture in post-2000 Zimbabwe |
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Oliver Nyambi |
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| Vol 36, No 1 (2015) |
Lucky Marais: Die verpersoonliking van kameleontiese manlikheid |
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Stefan van Zyl, Heilna du Plooy |
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| Vol 36, No 2 (2015) |
Autobiographical turning points: Remembering and forgetting |
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Michael Sheringham |
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| Vol 36, No 2 (2015) |
Richard Murphy: Autobiography and the Connemara landscape |
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Elsa Meihuizen |
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| Vol 36, No 2 (2015) |
Identity, construction and memory in Joanne Leonard’s Being in pictures: An intimate photo memoir (2008) |
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Heilna du Plooy |
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| Vol 36, No 1 (2015) |
Troubled reading: ‘Sonny’s blues’ and empathy |
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Eva Kowalska |
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| Vol 36, No 1 (2015) |
De fascinatie blijft: Recente Nederlandse reisliteratuur over het nieuwe Zuid-Afrika |
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Loes Nas |
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| Vol 36, No 1 (2015) |
The flâneuse and the City as uncanny home in Lawrence Durrell’s The Alexandria quartet |
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Allyson Kreuiter |
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| Vol 36, No 1 (2015) |
On being a discontinuous person: Ontological insecurity, the wounded storyteller and time in Daniel Keyes’s Flowers for Algernon |
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Tony Ullyatt |
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| Vol 36, No 1 (2015) |
Liminality in J.M. Coetzee’s later experimental texts |
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Annemie Grobler, A.M. de Lange, M.J. Wenzel |
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| Vol 36, No 1 (2015) |
Emancipatory discourse in the names of children of the present generation: Some attempts of balancing power relations with special reference to Tshivenḓa naming practices |
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Thomas Sengani |
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| Vol 36, No 2 (2015) |
E.L. Doctorow’s fictional autobiography: World’s Fair (1985) as a carnivalesque Bildungsroman |
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Philip van der Merwe, Ian Bekker |
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| Vol 36, No 2 (2015) |
Polyphony and counterpoint: Mechanisms of seduction in the diaries of Helen Hessel and Henri Pierre Roché |
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Catherine du Toit |
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| Vol 36, No 1 (2015) |
Umberto Eco’s The Prague cemetery: A game of double co-incidence |
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Maria Spruyt |
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| Vol 36, No 1 (2015) |
Re-framing the prostitute identity in Zimbabwe: An approach to Virginia Phiri’s novel Highway queen (2010) |
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Oliver Nyambi |
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| Vol 36, No 1 (2015) |
Outobiografie as hermeneutiek van die self: Van Rousseau tot Le Clézio |
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Elisabeth Snyman |
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| Vol 36, No 1 (2015) |
Die skep van werklikheidsbeeld in ’n roman |
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Helene de Kock |
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| Vol 35, No 2 (2014) |
Achieving form in autobiography |
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Nicholas (Nick) Meihuizen |
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| Vol 35, No 2 (2014) |
‘In the manner of Cavafy’: The example of the poet from Alexandria |
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Phil van Schalkwyk |
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| Vol 35, No 1 (2014) |
References to Gauguin paintings in Somerset Maugham’s The moon and sixpence |
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Laurence Wright |
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| Vol 35, No 2 (2014) |
Boom bomer boomste en die idiolek van Elsabe Steenberg |
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Elizabeth S. van der Westhuizen |
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| Vol 35, No 2 (2014) |
‘Everything is autobiographical’: Hans-Ulrich Treichel’s idiolect in Lost (1999) |
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Philip van der Merwe |
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| Vol 35, No 2 (2014) |
‘Die choreografie van ontwyking’: Die poëtiese krag van negativering by Elisabeth Eybers |
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Hein Viljoen |
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| Vol 35, No 1 (2014) |
Reluctant Romantics – On the fairy tale poetics of the Brothers Grimm and their relationship to German Romanticism |
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Isabel dos Santos |
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| Vol 35, No 1 (2014) |
He wrote a letter home to myself: Tracing the epistolary in Damon Galgut’s ‘In a strange room’ |
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Erin O'Dwyer |
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| Vol 35, No 1 (2014) |
Beyond African nationalism: Isaiah Shembe’s hymns and African literature |
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Nkosinathi Sithole |
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| Vol 35, No 1 (2014) |
An investigation of Pierre de Wet’s role in the Afrikaans film industry using social network analysis (SNA) |
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Burgert A. Senekal |
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| Vol 35, No 1 (2014) |
Keeping the records straight: The literary afterlife of three Boer generals |
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Stephen R. Gray |
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| Vol 35, No 1 (2014) |
Die liefde wat die son beweeg en die ander sterre: Digterlike transendering – tot die vermenigvuldigde lewe ontroer |
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A.S. (Rensia) Robinson |
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| Vol 35, No 1 (2014) |
Dias en Da Gama, Van Wyk Louw en Camões (her)besoek |
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Johan L. Coetser |
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| Vol 35, No 1 (2014) |
Womanspace: The underground and the labyrinth in Ursula K. Le Guin’s Earthsea narratives |
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Lynette Douglas, Deirdre Byrne |
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| Vol 35, No 1 (2014) |
The gendered embodiment of shame: Intersections of acquaintance rape, trauma and self-blame in Pompidou posse by Sarah Lotz |
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Jessica Murray |
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| Vol 35, No 1 (2014) |
A re-evaluation of tenses in isiZulu |
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Hermanus C. Groenewald |
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| Vol 35, No 1 (2014) |
Constructing the autobiographical self, collective identity and spiritual spaces in South African queer autobiography |
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Barrington M. Marais, Cheryl Stobie |
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| Vol 35, No 2 (2014) |
Emplaced writing figuring as a manifestation of an ecocentric mindset in the narrative art of Petra Müller |
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Susan Meyer |
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| Vol 35, No 1 (2014) |
Gender-based genre conventions and the critical reception of Buchi Emecheta’s Destination Biafra (Nigeria) |
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Polo B. Moji |
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| Vol 35, No 1 (2014) |
Amongst the unbelievable: Rage, faith and reason in selected writings by V.S. Naipaul |
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Robert J. Balfour |
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| Vol 35, No 1 (2014) |
‘a grate contribyushun for sience’: Promise, threat, and the trauma of failure in Daniel Keyes’s Flowers for Algernon |
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Tony Ullyatt |
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| Vol 35, No 1 (2014) |
Nadsat: The oscillation between reader immersion and repulsion |
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Natasha E. Ravyse |
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| Vol 35, No 1 (2014) |
Innovation and reciprocity in applied linguistics |
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Albert Weideman |
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| Vol 35, No 1 (2014) |
National trauma work and the depiction of women in two Afrikaans historical Karoo novels: Fiela’s child and Sorg |
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Belinda Du Plooy |
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| Vol 35, No 1 (2014) |
Freedom and culture in Maphalla’s translation of Kipling’s ‘If’ into Sesotho |
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Johannes Seema |
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| Vol 34, No 2 (2013) |
A network analysis of character relations in Etienne van Heerden’s Toorberg |
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Burgert A. Senekal |
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| Vol 34, No 2 (2013) |
Teaching Creative Writing at South African universities: An overview |
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Henning J. Pieterse |
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| Vol 34, No 2 (2013) |
Similarities and dissimilarities between poems and song lyrics |
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Bernardus J. Odendaal |
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| Vol 34, No 2 (2013) |
Multidisciplinary partnerships in community-specific writing or storytelling projects – A case study |
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Anneretha Combrink, Annamarie Kruger |
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| Vol 34, No 1 (2013) |
Poets and athletes: Olympic winners and losers in early Greek lyric |
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William J. Henderson |
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| Vol 34, No 2 (2013) |
The present is a thing of the past: Possible linguistic motivations for the ‘present tense writing tradition’ in Afrikaans prose |
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Adri Breed |
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| Vol 34, No 2 (2013) |
A new myth regarding the Great Trek: Reinvention of identity in Die pad na skuilhoek [The path toSkuilhoek] by Hans du Plessis. |
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Marlies Taljard |
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| Vol 34, No 1 (2013) |
Women, nation and voicing in Sharai Mukonoweshuro’s Shona novels |
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Maurice T. Vambe |
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| Vol 34, No 2 (2013) |
Tinboektoe toe: Spatial explorations |
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S.F. (Franci) Greyling |
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| Vol 34, No 2 (2013) |
Keeping it real for the sake of my career: An exploration of teaching creative writing in the broader Afrikaans literary system (1995–2012) |
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Leti Kleyn |
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| Vol 34, No 1 (2013) |
Reading the rhetor in postcolonial African fiction: Armah’s Two thousand seasons as an illustration |
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George Samiselo |
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| Vol 34, No 1 (2013) |
To map across from one language to another: J.M. Coetzee’s translation of Die kremetartekspedisie |
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Marius Crous |
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| Vol 34, No 1 (2013) |
Shifts and continuities in Zulu personal naming practices |
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Sihawukele Ngubane, Nompumelelo Thabethe |
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| Vol 34, No 2 (2013) |
A perspective on a period of contact between Khoi and Afrikaans |
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Christo van Rensburg |
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| Vol 34, No 1 (2013) |
Re-examining the relationship between the subject agreement morpheme and (in)definiteness in Northern Sotho |
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Mampaka L. Mojapelo |
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| Vol 34, No 1 (2013) |
Unity-in-multiplicity as structural framework in the poetry of T.T. Cloete, with emphasis on volume construction |
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Bernardus J. Odendaal |
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| Vol 34, No 1 (2013) |
The image of absence and the politics of naming in Shona war fiction |
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Willie L. Chigidi, Davie E. Mutasa |
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| Vol 34, No 1 (2013) |
Grotesque manifestations of power in Dance of the vampires by Bole Butake |
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Naomi Nkealah |
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| Vol 34, No 1 (2013) |
Young South Africans and cultural (mal)practice: Breaking the silence in recent writing |
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Johan U. Jacobs |
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| Vol 34, No 1 (2013) |
‘Listening at the threshold’ – A reading of religion in some excerpts from three of Iris Murdoch’s novels: Henry and Cato, Nuns and soldiers and The unicorn |
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Stella Prozesky |
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| Vol 33, No 2 (2012) |
A conversation spanning three millenia: A poetic re-invention of Homer’s Iliad by T.T. Cloete |
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Marlies Taljard |
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| Vol 33, No 2 (2012) |
The utopian challenge to global capitalism by Walter van den Broeck in Terug naar Walden |
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Andries Visagie |
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| Vol 33, No 2 (2012) |
From the heart of the people and to the heart of the people’ Jan F.E. Celliers as the people’s poet |
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Ingrid Glorie |
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| Vol 33, No 2 (2012) |
‘Never one thing. Always one thing and another’: An introductory comparison of the poetics of Ivan Vladislavić and Etienne Leroux |
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Phil van Schalkwyk |
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| Vol 33, No 2 (2012) |
Expressing the indescribable: Mystic desire and loss in Die sneeuslaper by Marlene van Niekerk |
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Chris van der Merwe |
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| Vol 33, No 2 (2012) |
Transforming a poem |
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T.T. Cloete |
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| Vol 33, No 2 (2012) |
The resurrection of South African literature in Dutch? Some remarks on canonisation of minority literatures |
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Olf Praamstra, Eep Francken |
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| Vol 33, No 1 (2012) |
Comparing imagery in The Greedy Hippo and Crouching Tiger, Hidden Dragon |
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John R. Botha |
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| Vol 33, No 1 (2012) |
Seemingly ‘impossible’ art forms: Strijdom van der Merwe’s land art in the context of the South African art market |
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Jean le Clus-Theron |
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| Vol 33, No 1 (2012) |
The Greedy Hippo and Red Riding Hood: The grotesque in fairy tales |
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Dineke van der Walt |
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| Vol 33, No 1 (2012) |
The Tambani project: A computer animation of The Greedy Hippo |
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Rita M.C. Swanepoel, Christiaan van der Westhuizen |
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| Vol 33, No 1 (2012) |
We are aware – Creative writing, concrete poetry and writers’ resistance |
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Leti Kleyn |
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| Vol 33, No 1 (2012) |
Creative remediation of Pynstiller by Fanie Viljoen: From short story to graphic novel |
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S.F. (Franci) Greyling |
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| Vol 33, No 1 (2012) |
Tender like marrow: A gender-based reading of Boom van my lewe [Tree of my life] and Ad hominem |
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Louisemarié Combrink |
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| Vol 33, No 1 (2012) |
Alienation in Leora Farber’s The futility of writing 24-page letters (2009) |
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Rita M.C. Swanepoel, Moya Goosen |
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| Vol 33, No 1 (2012) |
The diary of Bertha Marks as a heterotopia, as articulated in the artwork, The Futility of Writing 24-Page Letters |
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Leora Farber, Elfriede Dreyer |
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| Vol 33, No 1 (2012) |
Towards a theoretical underpinning of the book arts: Applying Bakhtin’s dialogism and heteroglossia to selected examples of the artist’s book |
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David Paton |
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| Vol 33, No 1 (2012) |
Transgressions and boundaries of the page as conceptual art |
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Rita M.C. Swanepoel |
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| Vol 33, No 1 (2012) |
Investigating the appropriateness of the theory of organisational knowledge creation as a management model for practice-led research |
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Ian R. Marley |
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| Vol 32, No 3 (2011) |
Karakterisering en die gebruik van verwysings na psalms, gesange en hallelujaliedere in die roman Agaat van Marlene van Niekerk |
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H.H. van der Mescht |
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| Vol 32, No 3 (2011) |
'Man muss die Dinge sich vor Augen halten ...': Goethe’s and Adorno’s aesthetic programmes as a critique of Modernity |
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S. Mühr |
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| Vol 32, No 3 (2011) |
Never let me go: science fiction and legal reality |
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J.H. de Villiers, M. Slabbert |
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| Vol 32, No 3 (2011) |
A critical analysis of domestication in Makhambeni’s translation of Chinua Achebe’s novel No longer at ease (1960) |
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M.R. Masubelele |
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| Vol 32, No 3 (2011) |
’n Alfabeties-akrostiese klaaglied |
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R. van der Spuy |
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| Vol 32, No 3 (2011) |
A 'spirit' of home and exile: a re-evaluation of Breyten Breytenbach’s Memory of snow and of dust |
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T. Jansen |
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| Vol 32, No 3 (2011) |
One rainbow, one nation, one tongue singing: whiteness in post-apartheid pulp fiction |
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M.E. West |
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| Vol 32, No 2 (2011) |
From foreign to national: a review of the status of the French language in Gabon |
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H.S. Ndinga-Koumba-Binza |
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| Vol 32, No 2 (2011) |
Postcolonial travel accounts and ethnic subjectivity: travelling through Southern Africa |
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L. Nas |
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| Vol 32, No 2 (2011) |
Three protagonists in B.W. Vilakazi’s “Ezinkomponi” (“On the mine compounds”) |
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N. Zondi |
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| Vol 32, No 2 (2011) |
Politieke herskrywings van die Ons(e) Vader-gebed in vier Afrikaanse gedigte |
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G.C. Engelbrecht, P.H. Foster |
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| Vol 32, No 2 (2011) |
“Hell’s view”: Van de Ruit’s Spud – changing the boys’ school story tradition? |
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J. Robertson |
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| Vol 32, No 2 (2011) |
Die moderne self as toneelpop in Woyzeck on the Highveld |
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A. Krueger |
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| Vol 32, No 2 (2011) |
Iconicity as the key to the poetry of Nelly Sachs (1891-1970) |
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H. Ester |
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| Vol 32, No 2 (2011) |
“Gestures of approach”: aspects of liminality and labyrinths |
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Tony Ullyatt |
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| Vol 32, No 1 (2011) |
Beckett and Coetzee: alternative identities |
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N.C.T. Meihuizen |
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| Vol 32, No 1 (2011) |
Trauma in Der Nazi & der Friseur von Edgar Hilsenrath |
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J.P.C. van den Berg |
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| Vol 32, No 1 (2011) |
“To say what you are trying to say”: Douglas Livingstone’s personae in A rosary of bone (1975b & 1983) |
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Tony Ullyatt |
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| Vol 32, No 1 (2011) |
Ruimte as tema en metafoor in die poësie van enkele vroulike Afrikaanse digters: 1994-2005 |
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A.M. de Beer, H.J.G. du Plooy |
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| Vol 32, No 1 (2011) |
Animals and nature: mapping storylines and metaphors in David Kramer’s narratives |
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M. Slabbert |
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| Vol 32, No 1 (2011) |
The curious case of legal translation |
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E. Cornelius |
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| Vol 31, No 3 (2010) |
A narratological perspective on Douglas Livingstone’s A littoral zone (1991) |
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J.H. Kahl |
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| Vol 31, No 3 (2010) |
Narratology and the study of lyric poetry |
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H.J.G. Du Plooy |
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| Vol 31, No 3 (2010) |
Plotting the lyric: forms of narration in poetry |
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P. Hühn |
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| Vol 31, No 3 (2010) |
Affordances of form in stanzaic narrative poetry |
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B. McHale |
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| Vol 31, No 3 (2010) |
Narrative strategies in Sir Philip Sidney’s Astrophil and Stella |
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J. Gouws |
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| Vol 31, No 3 (2010) |
Politics in poetry: epic poetry as a critique of Dutch culture |
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O.M. Heynders |
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| Vol 31, No 3 (2010) |
Dan hecht ik eer geloof aan het verhaal: over enkele narratieve teksten van Martinus Nijhoff |
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F.R.W. Stolk |
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| Vol 31, No 3 (2010) |
“Poëtische avonturen”: over de verhouding tussen narratieve structuren en poëtische aspecten in twee lange gedichten |
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D. Willockx |
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| Vol 31, No 3 (2010) |
Skuil daar ’n verhaal in ’n liriese gedig? Nederlandstalige digters oor narratiwiteit in die poësie: Robert Anker, Tomas Lieske, Leonard Nolens, Willem van Toorn en Eva Gerlach |
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H.J.G. Du Plooy |
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| Vol 31, No 3 (2010) |
Wallace Stevens’s use of narrative markers in Harmonium |
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J. Gouws |
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| Vol 31, No 2 (2010) |
Omstrede kwessies en teksinterne korrektiewe in Skilpoppe van Barrie Hough |
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M.J. Fritz, E.S. Van der Westhuizen |
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| Vol 31, No 2 (2010) |
White masculine desire and despair in The good doctor by Damon Galgut |
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M. Crous |
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| Vol 31, No 2 (2010) |
B.W. Vilakazi and the birth of the Zulu novel |
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N.N. Canonici |
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| Vol 31, No 2 (2010) |
Keeping it in the family: incest, repression and the fear of the hybrid in Reza de Wet’s English plays |
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A. Krueger |
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| Vol 31, No 2 (2010) |
Black writers’ Shona novels of the liberation war in Zimbabwe: an art that tells the truth of its day |
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D.E. Mutasa, W.L. Chigidi |
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| Vol 31, No 2 (2010) |
’n Ondersoek na ’n werkswyse: die herskryf van ’n komplekse Afrikaanse roman na ’n draaiboek |
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C.A. Breed, S.F. Greyling |
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| Vol 31, No 2 (2010) |
The presentation of male same-gender abuse in W.K. Tamsanqa’s Ithemba liyaphilisa |
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B.B. Mkonto |
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| Vol 31, No 2 (2010) |
Afrikaanse vryheidsliedjies as herkonstruksie van Afrikaneridentiteit: ’n ideologies-kritiese perspektief |
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L. Lambrechts, M. Viljoen |
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| Vol 31, No 1 (2010) |
Die sin as narratiewe kode in “Die uur van die idiote” deur Abraham H. de Vries |
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M.J. Prins |
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| Vol 31, No 1 (2010) |
Authorial intention and agency in Luke’s Acts |
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E. Mkhatshwa |
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| Vol 31, No 1 (2010) |
Songs about Zuma: revelations of divisions after democracy |
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M. Groenewald |
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| Vol 31, No 1 (2010) |
The Zimbabwean liberation war: contesting representations of nation and nationalism in historical fiction |
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I. Muwati, D.E. Mutasa, M.L. Bopape |
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| Vol 31, No 1 (2010) |
Third World Express : trains and “revolution” in Southern African poetry |
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L. Wright |
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| Vol 31, No 1 (2010) |
Alienation in Irvine Welsh’s Trainspotting |
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B.A. Senekal |
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| Vol 31, No 1 (2010) |
Boer-uitbeeldings in Franse jeugliteratuur tydens die Anglo-Boereoorlog |
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J.E.T. Steyn |
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| Vol 31, No 1 (2010) |
Translating cultural transition in Kgebetli Moele’s Room 207 |
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S.S. Ibinga |
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| Vol 30, No 1 (2009) |
Op die spoor van kreatiewe kreature: ’n interdissiplinêre ondersoek na die kreatiewe proses – projekbeskrywing |
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S.F. Greyling, I.R. Marley |
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| Vol 30, No 1 (2009) |
The grotesque as it appears in Western art history and in Ian Marley’s creative creatures |
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R. Swanepoel |
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| Vol 30, No 1 (2009) |
Vyf digters in gesprek met Joshua en Ian Marley se kreatiewe kreature |
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H.M. Viljoen |
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| Vol 30, No 1 (2009) |
Possible worlds: a reading of three artworks from the Creative creatures exhibition |
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C. Lotz |
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| Vol 30, No 1 (2009) |
Eyeing the creatures: an exploration of mirth as a personal function of art |
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J.R. Botha |
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| Vol 30, No 1 (2009) |
Kom ek vertel vir jou ’n storie oor Lacan se objet petit a (“kleinletter-ander”): ’n outo-etnografiese verkenning van ’n kreatiewe persoon se ervaring tydens die skryf van ’n akademiese artikel oor die kreatiewe proses |
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R. Hattingh |
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| Vol 30, No 1 (2009) |
Skryfkunsstudente se ervaring van hulle eie kreatiewe proses binne die konteks van die Op die spoor van kreatiewe kreature-projek: ’n narratiewe ontleding |
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S.F. Greyling |
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| Vol 30, No 1 (2009) |
Practice-based research: Tracking creative creatures in a research context |
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L. Combrink, I.R. Marley |
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| Vol 30, No 3 (2009) |
Deculturation: an Afrocentric critique of B.M. Khaketla’s Mosali a nkhola |
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T. Selepe |
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| Vol 30, No 3 (2009) |
G.H. Franz’s Modjadji : archetypes of time and the transcendence of history |
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L.P. Boshego, D.W. Lloyd |
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| Vol 30, No 3 (2009) |
“Accused by the place and face of the other”: negotiations with complicity in the work of Antjie Krog and Yvonne Vera |
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J. Murray |
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| Vol 30, No 3 (2009) |
“Le plat pays” (Jacques Brel) poëties besing in Afrikaans – aantekeninge oor ikonisiteit in die oorspronklike en vertaalde chansontekste |
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B. Odendaal, N. Morgan |
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| Vol 30, No 3 (2009) |
The trace of Jewish suffering in Johannes Bobrowski’s poetry |
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F. Wittenberg, H. Wittenberg |
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| Vol 30, No 3 (2009) |
Class politics in Mda’s Ways of dying |
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M.T. Twalo |
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| Vol 30, No 3 (2009) |
Germany: facing the Nazi past today |
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I. Laurien |
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| Vol 30, No 3 (2009) |
Uitbeelding van skuld en boetedoening deur die gebruik van terugkerende kodes in Die buiteveld (John Miles) |
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S. Harper |
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| Vol 30, No 2 (2009) |
Metaphors of pain: the use of metaphors in trauma narrative with reference to Fugitive pieces |
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J. Anker |
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| Vol 30, No 2 (2009) |
Living with grace on the earth: the poetic voice in Antjie Krog’s A change of tongue |
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A. Polatinsky |
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| Vol 30, No 2 (2009) |
The role of the nameless in isiXhosa ntsomi |
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B.B. Mkonto |
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| Vol 30, No 2 (2009) |
Daring to disturb the universe: Heidegger’s authenticity and The love song of J. Alfred Prufrock |
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D. Griffiths |
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| Vol 30, No 2 (2009) |
Some aspects of gender inequality in selected African literary texts |
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L.L. Kwatsha |
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| Vol 30, No 2 (2009) |
’n Verslag oor die vertaling van dertien Jacques Brel-chansons in Afrikaans |
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B. Odendaal, N. Morgan |
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| Vol 30, No 2 (2009) |
Enriched and empowered: nature’s influence on the psyche in two Afrikaans youth novels |
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S. Meyer |
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| Vol 29, No 3 (2008) |
Op loop met ’n lyn: T.T. Cloete se “toepassings van dante” ikonies en intertekstueel gelees |
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H.J.G. Du Plooy |
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| Vol 29, No 3 (2008) |
“Ruik die verderf in die kieliebakke”: Breyten Breytenbach se blik op die lyk |
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M. Crous |
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| Vol 29, No 3 (2008) |
Tokkelossie, “’n Boesman, outa Hendrik” en ontkennende close readings |
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H. Willemse |
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| Vol 29, No 3 (2008) |
Die tyd van die triekster: identiteit in enkele hedendaagse Afrikaanse prosatekste |
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P. John |
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| Vol 29, No 3 (2008) |
S.M. Guma and the Sesotho historical novel: an Afrocentric perspective |
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T.J. Selepe |
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| Vol 29, No 3 (2008) |
Aliens and existential elevators: absurdity and its shadows in Douglas Adams’s Hitch hiker series |
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M.A. van der Colff |
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| Vol 29, No 3 (2008) |
Intertextuality shapes the poetry of Xhosa poets |
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M.M. Somniso |
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| Vol 29, No 3 (2008) |
A philosophical interpretation of the significance of oral forms in I. Mabasa’s novel Mapenzi (1999) |
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D.E. Mutasa, I. Mutawi |
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| Vol 29, No 3 (2008) |
Die aantrekkingskrag van die see |
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I. Gertenbach |
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| Vol 29, No 2 (2008) |
Die literêre vertaler as kulturele bemiddelaar |
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M.B. Müller, I. Feinauer |
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| Vol 29, No 2 (2008) |
“Beyond stereotypes”: representations of a foreign culture in film students’ productions |
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N. Hyde-Clarke |
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| Vol 29, No 2 (2008) |
Om (somtyds) lig en aandagtig te reis: mistici in drie romans van Lettie Viljoen/ Ingrid Winterbach |
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L. Foster |
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| Vol 29, No 2 (2008) |
The possibility of an island; or, The double bind of Houellebecq’s apocalypse: when the end is not the end |
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E. Snyman |
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| Vol 29, No 2 (2008) |
Memory, history and oblivion in Horrelpoot by Eben Venter |
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M. Postma, M.N. Slabbert |
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| Vol 29, No 2 (2008) |
Woorde wat teken en be-teken – ikonisiteit in die poësie |
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Heilna du Plooy |
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| Vol 29, No 2 (2008) |
Spieëlbeelde in die werk van Ingrid Jonker en Sylvia Plath |
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I. Gertenbach |
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| Vol 29, No 2 (2008) |
Zenobia’s story: how a victim of abuse uses isiXhosa to account for her actions |
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M. Dlali, S. Mokapela |
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| Vol 29, No 1 (2008) |
Ontwikkeling van ’n Afrikaanse woordnet: metodologie en integrasie |
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G. Kotzé |
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| Vol 29, No 1 (2008) |
Orthographic measures of language distances between the official South African languages |
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P.N. Zulu, G. Botha, E. Barnard |
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| Vol 29, No 1 (2008) |
Besigheidsprosesbestuur in mensetaaltegnologiehulpbronontwikkeling: ’n gevallestudie |
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U. Janke |
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| Vol 29, No 1 (2008) |
An overview of the EtsaTrans machine translation system: compilation of an administrative domain |
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L. Ehlers |
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| Vol 29, No 1 (2008) |
Towards a computational morphological analysis of Setswana compounds |
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L. Pretorius, B. Viljoen, R. Pretorius, A. Berg |
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| Vol 29, No 1 (2008) |
Bilingual word list: computational linguistics |
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G.B. van Huyssteen |
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| Vol 29, No 1 (2008) |
Die ontwikkeling van ’n woordafbreker en kompositumanaliseerder vir Afrikaans |
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S. Pilon, M.J. Puttkammer, G.B. van Huyssteen |
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| Vol 29, No 1 (2008) |
Verbal extension sequencing: an examination from a computational perspective |
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W.N. Anderson, A.E. Kotzé |
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| Vol 29, No 1 (2008) |
Outomatiese lemma-identifisering vir Afrikaans |
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H.J. Groenewald, G.B. van Huyssteen |
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| Vol 29, No 1 (2008) |
Die ontwikkeling van ’n fleksievormgenereerder vir Afrikaans |
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S. Pilon |
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| Vol 29, No 1 (2008) |
On the development of a tagset for Northern Sotho with special reference to the issue of standardisation |
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E. Taljard, G. Faaß, U. Heid, D.J. Prinsloo |
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| Vol 29, No 1 (2008) |
Derivational relations in English, Czech and Zulu wordnets |
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S. Bosch, C. Fellbaum, K. Pala |
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| Vol 28, No 3 (2007) |
Humour and the locus of control in The Gruffalo (Julia Donaldson & Axel Scheffler) |
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B. van der Westhuizen |
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| Vol 28, No 3 (2007) |
A psychoanalytical interpretation of the characters in A.C. Jordan’s novel Ingqumbo yeminyanya |
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L.L. Kwatsha |
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| Vol 28, No 3 (2007) |
Crossing lines: the novels of Nadine Gordimer with a particular focus on Occasion for loving and The pickup |
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D.A. Barker |
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| Vol 28, No 3 (2007) |
Alan Paton’s unpublished fiction (1922- 1934): an initial appraisal |
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D. Levey |
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| Vol 28, No 3 (2007) |
From self-identity to universality: a reading of Henri Lopes’ works |
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P.K. Mwepu |
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| Vol 28, No 3 (2007) |
Translating culture: Matthee’s Kringe in ’n bos as a case in point |
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W. Cloete, M. Wenzel |
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| Vol 28, No 3 (2007) |
Fay Weldon, liberal feminism and the praxis of Praxis |
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A. Foley |
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| Vol 28, No 2 (2007) |
Spore van migrasie en verlies in Krzysztof Kieślowski se Three colours trilogy |
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A. Nel |
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| Vol 28, No 2 (2007) |
Die gebruik van humor om kreatiewe skryf in die onderrig van Afrikaans te stimuleer: ’n gevallestudie |
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E. Kruger |
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| Vol 28, No 2 (2007) |
Hard Times as Bodie: the allegorical functionality in E.L. Doctorow’s Welcome to Hard Times (1960) |
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P. van der Merwe |
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| Vol 28, No 2 (2007) |
The mnemonic oral tradition with special reference to the management and expression of conflict in Zulu-speaking communities |
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N.S. Turner |
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| Vol 28, No 2 (2007) |
In the shadow of the cross: on Lagerkvist’s Barabbas |
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G. van der Linde |
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| Vol 28, No 2 (2007) |
Die taal of die cheetah? Perspektiewe op die belang van taalsigbaarheid by die nuwe Vrystaatse nommerplaat as openbare teken |
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T. du Plessis |
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| Vol 28, No 2 (2007) |
Classification of Setswana short stories |
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M.J. Mojalefa, M.M. Makgato |
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| Vol 28, No 1 (2007) |
Philia and neikos in Keats’s 'Song of four faeries' |
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A.C. Swanepoel |
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| Vol 28, No 1 (2007) |
Mystery in Sepedi detective stories |
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M.J. Mojalefa, N.I. Magapa |
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| Vol 28, No 1 (2007) |
V.S. Naipaul’s Half a life, Magic seeds and globalisation |
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R. Balfour |
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| Vol 28, No 1 (2007) |
'Confessing out the soul to conform to the rhythm of thought': a reading of Allen Ginsberg’s Beat poetry |
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H. Kruger |
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| Vol 28, No 1 (2007) |
Van Tempeltronk tot katedraal: die kruisweg van Lodewyk XVII |
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N. Morgan |
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| Vol 28, No 1 (2007) |
The symbolic significance of P.T. Mtuze’s poem 'Isinagogo' in Uyavuth’ umlilo |
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Z. Mtumane |
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| Vol 28, No 1 (2007) |
Musikale narratief in Benjamin Britten se opera Billy Budd |
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K. Vermeulen, B. Spies |
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| Vol 27, No 3 (2006) |
Teks op teks op teks: intertekstualiteit in Ingrid Winterbach se Niggie |
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M. Botha, H. van Vuuren |
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| Vol 27, No 3 (2006) |
’n Ondersoek na die kunstenaarskap in Die swye van Mario Salviati binne die konteks van die magiese realisme |
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N. Botes, N. Cochrane |
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| Vol 27, No 3 (2006) |
Riviere as identiteitskonstrueerders |
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S. Meyer |
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| Vol 27, No 3 (2006) |
’n Leksikologiese studie van die klas adjektiewe waartoe ene behoort |
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F. Ponelis |
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| Vol 27, No 3 (2006) |
Country of my skull/Skull of my country: Krog and Zagajewski, South Africa and Poland |
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P. van Schalkwyk |
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| Vol 27, No 3 (2006) |
Sustaining the imaginative life: mythology and fantasy in Neil Gaiman’s American gods |
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M. Slabbert, L. Viljoen |
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| Vol 27, No 3 (2006) |
Richard Murphy: a life in writing |
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E. Meihuizen |
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| Vol 27, No 2 (2006) |
Identificative copulatives in Southern Ndebele: evidence for diachronic postulations in Zulu |
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L. Posthumus |
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| Vol 27, No 2 (2006) |
Mediadekking in die Suid-Afrikaanse gedrukte media oor taalverwante onderwerpe, in besonder taalregte en taalbeleidskwessies |
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E. Truter |
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| Vol 27, No 2 (2006) |
History, memory and reconciliation: Njabulo Ndebele’s The cry of Winnie Mandela and Pumla Gobodo-Madikizela’s A human being died that night |
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R. Goodman |
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| Vol 27, No 2 (2006) |
Male-male relationships in J.M. Coetzee’s Disgrace |
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M. Crous |
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| Vol 27, No 2 (2006) |
Vooruitgang en ondergang: historiese dialektiek in twee tekste van Hans Magnus Enzensberger |
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J.P.C. van den Berg |
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| Vol 27, No 2 (2006) |
Reise in identiteit: aspekte van plek en hoort in verhale van Elsa Joubert en Riana Scheepers |
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S. Meyer |
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| Vol 27, No 2 (2006) |
Onderwysstudente se parodieë as hibridiese tekste: ’n navorsingsverslag |
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E. Kruger |
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| Vol 27, No 1 (2006) |
The collective voice in The Madonna of Excelsior : narrating transformative possibilities |
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N.S. Zulu |
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| Vol 27, No 1 (2006) |
Between freedom and self-subjection: the dilemma of writing in an African language |
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N. Maake |
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| Vol 27, No 1 (2006) |
Die skryf vind plaas in selfgeveg: versoeningstrategieë in Kleur kom nooit alleen nie deur Antjie Krog |
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M. Taljard |
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| Vol 27, No 1 (2006) |
'Life?': modernism and liminality in Douglas Livingstone’s A littoral zone |
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E. Terblanche |
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| Vol 27, No 1 (2006) |
Die digter in transito: reisverse en liminaliteit in Lykdigte en Ruggespraak van Joan Hambidge |
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A. Nel |
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| Vol 27, No 1 (2006) |
Afstand en belewenis: liminale ruimtes en oorlewing in Niggie deur Ingrid Winterbach |
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H. Du Plooy |
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| Vol 27, No 1 (2006) |
Subverting the pastoral: the transcendence of space and place in J.M. Coetzee’s Disgrace |
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S. Smit-Marais, M. Wenzel |
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| Vol 27, No 1 (2006) |
'Ek is besig om iemand heeltemal anders te word ...': die ontginning van liminaliteit in Vaselinetjie deur Anoeschka von Meck |
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D. van Zyl |
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| Vol 27, No 1 (2006) |
Wildernis en woestyn: omgewingskragte teen die mens s’n in Boendoe en Toewaaisand |
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S. Meyer |
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| Vol 27, No 1 (2006) |
Liminal spaces and imaginary places in The bone people by Keri Hulme and The folly by Ivan Vladislavic |
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M. Wenzel |
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| Vol 27, No 1 (2006) |
V.S. Naipaul’s A way in the world: contesting liminality by translating the historical past |
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ZHU Ying |
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| Vol 26, No 3 (2005) |
Medea praat Afrikaans |
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B. van Zyl Smit |
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| Vol 26, No 3 (2005) |
Johannes Kerkorrel en postapartheid- Afrikaneridentiteit |
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M. Viljoen |
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| Vol 26, No 3 (2005) |
A socially committed literary work: perspectives on Elliot Zondi’s Insumansumane |
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N.N. Mathonsi |
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| Vol 26, No 3 (2005) |
Die hiërargiese ontwikkeling en grammatiese kenmerke van die Noord- Sotho werkwoordstam -ba |
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W.J. Pretorius |
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| Vol 26, No 3 (2005) |
Echoes of orality in Christian Xhosa songs |
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M.M. Somniso |
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| Vol 26, No 3 (2005) |
Breyten Breytenbach se Boek: die taal (poësie) as voelinstrument om bewussyn te verken |
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W. Burger |
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| Vol 26, No 3 (2005) |
Die spel van assosiasies in en om 'Die verlossing van die beeld' van Breyten Breytenbach |
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P.A. du Toit |
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| Vol 26, No 2 (2005) |
'Naming of parts', or, how things shape up in transcultural literary history |
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L. de Kock |
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| Vol 26, No 2 (2005) |
Hands as markers of fragmentation |
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A. Barnard, J-L Kruger |
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| Vol 26, No 2 (2005) |
Sterke vrouwen! De institutionele positie van de eerste Afrikaanse schrijfsters |
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I. Glorie |
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| Vol 26, No 2 (2005) |
The technique of flashback in selected Northern Sotho literary texts |
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M.J. Mojalefa, R.S. Phala |
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| Vol 26, No 2 (2005) |
Symbolism in the poetry of S.M. Burns-Ncamashe |
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Z. Mtumane |
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| Vol 26, No 2 (2005) |
Jong lesers se identifisering met karakters: skryfteorie en -praktyk |
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F. Greyling |
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| Vol 26, No 2 (2005) |
The role of political songs in the realisation of democracy in South Africa |
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H.C. Groenewald |
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| Vol 26, No 1 (2005) |
Skinder as gespreksgenre |
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G.S. van der Merwe |
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| Vol 26, No 1 (2005) |
Vos, Faust, Voss: raakpunte tussen Vos deur Anna M. Louw en enkele ander tekste |
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P. John |
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| Vol 26, No 1 (2005) |
Identity, difference and healing: Reading Beloved within the context of John Caputo’s theory of hermeneutics |
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B. du Plooy, P. Ryan |
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| Vol 26, No 1 (2005) |
A study of identity in post-apartheid South African English literature: The Pickup by Nadine Gordimer |
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M.J. Cloete |
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| Vol 26, No 1 (2005) |
The crucial role of literature in the generation of knowledge and critical thinking |
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M. Wenzel |
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| Vol 26, No 1 (2005) |
Protest against social inequalities in B.W. Vilakazi’s poem 'Ngoba ... sewuthi' ('Because ... you now say') |
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N. Zondi, N. Canonici |
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| Vol 26, No 1 (2005) |
Who killed Kesentseng? Cultural knowledge and narratological analysis in the interpretation of the Setswana short story 'Ga le a ka la tswa' ('Doomed to die before dawn') by B.D. Magoleng |
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M. Letsie, H. du Plooy |
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| Vol 25, No 3 (2004) |
M.E.R. – 'Reg op ereplek' as kinderboekskrywer |
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G. Wybenga |
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| Vol 25, No 3 (2004) |
Kinder- en jeugtoneel in Afrikaans: oorsig en tendense |
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J.L. Coetser |
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| Vol 25, No 3 (2004) |
English South African children’s literature and the environment |
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E.R. Jenkins |
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| Vol 25, No 3 (2004) |
Shaping the self: A Bildungsroman for girls? |
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I. Noomé |
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| Vol 25, No 3 (2004) |
Humor in kinderverhale in die tersiêre en intermediêre fases van taalonderwys |
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J. van Niekerk, B. van der Westhuizen |
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| Vol 25, No 3 (2004) |
Let’s sing our heroes: A comparison of biographical series for children in Kenya and South Africa |
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C.K. Muriungi |
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| Vol 25, No 3 (2004) |
Post-apartheid representations of youth in the Zulu novel Kungasa ngifile |
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N.S. Zulu |
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| Vol 25, No 3 (2004) |
Realistic teenage fiction with a sexrelated theme: Readers’ responses to Slinger-slinger by Francois Bloemhof |
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M.N. Wiggill, G.F. de Wet |
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| Vol 25, No 3 (2004) |
’n Konstruktiwistiese benadering tot die fasilitering van die jeugverhaal Dans op die rand van ’n krans (Elkarien Fourie) |
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E. de Beer |
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| Vol 25, No 3 (2004) |
The unwritten textbook of the folktale: A case study of 'Morongwa le Morongwanyana' (The Messenger and the Small messenger) |
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M.M. Letsie |
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| Vol 25, No 3 (2004) |
Promoting children’s literature: The challenges and possibilities of using the Internet in a developing society |
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F. Greyling |
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| Vol 25, No 3 (2004) |
Wie skryf wat vir wie? ’n Outeursprofiel van die Afrikaanse kinder- en jeugprosa (fiksie) 1990-2001 |
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M. Snyman |
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| Vol 25, No 2 (2004) |
Good grief: Lord of the Flies as a post-war rewriting of salvation history |
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M. van Vuuren |
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| Vol 25, No 2 (2004) |
Bury my bones but keep my words: The interface between oral tradition and contemporary African writing |
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M.J. Cloete |
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| Vol 25, No 2 (2004) |
Beyond the walls of the lunatic asylum: Christopher Hope’s early fiction |
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F. Wood |
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| Vol 25, No 2 (2004) |
Die waarde van kognitiewe semantiek in die analisefase van vertaling |
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M. Pienaar |
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| Vol 25, No 2 (2004) |
Communicating social inclusiveness: Paul Slabolepszy’s Fordsburg’s Finest (1997) |
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M.A. van Deventer |
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| Vol 25, No 2 (2004) |
Weerstand teen teksgebonde navorsing: ’n bydrae tot ’n omgekeerde benadering tot kultuurstudie |
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K.G. Tomaselli, N. Oets |
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| Vol 25, No 2 (2004) |
Some aspects of imagery in the poetry of S.M. Burns-Ncamashe |
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Z. Mtumane |
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| Vol 25, No 1 (2004) |
Revisiting reviewing: The need for a debate on the role of arts journalism in South Africa |
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H. Wasserman |
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| Vol 25, No 1 (2004) |
Reclaiming lost ground – the history play in Zulu |
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H.C. Groenewald |
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| Vol 25, No 1 (2004) |
The butler in (the) passage: The liminal narrative of Kazuo Ishiguro’s The Remains of the Day |
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K. Scherzinger |
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| Vol 25, No 1 (2004) |
Meer dydelikhyt oor die punch en die vis: ’n Vergelyking van Niggie, Daar’s vis in die punch en Eilande |
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P. John |
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| Vol 25, No 1 (2004) |
Translating traces: Deconstruction and the practice of translation |
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J.L. Kruger |
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| Vol 25, No 1 (2004) |
'Whither am I wandering?' A journey into the Self – Mary Wollstonecraft’s travels in Scandinavia, 1795 |
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M. Beard |
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| Vol 25, No 1 (2004) |
Mitisiteit as basis vir vergelykende literatuurstudie, met verwysing na waterslangsimboliek |
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J. Lombard |
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| Vol 25, No 1 (2004) |
Waterslangverhale in Afrikaans: die relevansie van mitisiteit |
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J. Lombard |
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| Vol 24, No 3 (2003) |
The top, the bottom and the middle: Space, class and gender in Metropolis |
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D.C. Byrne |
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| Vol 24, No 3 (2003) |
Op weg na ’n koherente siening van die taal- en tekspraktyk |
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M. Verhoef, W.A.M. Carstens, K. van de Poel |
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| Vol 24, No 3 (2003) |
Aspekte van die genetiese proses by Opperman soos afgelei uit ’n variantestudie van 'Gedagtes by ’n sarkofaag' |
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E. Meihuizen |
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| Vol 24, No 3 (2003) |
Die gebruik van Wit oemfaan (F.A. Venter) in ’n imagologiese raamwerk vir die onderrig van Afrikaans as addisionele taal |
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E. Kruger |
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| Vol 24, No 3 (2003) |
'Living in a place called exile': The universals of the alienation caused by isolation |
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J-M Claassen |
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| Vol 24, No 3 (2003) |
Taalideologie en Afrikatale: universiteitstudente se persepsie daarvan in ’n postapartheidsbedeling in Suid-Afrika |
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C.J. Venter |
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| Vol 24, No 3 (2003) |
Poësie en popkultuur: oor enkele gedigte van Joan Hambidge |
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A. Nel |
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| Vol 24, No 2 (2003) |
Het gezicht van de oorlog – het gezicht van de Ander: epifanie van het gelaat in Die son struikel van Dolf van Niekerk |
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J. Koch |
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| Vol 24, No 2 (2003) |
Aantekeninge oor Die ryk van die rawe deur Jaco Fouché |
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N. Kruger, H. van Coller |
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| Vol 24, No 2 (2003) |
Die psigologiese identiteit van die bose: Lacan, aggressie en Op soek na generaal Mannetjies Mentz |
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L. Barnard |
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| Vol 24, No 2 (2003) |
Die agtergrond en ontstaansgeskiedenis van Hubert du Plessis se Duitse en Franse liedere |
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H. van der Mescht |
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| Vol 24, No 2 (2003) |
Stagnering en transformering: die rol van die nar in Paljas |
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A. Nel |
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| Vol 24, No 2 (2003) |
Die spieël as blinde mond: die poësie van Breyten Breytenbach |
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A. Coetzee |
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| Vol 24, No 2 (2003) |
The Beowulf manuscript reconsidered: Reading Beowulf in late Anglo-Saxon England |
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L. Viljoen |
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| Vol 24, No 1 (2003) |
Spore in die sand – ’n herbeskouing van die oeuvre van C.M. van den Heever |
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H. du Plooy |
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| Vol 24, No 1 (2003) |
Waardepeilings van die digkuns van C.M. van den Heever |
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B. Odendaal |
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| Vol 24, No 1 (2003) |
Vrouekarakters in enkele prosawerke van C.M. van den Heever |
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E. Botha |
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| Vol 24, No 1 (2003) |
Die gesprek tussen C.M. van den Heever se werk en enkele moderne Suid-Afrikaanse romans |
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H.P. van Coller |
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| Vol 24, No 1 (2003) |
Noem my jou metafore... Metaforiese taal as geloofstaal |
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E. Kloppers |
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| Vol 24, No 1 (2003) |
Towards accountability: A point of orientation for post-modern applied linguistics in the third millennium |
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A. Weideman |
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| Vol 24, No 1 (2003) |
’n Etimologiese perspektief op betekenisverandering in die Afrikaanse leksikon |
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T. van der Merwe |
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| Vol 24, No 1 (2003) |
’n Ondersoek na die identifisering van deiktiese ruimte in die prosa |
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J. Anker |
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| Vol 23, No 3 (2002) |
And a Threefold Cord: La Guma’s neglected masterpiece? |
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G. Cornwell |
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| Vol 23, No 3 (2002) |
George Orwell's Animal Farm: A metonym for a dictatorship |
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H. Sewlall |
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| Vol 23, No 3 (2002) |
Ezra Pound’s orientalist poetry, natural rootedness, and Lepidoptera |
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J.E. Terblanche, R.F. Terblanche |
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| Vol 23, No 3 (2002) |
Producing subjectivities, taking risks: New directions for teaching women?s poetry in South Africa |
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P.D. Ryan |
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| Vol 23, No 3 (2002) |
Oor Austro-Nederlands en die oorsprong van Afrikaans |
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C. de Ruyter, E.F. Kotzé |
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| Vol 23, No 3 (2002) |
Two bad-time stories and a song of hope |
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A.H. Gagiano |
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| Vol 23, No 3 (2002) |
The development of critical and cultural literacies in a study of Mariama Ba's So Long a Letter in the South African literature classroom |
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R.H. Latha |
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| Vol 23, No 3 (2002) |
Imagologie en die bestudering van literêre stereotipes in die onderrig van Afrikaans as addisionele taal |
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E. Kruger |
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| Vol 23, No 3 (2002) |
Aspekte van die outeursfunksie in Antjie Krog se Lady Anne (1989) |
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M. Crous |
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| Vol 23, No 3 (2002) |
The many 'faces' of history: Manly Pursuits and Op soek na generaal Mannetjies Mentz at the interface of confrontation and reconciliation |
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M. Wenzel |
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| Vol 23, No 3 (2002) |
Die vertaler as bemagtigingsagent: ’n gevallestudie |
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T.R. Rodrigues |
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| Vol 23, No 2 (2002) |
Betekeniskonstruksie as kreatiewe proses: ’n tekslinguistiese benadering |
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I. Esterhuizen |
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| Vol 23, No 2 (2002) |
Conversation, characterisation and corpus linguistics: Dialogue in Jane Austen’s Sense and Sensibility |
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E.H. Hubbard |
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| Vol 23, No 2 (2002) |
Register-analysis as a means for eliciting the meaning of literary texts |
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C. Jeffery |
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| Vol 23, No 2 (2002) |
Tekslinguistiek: van teorie tot praktyk |
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S. Prinsloo |
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| Vol 23, No 2 (2002) |
Antjie Krog se vertaling van Henk van Woerden se roman Een mond vol glas |
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H.P. van Coller |
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| Vol 23, No 2 (2002) |
Die taalkundige analise van ’n literêre teks: leksikale kohesie in 'My broer se kraai' |
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G. van den Berg |
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| Vol 23, No 2 (2002) |
Destruksie ten minste tien maal beklemtoon – ’n interpretasie van 'Kraak die aardbol langs ’n naat' van Wilma Stockenström |
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B. van der Westhuizen |
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| Vol 23, No 2 (2002) |
Karolina Ferreira (1993) van Lettie Viljoen en Vincent van Gogh se 'Die Nagkafee' (1888): ’n ruimtelik-koherente lesing |
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P. van Schalkwyk, H. du Plooy, W.A.M. Carstens |
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| Vol 23, No 2 (2002) |
Konteks: ’n metafoorskeppende veranderlike |
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W.J. Botha |
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| Vol 23, No 2 (2002) |
Die diskoers tussen Job en Cloete struktureelsemanties beskou |
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J. Buscop |
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| Vol 23, No 2 (2002) |
Language through literature through language: An action research report on the English 100 course at the University of North West |
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I. Butler |
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| Vol 23, No 1 (2002) |
Representation and function of characters from Greek antiquity in Benjamin Britten’s Death in Venice |
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B. Spies |
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| Vol 23, No 1 (2002) |
Konflik, representasie, interpretasie – die waarheid gelieg |
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R. Robinson |
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| Vol 23, No 1 (2002) |
'Afgekyk van en nagepraat na …': Nederlandse tekste in 'Vroue van Vermeer' van T.T. Cloete |
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A. Nel |
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| Vol 23, No 1 (2002) |
The man with the phrase book in his head: On the literariness of the illiterate Homer |
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J. Alant |
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| Vol 23, No 1 (2002) |
Doubling desire: The Yeatsian Daimon |
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N. Meihuizen |
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| Vol 23, No 1 (2002) |
The verse-form of Northern Sotho oral poetry |
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M.J. Mojalefa |
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| Vol 23, No 1 (2002) |
The modern city: A symbolic space of memory and a crucible for multiculturalism? |
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J. Vlasselaers |
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| Vol 22, No 2 (2001) |
Wetenskaplike woordidentifikasie en -klassifikasie in Bantoetale met besondere verwysing na Zoeloe |
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L. Posthumus |
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| Vol 22, No 2 (2001) |
'A white fly on the sombre window pane': The construction of Africa and identity in Breyten Breytenbach’s poetry |
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L. Viljoen |
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| Vol 22, No 2 (2001) |
Translating The Waste Land: Literal accuracy, poetic fidelity and cross-cultural communication |
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A. Wessels |
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| Vol 22, No 2 (2001) |
Okonkwo’s fate and the worldview of Things Fall Apart |
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A. Foley |
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| Vol 22, No 2 (2001) |
Reading the ideological subtext in André Brink’s An Instant in the Wind and Patrick White’s A Fringe of Leaves |
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M. Wenzel |
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| Vol 22, No 2 (2001) |
Die teksversorger as spookskrywer: Die teorie en professie onder die loep |
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A. Kotze, M. Verhoef |
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| Vol 22, No 2 (2001) |
’n Perspektief op ironie in die hedendaagse Afrikaanse taalgebruik |
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T. van der Merwe |
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| Vol 22, No 2 (2001) |
Die dialoog tussen die voorblad, die manneplot en die verhale in Dulle Griet van Riana Scheepers |
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G.H. Taljaard |
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| Vol 22, No 1 (2001) |
Verhalen van Matsombo: Jef Geeraerts’ beeld van de 'Kongo-crisis' in Het verhaal van Matsombo |
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S. Huigen |
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| Vol 22, No 1 (2001) |
Van kind tot jong volwassene: Die ontwikkeling van die hoofkarakter in De koperen tuin van Simon Vestdijk |
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B. van der Westhuizen |
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| Vol 22, No 1 (2001) |
Het labyrint in de letterkunde: Van de Barok tot het Postmodernisme |
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H. Ester |
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| Vol 22, No 1 (2001) |
Al sietmen de lui…: Perspektiewe op boere en boerejolyt in enkele Nederlandse en Afrikaanse gedigte |
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D. van Zyl |
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| Vol 22, No 1 (2001) |
Nieuwe momenten? De Nederlandse roman na 1985 |
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E. Francken |
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| Vol 22, No 3 (2001) |
The musical magic of ambiguity in Benjamin Britten’s Death in Venice |
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B.M. Spies |
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| Vol 22, No 3 (2001) |
Die insluiting van ’n (multi-)kulturele komponent in die kurrikulum vir Afrikaans as addisionele taal |
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E. Kruger |
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| Vol 22, No 3 (2001) |
Taaloordrag in die onderrig van Afrikaans as tweede taal |
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M. Stander |
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| Vol 22, No 3 (2001) |
Die internet as dinamiese taalomgewing: taalveranderingsverskynsels in Internetafrikaans |
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M. Verhoef |
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| Vol 22, No 3 (2001) |
‘Looting killed’ the audience: Africanlanguage writing, performance, publishing and the audience |
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T. J. Selepe |
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| Vol 22, No 3 (2001) |
Die kleur van vers en verf: Antjie Krog in gesprek met Marlene Dumas |
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A. Nel |
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| Vol 22, No 3 (2001) |
Die literariteit van die sogenaamde ‘verhalende element’ in tradisionele heroïese Sothopoësie – ’n intertekstuele ondersoek |
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W. J. Pretorius |
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| Vol 21, No 3 (2000) |
The war poems of Mongane Serote: The Night Keeps Winking and A Tough Tale |
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D. M. Hlabane |
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| Vol 21, No 3 (2000) |
Assia Djebar, de l'écriture au cinéma |
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S-D Ménager |
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| Vol 21, No 3 (2000) |
Afstand en vereenselwiging: Perspektiewe op die veranderende betekenisse van boer en Boer in die Afrikaanse poësie |
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D. van Zyl |
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| Vol 21, No 3 (2000) |
Crossing spatial and temporal boundaries: Three women in search of a future |
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M. Wenzel |
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| Vol 21, No 3 (2000) |
Imagining Afrikaners musically: Reflections on the ‘African music’ of Stefans Grové |
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S. J. Muller |
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| Vol 21, No 3 (2000) |
Die invloed van taalhoudings op onderrigmediumkeuse in Suid-Afrika |
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C. de Wet |
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| Vol 21, No 3 (2000) |
Taalversorging - teoreties gefundeer in die taalpraktyk? |
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A. du Plessis, W. A.M Carstens |
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| Vol 21, No 3 (2000) |
Translating poetry: Creative art or semantic science? A case study |
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C. Beckett |
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| Vol 21, No 1 (2000) |
Die Afrikaanse poësie vir kykers |
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J. van der Elst, C. Reinecke |
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| Vol 21, No 1 (2000) |
Revising Stanley’s footsteps: encountering the ‘other’ in Darkest England (1996) by Christopher Hope |
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H. Roos |
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| Vol 21, No 1 (2000) |
A close[r] reading of E.E. Cummings’s ‘anti-rationality’ |
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J. E. Terblanche, A. M. de Lange |
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| Vol 21, No 1 (2000) |
Also sprach Treppie: Taal en verhaal as muurpapier in Marlene van Niekerk se Triomf (of 'It’s all in the mind') |
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W. Burger |
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| Vol 21, No 1 (2000) |
Paul Slabolepszy’s angst-ridden Elvis |
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M. van Deventer |
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| Vol 21, No 1 (2000) |
Marguerite Yourcenar’s Le Labyrinthe du Monde: autobiography of an absent self? |
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E. Snyman |
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| Vol 21, No 1 (2000) |
Psychological afflictions as expressed in Bessie Head’s A Question of Power and Tsitsi Dangarembga’s Nervous Conditions |
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N. Cloete |
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| Vol 21, No 1 (2000) |
Desire, gender, power, language: a psychoanalytic reading of Mary Shelley’s Frankenstein |
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H. Kotze |
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| Vol 20, No 3 (1999) |
Die Anglo-Boereoorlog: ’n vertekende beeld vanuit die vreemde |
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J. van der Elst |
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| Vol 20, No 3 (1999) |
Verset en volharding: die lewe van Rachel Isabella (Tibbie) Steyn gedurende die Anglo-Boereoorlog |
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E. Truter |
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| Vol 20, No 3 (1999) |
Dagboeke as oorlogsdokumentasie: Johanna van Warmelo se dagboek en haar belewing van die Anglo-Boereoorlog |
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R. van der Merwe, J. Grobler |
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| Vol 20, No 3 (1999) |
The rhetoric of conflict and conflict by rhetoric: Ireland and the Anglo-Boer War (1899-1902) |
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A. Wessels |
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| Vol 20, No 3 (1999) |
‘Volkshelde’: die Boerekrygerbeeld en die konstruksie van Afrikanernasionalisme |
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K. du Pisani |
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| Vol 20, No 3 (1999) |
’n Oorlog met vele name - standpunte en realiteite oor ‘dié Oorlog’ (1899-1902) in Suid-Afrika |
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E. S. van Eeden |
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| Vol 20, No 3 (1999) |
Tot in die hart van boosheid: Twee resente Afrikaanse romans oor die Anglo-Boereoorlog |
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L. Renders |
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| Vol 20, No 3 (1999) |
What Oom Gert does not tell: Silences and resonances of C. Louis Leipoldt’s ‘Oom Gert vertel’ |
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H. Viljoen |
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| Vol 20, No 3 (1999) |
Die politiek van herinnering: spore van trauma |
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J. Snyman |
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| Vol 20, No 3 (1999) |
Writing of(f) the women of the National Women’s Monument |
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E. Cloete |
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| Vol 20, No 2 (1999) |
Doing It for Athol: Representation and appropriation in My Life |
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M. West |
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| Vol 20, No 2 (1999) |
The real(modern)ist novel |
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H. Eid |
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| Vol 20, No 2 (1999) |
Die aard en funksie van Zoeloe-folklore in Die ding in die vuur van Riana Scheepers |
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G. H. Taljaard |
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| Vol 20, No 2 (1999) |
Oosgrensafrikaans as teoretiese konstruk onder die loep |
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H. P. Grebe |
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| Vol 20, No 2 (1999) |
KWU-werkersklasdramas in Afrikaans (ca. 1930 - ca. 1950) |
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J. L. Coetser |
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| Vol 20, No 2 (1999) |
’n Oorsig oor die grammatiese beskrywing van die sogenaamde ‘onderwerpskakel’ in Sotho en Zulu: histories en kontemporêr |
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W. J. Pretorius |
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| Vol 20, No 2 (1999) |
’n Tekslingulstlese anallse van die gebruik van en |
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S. Prinsloo |
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| Vol 20, No 2 (1999) |
Subjektiwiteit en vroulike liggaamlikheid in enkele tekste van Riana Scheepers en Antjie Krog |
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A. Visagie |
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| Vol 20, No 2 (1999) |
Die mites oor Afrikaans: ’n inleidende beskouing oor die persepsie van Afrikaans as onderdrukkerstaal |
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M. Verhoef |
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| Vol 20, No 1 (1999) |
Ambivalence in the Christian poetry of C.S. Lewis |
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G. M. Smith |
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| Vol 20, No 1 (1999) |
De wondere wereld van Alex van Warmerdam: absurdisme in de eigentijdse Nederlandse film |
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L. Nas |
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| Vol 20, No 1 (1999) |
Oosgrensafrikaans: ’n te eksklusiewe begrip? |
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H. P. Grebe |
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| Vol 20, No 1 (1999) |
Die ouderdommetafoor vanuit ’n kognitlewe vertrekpunt |
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M. A. Pauw |
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| Vol 20, No 1 (1999) |
Die Dag van die Here in As Silo kom van Hennie Jones |
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P. Verster |
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| Vol 20, No 1 (1999) |
Speaking for the slave: Britain and the Cape, 1751-1838 |
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M. Lenta |
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| Vol 20, No 1 (1999) |
Hesseling: ’n eeu later |
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F. Ponelis |
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| Vol 20, No 1 (1999) |
Tacitus se uitbeelding van Agrippina Minor |
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M. Dircksen |
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| Vol 19, No 3 (1998) |
Reis as ondergrawing van meesterverhale: die reise van Ratkas en Isobelle |
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W. Burger |
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| Vol 19, No 3 (1998) |
Verhale oor die Anglo-Boereoorlog |
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C. N. van der Merwe |
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| Vol 19, No 3 (1998) |
Postmodernistiese tendense in Magersfontein, o Mogersfonfein! deur Etienne Leroux |
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M. J. Prins |
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| Vol 19, No 3 (1998) |
Die Clarens-inspirasie en ruimtebeelding in Plek van die bruin geeste (Elsabe Steenberg) |
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B. van der Westhuizen, J. van der Elst |
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| Vol 19, No 3 (1998) |
Membraan, dialoog, Ians - Bakhtin/Venter |
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H. Viljoen |
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| Vol 19, No 3 (1998) |
Rituele van plesier: Dolf van Coller se Die Bieliebalies |
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J. van Wyk |
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| Vol 19, No 3 (1998) |
Intertekstualiteit as simbiotiese saam-bestaan: twee naamgenote en ’n belese engel |
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H. du Plooy |
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| Vol 19, No 3 (1998) |
Literêre vertaling as kruiskulturele kommunikasie: Kortonnen dozen van Tom Lanoye in Afrikaans |
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M. Erasmus |
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| Vol 19, No 3 (1998) |
Die reisverslag van ’n post-kolonialistiese reisiger: Die reise van Isobelle deur Elsa Joubert |
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H. P. van Coller |
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| Vol 19, No 2 (1998) |
'Nederlandismes' in HAT |
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F. van Houwelingen, A. Carstens |
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| Vol 19, No 2 (1998) |
Die Afrikaans van Engelssprekende universiteitstudente: intertaalperspektiewe |
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B. Bosch |
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| Vol 19, No 2 (1998) |
Women and transformation: A recurrent theme in Head and Ngugi |
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N. Cloete |
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| Vol 19, No 2 (1998) |
Between nostalgia and parody: The representation of childhood and youth in Afrikaans literature of the nineties |
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H. P. van Coller |
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| Vol 19, No 2 (1998) |
Tout-Monde, Glissant ... comme ses noms l’indiquent |
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S. D. Ménager |
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| Vol 19, No 2 (1998) |
Die identifikasie van generies onderskeidende strategieë in dramatiese kommunikasie: ’n interdlssiplinêre benadering |
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N-A Anderson |
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| Vol 19, No 1 (1998) |
The ‘soccer war’ and the ‘city that sailed Away’: magical realism and New Journalism in the work of Ryszard Kapuscinski |
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F. Wood |
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| Vol 19, No 1 (1998) |
The moral theme in Zulu literature: a progression |
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M. Marggraff |
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| Vol 19, No 1 (1998) |
Die vrou in T.T. Cloete se 'toepasslngs van dante' |
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R. Ward |
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| Vol 19, No 1 (1998) |
Die engel op die vlaktelandskap |
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G. A. Jooste |
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| Vol 19, No 1 (1998) |
Funksionele meertaligheid in Suid-Afrika: 'n onbereikbare ideaal? |
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M. Verhoef |
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| Vol 19, No 1 (1998) |
An approach to power relations: Bessie Head and Luisa Valenzuela |
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M. Wenzel |
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| Vol 19, No 1 (1998) |
Rhetorical engagement with racism: Uncle Tom’s Cabin and Adventures of Huckleberry Finn |
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B. E. Kim |
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| Vol 18, No 3 (1997) |
Tales of transition |
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H. Viljoen, E. Hentschel |
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| Vol 18, No 3 (1997) |
Parallels and contrasts - Wendezeit in South African and German literature |
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P. Horn |
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| Vol 18, No 3 (1997) |
Oorgangsliteratuurgeskiedenis: die illusie van ’n nasionale Suid-Afrikaanse letterkunde |
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A. Coetzee |
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| Vol 18, No 3 (1997) |
‘Op die limiete’: Karel Schoeman se Verkenning (1996) |
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H. van Vuuren |
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| Vol 18, No 3 (1997) |
Catastrophe and beauty: Ways of Dying, Zakes Mda’s novel of the transition |
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J. van Wyk |
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| Vol 18, No 3 (1997) |
Flitse van sosiale verandering in enkele postmodernistiese Afrikaanse romans |
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D. H. Steenberg |
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| Vol 18, No 2 (1997) |
‘ons is nie halfnaaitjies nie/ons is Kaaps’: Die wroeging met identiteit by enkele swart Afrikaanse skrywers |
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S. van Wyk |
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| Vol 18, No 2 (1997) |
Contingency and construction: from mimesis to postmodernism |
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P. V. Zima |
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| Vol 18, No 2 (1997) |
Is T.T. Cloete ’n Calvinistiese digter? |
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B. J. Odendaal |
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| Vol 18, No 2 (1997) |
Tienertaal in disse flippen stukkende wêreld dié, my ou (Hans du Plessis, 1991) |
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B. Bosch |
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| Vol 18, No 2 (1997) |
Travelling towards an Identity as skeppende beginsel in die nuwe Breytenbach-tekste |
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M. Sienaert |
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| Vol 18, No 2 (1997) |
‘Liegfabriek’: tekslinguistiese bindingspatrone |
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B. Bosch, W. du Plessis |
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| Vol 18, No 2 (1997) |
Die gebruik van narratiewe kodes by die TV drama: ’n steekproef |
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S. Louw |
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| Vol 18, No 1 (1997) |
Sluiting in die drama |
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N. Anderson |
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| Vol 18, No 1 (1997) |
Multikulturele dramas? ’n Voorlopige ondersoek |
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J. L. Coetser |
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| Vol 18, No 1 (1997) |
Enlightened state versus millenarian vision: A comparison between two historical novels |
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Z. Roelofse-Campbell |
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| Vol 18, No 1 (1997) |
The urge to begin anew: Visions of America in some American long poems |
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T. Ullyatt |
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| Vol 18, No 1 (1997) |
Die aard van persoonstoename in Calvinia en omgewing: ’n pragmatiese beskouing |
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F. Hendricks |
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| Vol 18, No 1 (1997) |
Die transformasie van Afrikaans - die afgelope dekade se mediadebat in oënskou |
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M. Verhoef |
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| Vol 18, No 1 (1997) |
Humoristiese byname van tieners: ’n sosio-onomastiese perspektief |
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B. Bosch, V. de Klerk |
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| Vol 18, No 1 (1997) |
On the recovery of an ancient text: Principles of editing, The diaries of Lady Anne Barnard |
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M. Lenta |
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| Vol 17, No 3 (1996) |
The sexist nature of sexual expressions in Afrikaans |
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G. B. van Huyssteen |
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| Vol 17, No 3 (1996) |
The ‘other’ side of history as depicted in Isabel Allende’s Of Love and Shadows |
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M. Wenzel |
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| Vol 17, No 3 (1996) |
Die gebruik van die mite in Die werfbobbejaan van Alexander Strachan |
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E. M.M. Klopper |
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| Vol 17, No 3 (1996) |
Politieke determinante in die hedendaagse gesprek oor Afrikaans |
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M. Verhoef |
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| Vol 17, No 3 (1996) |
Verteltoon as probleem in Gevaarlike land van Louis Krüger |
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A. A.E. Gouws, J. H. Johl |
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| Vol 17, No 3 (1996) |
Community theatre and indigenous performance traditions: An introduction to Chicano theatre, with reference to parallel developments in South Africa |
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C. Rahner |
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| Vol 17, No 3 (1996) |
The compulsion to confess |
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S. van Zyl, J. Sey |
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| Vol 17, No 3 (1996) |
The spaces of truth and cathedral window light |
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G. Gillespie |
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| Vol 17, No 2 (1996) |
A critical analysis of Pier Paolo Pasolini’s African Oresteia |
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K. Michaelis |
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| Vol 17, No 2 (1996) |
Die begrip dramatiese didaskalia (weer) beskou |
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J. L. Coetser |
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| Vol 17, No 2 (1996) |
Nou, toe en dan as temporele leksikale elemente in Afrikaans |
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T. van der Merwe |
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| Vol 17, No 2 (1996) |
Drought-breaking love: An analysis of the moral values implied in ‘Drought’ by Jan Rabie |
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C. N. van der Merwe |
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| Vol 17, No 2 (1996) |
Psychoanalysis, science fiction and cyborgianism |
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J. Sey |
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| Vol 17, No 2 (1996) |
Paul de Man: betekenisvorming deur blindheid en insig |
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M. Muller, H. Viljoen |
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| Vol 17, No 2 (1996) |
'Did you say oral literature?' asked Walter Ong |
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J. Alant |
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| Vol 17, No 2 (1996) |
‘Text’ and ‘voice’ in recent South African poetry |
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C. Woeber |
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| Vol 17, No 2 (1996) |
Die vyfvoudig versterkte vertellersfunksie in die dagboeke van Anne Frank |
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C. Reinecke, J. van der Elst |
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| Vol 17, No 1 (1996) |
Beckett and Coetzee: The aesthetics of insularity |
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N. Meihuizen |
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| Vol 17, No 1 (1996) |
‘Hoe praat jy met ’n hele volk?’ (N.P. van Wyk Louw) |
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F. I.J. van Rensburg |
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| Vol 17, No 1 (1996) |
'Speech within speech': The writing of Antonio Tabucchi |
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R. Wilson |
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| Vol 17, No 1 (1996) |
Die antieke Griekse lofgedig |
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W. J. Henderson |
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| Vol 17, No 1 (1996) |
Writing on the earth: Early European travellers to South Africa |
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M. Sienaert, L. Stiebel |
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| Vol 17, No 1 (1996) |
Linguistic power bases and structures in Kopstukke (1992) by Jeanne Goosen |
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B. Bosch |
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| Vol 17, No 1 (1996) |
Christelijke literatuur in Nederland aan het einde van de 20e eeuw |
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H. Werkman |
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| Vol 17, No 1 (1996) |
Oorspronklikheid en verwante begrippe by N.P. van Wyk Louw |
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H. J. Schutte |
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| Vol 17, No 1 (1996) |
Kultuur, subjektiwiteit en ek, Anna van Wyk |
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H. J. Vermeulen |
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| Vol 17, No 1 (1996) |
Dikeledi’s revenge: A reading of Bessie Head’s ‘The collector of treasures’ |
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M. Crous |
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| Vol 17, No 1 (1996) |
Tradisie en vernuwing - Hierdie lewe van Karel Schoeman |
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P. A. du Toit |
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| Vol 16, No 3 (1995) |
’n Retoriese analise van die vyf lykdigte in T.T. Cloete se Allotroop |
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L. Viljoen |
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| Vol 16, No 3 (1995) |
Idiolek van T.T. Cloete |
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E. Jooste |
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| Vol 16, No 3 (1995) |
‘hy itiaak die kafhok groen’ - aantekeninge by T.T. Cloete as ekoloog op rym |
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F. Olivie |
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| Vol 16, No 3 (1995) |
Fragmente sloer in ons ore: die reaktivering van ouer literere tekste in die oeuvre van T.T. Cloete |
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L. Venter |
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| Vol 16, No 3 (1995) |
Die taal as katedraal: Driepas van T.T. Cloete |
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A. van Jaarsveld, T. Gouws |
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| Vol 16, No 3 (1995) |
Die interfererende kontoere van Nijhoff en Cloete se poëtika |
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A. Nel, T. Gouws |
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| Vol 16, No 3 (1995) |
T.T. Cloete: prospekteerder van die albasterblou waterplaneet - ’n inleiding |
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H. du Plooy |
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| Vol 16, No 3 (1995) |
Hibriditeit in ‘Kameelperd’ Goties geteken |
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M. P. Beukes |
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| Vol 16, No 3 (1995) |
Die boek Job as bron van intertekste vir ‘Wie weet?' (Die waarheid gelieg, 1984) |
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E. Botha |
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| Vol 16, No 3 (1995) |
Op welke wyse word die waarheid gelieg? Die kortverhale van T.T. Cloete |
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H. du Plooy |
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| Vol 16, No 3 (1995) |
Die fenomenologie van T.T. Cloete |
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H. Viljoen |
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| Vol 16, No 3 (1995) |
Jukstaponering van Hom en my - die digter as hermeneut |
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A. S. Robinson |
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| Vol 16, No 2 (1995) |
Being and the dialectics of irony: A reading of some of Milan Kundera’s novels |
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H. Hattingh |
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| Vol 16, No 2 (1995) |
’n Teologie van teerheid - die alternatiewe kerk in Heinrich Böll se roman Gruppenbild mit Dame |
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C. Saayman |
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| Vol 16, No 2 (1995) |
’n Groene in De Nieuwe Gids, Frederik van Eeden, De kleine Johannes en die ekologisme |
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W. van Zyl |
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| Vol 16, No 2 (1995) |
Theology and practice in Piers Plowman |
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D. Levey |
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| Vol 16, No 2 (1995) |
Beleefdheid in Afrikaans: ’n sosiolinguistiese perspektief |
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B. Bosch |
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| Vol 16, No 2 (1995) |
Die verlede en versoening: Afrikaanse oorlogsliteratuur as (alternatiewe) bron van geskiedskrywing oor die indiwidu |
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M. Erasmus |
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| Vol 16, No 2 (1995) |
William Carlos Williams’ cubism: The sensory dimension |
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J-L Kruger |
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| Vol 16, No 2 (1995) |
‘Deur ’n waaier wat die bolig…’: ’n Vers oor die huwelik uit Antjie Krog se Lady Anne |
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M. Crous |
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| Vol 16, No 2 (1995) |
Die rol van die Saamwerk-Unie in die beslaggewing van Afrikaanse taaleksamens in Natal, 1917-1928 |
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P. J.J. Prinsloo |
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| Vol 16, No 2 (1995) |
Truth and reconciliation: Confronting the past in Death and the Maiden (Ariel Dorfman) and Playland (Athol Fugard) |
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C. Maree |
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| Vol 16, No 2 (1995) |
Taalgesindhede teenoor Afrikaans - ’n verkenning vanuit taalteoretiese perspektief |
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M. Verhoef |
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| Vol 16, No 2 (1995) |
Juffrou Sophia op soek na ’n nuwe perspektief |
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D. H. Steenberg |
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| Vol 16, No 2 (1995) |
Die stoetmeester van Etienne van Heerden: gesigte van ’n gestorwe siener |
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M. Hattingh |
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| Vol 16, No 1 (1995) |
Die antieke Griekse ‘religieuse’ liriek |
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W. J. Henderson |
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| Vol 16, No 1 (1995) |
In memoriam lingua: ’n linguistiese ondersoek van ’n metafiksionele teks deur Etienne van Heerden |
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L. Mackenzie |
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| Vol 16, No 1 (1995) |
Who speaks for extinct nations? The Beothuk and narrative voice |
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C. Leggo |
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| Vol 16, No 1 (1995) |
Verskyningsvorme van estetisisme en dekadensie in Sy kom met die sekelmaan en Kaapse rekwisiete |
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M. Grobbelaar |
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| Vol 16, No 1 (1995) |
Om inteendeel te sê: oor selfskepping - wanneer lewe en vertel deurmekaar raak |
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W. Burger |
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| Vol 16, No 1 (1995) |
The trickster and the prison house: The Bakhtinian dimension of ‘the carnivalesque’ in Breyten Breytenbach’s True Confessions of an Albino Terrorist |
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I. Dimitriu |
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| Vol 16, No 1 (1995) |
Maar net nog ’n butch? ’n Feministiese lesing van die Halewijnlied |
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D. J. Jordaan, W. Mulder |
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| Vol 16, No 1 (1995) |
Die vreemdelíngskaptema in enkele romans van Karel Schoeman, ’n Bespreking van die tussenskap |
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G. A. Jooste |
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| Vol 16, No 1 (1995) |
Critique, hesitation, death: Reflections on Koos Prinsloo’s Weifeling |
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P. J. Massyn |
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| Vol 16, No 1 (1995) |
Le Congo de Tintin |
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M-J Boisacq |
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| Vol 16, No 1 (1995) |
The emergence and transformation of literary space |
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R. Nethersole |
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| Vol 16, No 1 (1995) |
Ideologiese normverplasings en die Afrikaanse handwoordeboek van die negentigerjare |
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A. Carstens |
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| Vol 15, No 3 (1994) |
Brontaal- of ontvangtaalagensie in Oranjerivierafrikaans en die ontstaan van Afrikaans |
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H. du Plessis |
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| Vol 15, No 3 (1994) |
Die werking van die musiekmotief in De koperen tuin van Simon Vestdijk |
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B. van der Westhuizen |
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| Vol 15, No 3 (1994) |
The interpretation and evaluation of quantitative research studies in Second Language Acquisition |
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C. Dreyer, J. L. van der Walt |
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| Vol 15, No 3 (1994) |
A three-dimensional approach to the gender/sex of nouns in Biblical Hebrew |
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J. H. Kroeze |
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| Vol 15, No 3 (1994) |
Die vertaling van voorwaardelike konstruksies met die deelwoord in Bybelse Hebreeus in ’n aantal Bybelvertalings |
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H. F. van Rooy |
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| Vol 15, No 3 (1994) |
Nederland(s) en sy (Suid-) Afrikaanse metafore |
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H. Viljoen |
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| Vol 15, No 3 (1994) |
Die ontwikkeling van 'n paradigma vir die skryf van 'n kinderverhaal |
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L. Theron, H. du Plessis |
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| Vol 15, No 3 (1994) |
The same difference: Jesusa Palancares and Poppie Nongena’s testimonies of oppression |
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M. Wenzel |
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| Vol 15, No 3 (1994) |
Cyber against punk: Greg Bear’s Queen of Angels as metamorphosed cyberpunk |
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M. F. Blatchford |
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| Vol 15, No 3 (1994) |
e.e. cummings as an Expressionist poet |
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S. Coetzee-Van Rooy, A. L. Combrink |
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| Vol 15, No 2 (1994) |
F. Springer: diplomaat-skrywer |
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W. F. Jonckheere |
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| Vol 15, No 2 (1994) |
Die voorsetselwerkwoord in die werkwoordstelsel van Afrikaans |
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H. Larkins |
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| Vol 15, No 2 (1994) |
Ontronding in wit en bruin Afrikaans |
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D. Wissing |
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| Vol 15, No 2 (1994) |
Die verhouding tussen Klassieke retoriek en epistolografie |
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E. Cornelius |
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| Vol 15, No 2 (1994) |
The archetypal mandala: Visions of the self in the poetry of Coleridge, Eliot and Breytenbach |
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E. Deudney |
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| Vol 15, No 2 (1994) |
The nature of the beast: Yeats and the shadow |
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N. Meihuizen |
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| Vol 15, No 2 (1994) |
Die grapteks met verwysing na die interessantheidsbeginsel |
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P. S. de Bruyn |
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| Vol 15, No 2 (1994) |
Om ou koeie uit die sloot te grawe: is daar lesse te leer uit die verlede? — Enkele kantaantekeninge |
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W. A.M. Carstens |
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| Vol 15, No 2 (1994) |
Die dieper reg (N.P. van Wyk Louw): Royce, regsidee, resepsie |
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J. L. Coetser |
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| Vol 15, No 2 (1994) |
Afrikaanse oorlogspoësie na Sestig II |
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F. I.J. van Rensburg |
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| Vol 15, No 2 (1994) |
Lucebert en de religie: Een oratorium |
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J. van der Elst |
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| Vol 15, No 1 (1994) |
Afrikaanse oorlogspoësie na Sestig |
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F. I.J. van Rensburg |
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| Vol 15, No 1 (1994) |
Literatuurgeskiedskrywing en diskoers: die ‘begin’ van die Afrikaanse letterkunde |
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P. John |
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| Vol 15, No 1 (1994) |
Bevrijding en verzoening in ‘Libera nos, Domine’ |
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M. B. de Wind |
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| Vol 15, No 1 (1994) |
Die term dramaties: terug na Aristoteles |
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D. A. Pauw |
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| Vol 15, No 1 (1994) |
Die klassiflkasie van die antieke Griekse liriekvorms |
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W. J. Henderson |
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| Vol 15, No 1 (1994) |
Heart of Darkness and the epistemology of cultural differences |
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P. B. Armstrong |
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| Vol 15, No 1 (1994) |
Looking backward to the ‘new South Africa’ - J.M. Coetzee’s exploration of the protocols of travel writing |
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M. Marais |
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| Vol 15, No 1 (1994) |
Afrikaans as universiteitstaal: Onlangse ontwikkelinge in historiese en internasionale perspektief |
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J. C. Steyn |
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| Vol 15, No 1 (1994) |
Postmodernisme: doelgerig of vrolike fuif? 'n Polisieroman en 'n moorddroom |
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W. Burger |
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| Vol 14, No 3 (1993) |
The skaz narrative mode in short stories by W. C. Scully, Percy FitzPatrick, Perceval Gibbon and Herman Charles Bosman |
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C. MacKenzie |
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| Vol 14, No 3 (1993) |
Die verdonkerende spieël: Simbolistiese trekke in Wilma Stockenstrom se eerste drie bundels |
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M. Lombard, H. Viljoen |
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| Vol 14, No 3 (1993) |
Ideologie, ‘egte’ norme en literêre taalhandelinge |
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M. Rossouw |
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| Vol 14, No 3 (1993) |
Uitgebreide attributiewe konstruksies in Duits - ’n uitdaging vir Afrikaanssprekende studente |
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E. C. Steyn |
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| Vol 14, No 3 (1993) |
Vondste uit de oude doos: Hommage á T.T. Cloete |
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L. Venter |
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| Vol 14, No 3 (1993) |
’n Herlees van ‘Die sindelinghaan’ |
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G. Meintjes |
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| Vol 14, No 3 (1993) |
Die fantastiese as diskoerswyse in Willem Brakman se Glubkes oordeel |
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M. de Vries |
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| Vol 14, No 3 (1993) |
Fictionalization, conscientization and the trope of exile in Amandla and Third Generation |
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J. Geertsema |
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| Vol 14, No 2 (1993) |
Medieval English root clauses |
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H. W. Broekman |
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| Vol 14, No 2 (1993) |
Via alruin en seks tot God: die eiesoortige mistiek in die poësie van T.T. Cloete |
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B. J. Odendaal |
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| Vol 14, No 2 (1993) |
Afskeid en vertrek as dekadente roman |
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M. Grobbelaar, H. Roos |
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| Vol 14, No 2 (1993) |
Die andersheid van Die verdwaalde land – die waarheid as storie vertel |
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M. Hattingh |
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| Vol 14, No 2 (1993) |
Ons wag op die kaptein (Elsa Joubert): Bybel en Christendom as intertekste |
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M. J. Prins |
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| Vol 14, No 2 (1993) |
Drama en geskiedenis: ’n voorlopige verkenning |
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J. L. Coetser |
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| Vol 14, No 2 (1993) |
Afrikaans en interdissiplinêre studie: moontlikhede en eise in 'n toekomstige Suid-Afrika |
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W. A.M. Carstens |
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| Vol 14, No 2 (1993) |
The shape of a woman's life: Lady Anne Barnard's Memoir |
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M. Lenta |
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| Vol 14, No 2 (1993) |
Le mythe du bon sauvage Hottentot |
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M-J Boisacq |
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| Vol 14, No 1 (1993) |
Extraordinary events and primeval images: Magic realism in the works of Northern Sotho novelist O.K. Matsepe |
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G. M.M. Grobler |
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| Vol 14, No 1 (1993) |
‘Die dood van Digenis’ - mistifikasie van ’n Bisantynse held |
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B. Hendrickx |
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| Vol 14, No 1 (1993) |
’n Interpretasie van Karel Schoeman se roman, ’n Ander land binne die raamwerk van die laat negentiendeeeuse estetisistiese en dekadente literêre tradisie |
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M. Grobbelaar, H. Roos |
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| Vol 14, No 1 (1993) |
Op soek na die paradys: paradigma-ondermyning as leesstrategie toegepas op ‘Vrees van die arbeider’ (Heilige beeste) deur DJ. Opperman |
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D. J. Jordaan |
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| Vol 14, No 1 (1993) |
Zen-Boeddhistiese selfloosheid as sentrale interteks van die Breytenbach-oeuvre |
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M. Sienaert |
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| Vol 14, No 1 (1993) |
Gordimer’s rendition of the picaresque in A Sport of Nature |
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M. Wenzel |
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| Vol 14, No 1 (1993) |
More echoes from David Lodge’s Small World |
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D. Godwin |
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| Vol 14, No 1 (1993) |
Die rol van bioptemie in die postmodernistiese teks |
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M. Muller |
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| Vol 13, No 3 (1992) |
The terminator syndrome: Science fiction, cinema and contemporary culture |
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J. Sey |
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| Vol 13, No 3 (1992) |
The saving of appearances: Denys Arcand’s Jesus of Montreal |
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J. J. Snyman, H. P.P. Lötto |
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| Vol 13, No 3 (1992) |
Roman en film - stories in woorde en beelde ’n Voorstel vir ’n gevorderde kursus in literatuurwetenskap |
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H. du Plooy |
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| Vol 13, No 3 (1992) |
Time, technology, cinematic art and critique in The Terminator and Terminator II - Judgment Day; a philosophical interpretation |
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B. Olivier |
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| Vol 13, No 3 (1992) |
The ‘unreel’ in Woody Allen’s Zelig |
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L. Nas |
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| Vol 13, No 3 (1992) |
Postmodern cinema and postmodern culture: information-communication, otherness and history in Wenders’s Himmel über Berlin (Wings of Desire) |
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B. Olivier |
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| Vol 13, No 3 (1992) |
Documentary realism and film pleasure: Two moments from Euzhan Palcy’s A Dry White Season |
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J. Higgins |
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| Vol 13, No 3 (1992) |
‘Where meaning collapses’: Alien and the outlawing of the female hero |
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C. Belling |
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| Vol 13, No 3 (1992) |
The Unbearable Lightness of Being - a philosophical exploration |
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J. Degenaar |
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| Vol 13, No 3 (1992) |
Die ontvanger en Die vuurtoring, ’n metadiëgetiese televisiedrama |
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S. Louw |
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| Vol 13, No 3 (1992) |
Beyond Propp and Oedipus: Towards expanding narrative theory |
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J. Prinsloo |
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| Vol 13, No 3 (1992) |
Orkney snork nie/Orkney sno…: Perspektiewe op herhaling en ironie |
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J. Geertsema |
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| Vol 13, No 2 (1992) |
City and labyrinth: Theme and variation in Calvino and Duranti’s cityscapes |
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R. Wilson |
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| Vol 13, No 2 (1992) |
Aristoteles se siening van dramatiese spanning in die tragedie en die invloed daarvan op moderne dramateorie |
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L. Cilliers |
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| Vol 13, No 2 (1992) |
Simbolistiese trekke in die poësie van C. Louis Leipoldt |
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M. Bosmart |
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| Vol 13, No 2 (1992) |
Volkskuns en fin de siêcle: Perspektiewe op parallelle tendense in die Vlaamse en Afrikaanse prosa |
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H. Roos |
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| Vol 13, No 2 (1992) |
Fallosentrisme, feminisme en die lesbiese paradoks: Chauvinisties-getinte aantekeninge oor die erotiek in die jongere Afrikaanse poësie |
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D. J. Jordaan |
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| Vol 13, No 2 (1992) |
Die konsolidasie van die Afrikaanse taalgemeenskap |
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H. du Plessis |
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| Vol 13, No 2 (1992) |
The willing suspension of belief in the French seventeenth century fairy tale |
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D. Godwin |
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| Vol 13, No 2 (1992) |
Het die tekslinguistiek enige implikasies vir die studie van literatuur? |
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W. A.M. Carstens |
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| Vol 13, No 2 (1992) |
Die siening van die Griekse tragedie by Aristophanes |
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P. J. Conradie |
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| Vol 13, No 1 (1992) |
Die Afrikaanse letterkunde in ’n amptelik Engels-eentalige Suid-Afrika |
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H. P. van Coller, J. C. Steyn |
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| Vol 13, No 1 (1992) |
Interpretatiewe strategieë en betekenis - ’n herlees van ‘Ná ’n besoek aan die dieretuin’ |
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D. J. Jordaan |
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| Vol 13, No 1 (1992) |
Suidpunt-jazz van André Letoit: Waardeoordeel en die lees van ’n postmodernistiese prosateks |
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W. Burger |
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| Vol 13, No 1 (1992) |
Digter en gehoor in Alexandrië |
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W. J. Henderson |
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| Vol 13, No 1 (1992) |
Neo-Fascisme, norme, literatuur: Oor Pieter Stoffberg se Die hart van ’n bond |
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M. de Jong |
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| Vol 13, No 1 (1992) |
Notes sur deux énigmes concernant Le Printemps d’Yver |
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C. Cordell, D. Godwin |
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| Vol 13, No 1 (1992) |
The reader’s role in the fiction of Menán du Plessis |
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M. J. Daymond |
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| Vol 13, No 1 (1992) |
Trashing the millenium: Subjectivity and technology in cyberpunk science fiction |
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J. A. Sey |
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| Vol 13, No 1 (1992) |
Digterskap en poëtíkale besinning by vier Franse Simboliste |
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L. Peeters |
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| Vol 13, No 1 (1992) |
Woman and language in darkest Africa: The quest for articulation in two postcolonial novels |
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A. Brink |
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| Vol 13, No 1 (1992) |
Breyten Breytenbach en die Simbolisme - ’n voorlopige verkenning |
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H. Viljoen |
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| Vol 12, No 3 (1991) |
Glasnost in Soviet literary criticism: current debates on the Russian national character (1988-1990) |
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H. Mondry |
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| Vol 12, No 3 (1991) |
Outobiografie of nie: aantekeninge oor die outobiografiese aanwysers in enkele Afrikaanse tekste |
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R. Scheepers |
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| Vol 12, No 3 (1991) |
Karakterisering in Christine: ’n Jungiaanse perspektief |
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M. L. Crous |
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| Vol 12, No 3 (1991) |
Death and meaning: the case of Tristan |
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L. Peeters |
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| Vol 12, No 3 (1991) |
Mythos as paradigma - Jan Rabie se 'Die groot vrot' |
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E. Deudney-Theron |
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| Vol 12, No 3 (1991) |
Dat die klip kan heers: Pieter Fourie se Die koggelaar |
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J. L. Coetser |
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| Vol 12, No 3 (1991) |
Elisabeth Eybers: die volgehoue 'edel spel' |
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H. du Plooy |
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| Vol 12, No 3 (1991) |
Denying history or defying History? John Fowles’s A maggot and the postmodernist novel |
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M. Marais |
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| Vol 12, No 3 (1991) |
Uit die oogpunt van ’n vrou? Perspektief op feministiese literêre kritiek in die kader van die Airikaanse prosa |
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J. W. du Plessis, D. H. Steenberg |
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| Vol 12, No 3 (1991) |
Sien (en hoor!) is glo: ’n voorlopige verkenning van ikonisiteit as retoriese strategie aan die hand van twee kort gedigte |
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B. J. Odendaal |
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| Vol 12, No 2 (1991) |
The matrix and the echo: Intertextual re-modelling in Stoppard’s Rozencrantz and Guildenstern are dead |
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A. de Lange, A. Combrink |
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| Vol 12, No 2 (1991) |
Editors, texts, and performance: the value of textual criticism in the age of relativity |
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A. M. Potter |
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| Vol 12, No 2 (1991) |
Regressiewe stemassimilasie in Afrikaans en Nederlands |
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D. Wissing |
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| Vol 12, No 2 (1991) |
Die Afrikaanse prosa, 1918 - 1926: brandpunt van die geboorte van ’n nuwe bewussyn |
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P. John |
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| Vol 12, No 2 (1991) |
Collage in Volmink |
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A. van Eeden, D. H. Steenberg |
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| Vol 12, No 2 (1991) |
Aspekte van Lacaniaanse psigo-analise as kode by ’n semiotiese lesing van Breytenbach se ('yk') |
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M. Sienaert |
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| Vol 12, No 2 (1991) |
Interdissiplinêre taal- en literatuurstudie in Suid-Afrika |
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C. F. Swanepoel |
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| Vol 12, No 2 (1991) |
Metapoëtiese raakpunte in die poësie van Gerrit Kouwenaar en Breyten Breytenbach |
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E. Deudney-Theron |
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| Vol 12, No 2 (1991) |
Taaltoer in die woestyn: Marais se Dwaalstories |
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G. A. Jooste |
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| Vol 12, No 1 (1991) |
Some notes on further readings of Wilma Stockenström’s slave narrative, The Expedition to the Baobab Tree |
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S. Gray |
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| Vol 12, No 1 (1991) |
Die tekstuele gesag in Marais se Dwaalstories |
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G. A. Jooste |
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| Vol 12, No 1 (1991) |
The author, his work and his critics: an outline and evaluation of the controversy surrounding Klaus Mann’s Mephisto |
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C. von Maltzan |
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| Vol 12, No 1 (1991) |
Literaire polemiek als gevecht tussen spel en ernst: Een exercitie in literaire speltheorie |
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J. Flamend |
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| Vol 12, No 1 (1991) |
Dirk Ligter as versetfiguur |
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G. Meintjes |
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| Vol 12, No 1 (1991) |
A semiotic interpretation of national typology: the English, the Boers and ... the Russians (Ivan Goncharov’s Frigate Pallas) |
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H. Mondry |
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| Vol 12, No 1 (1991) |
Bosman and self-conscious fiction |
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N. Meihuizen |
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| Vol 12, No 1 (1991) |
Die proloë van Terentius - ’n teatercredo |
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J. Scholtemeijer |
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| Vol 11, No 3 (1990) |
Foucault and Shakespeare’s pedants, dotards and drunks |
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J. Gouws |
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| Vol 11, No 3 (1990) |
Realisme en representasie in wetenskap en literatuur |
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M. E. Botha |
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| Vol 11, No 3 (1990) |
Oor referensie en (tersyde) oor representasie |
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H. Viljoen |
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| Vol 11, No 3 (1990) |
Stromings, sosiokodes en representasies |
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H. du Plooy |
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| Vol 11, No 3 (1990) |
Negentiende-eeuse Realisme: Hildebrand, Conscience, Cachet |
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D. H. Steenberg |
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| Vol 11, No 3 (1990) |
The representation of ideology: Orwell’s (re)reading of ‘Boys’ Weeklies’ |
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A. M. de Lange |
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| Vol 11, No 3 (1990) |
Shalom van ’n Afrikanerdom tikmasjienpianis: Suidpunt-jazz van André Letoit |
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D. H. Steenberg |
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| Vol 11, No 3 (1990) |
’n Potjie representasie, sterk gekruie: representeem en diskontinuïteít in die literatuurgeskiedskrywing |
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H. Viljoen |
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| Vol 11, No 3 (1990) |
On Foucault’s idea of an epistemic shift in the 17th century and its significance for Baroque scholarship |
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B. F. Scholz |
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| Vol 11, No 2 (1990) |
The evolution of critical responses to Fugard’s work, culminating in a feminist reading of The Road to Mecca |
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V. Bowker |
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| Vol 11, No 2 (1990) |
Karakterskepping in die rolprent Cry Freedom - ’n analise |
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H. Human |
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| Vol 11, No 2 (1990) |
Fantasie en ideologie in Eugene Marais se Dwaalstories |
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G. A. Jooste |
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| Vol 11, No 2 (1990) |
Ὀμωκότας in an anonymous fourteenth century verse-chronicle |
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C. Matzukis |
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| Vol 11, No 2 (1990) |
The coming of the barbarians |
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L. McDermott |
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| Vol 11, No 2 (1990) |
’n Aspek van intertekstualiteit in die poesie van Breytenbach: Francois Villon en die Middeleeuse Franse literere tradisie. |
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M. Sienaert |
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| Vol 11, No 2 (1990) |
La Chute: teks en intertekstuele verhoudinge |
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E. Snyman |
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| Vol 11, No 2 (1990) |
Semiotiese fokus op die gedig as estetiese teken-objek |
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C. van der Merwe, N. J. Snyman |
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| Vol 11, No 2 (1990) |
Die dramatiese discours in Pas de deux van Hugo Claus |
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R. Vaughan |
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| Vol 11, No 1 (1990) |
Simbolisme: ’n poging tot deflniering |
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J. van der Elst |
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| Vol 11, No 1 (1990) |
Verskyningsvorme van die Simbolisme in die ouer Afrikaanse vertelkuns |
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H. Roos |
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| Vol 11, No 1 (1990) |
Van Wyk Louw Simbolis? |
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F. I.J. van Rensburg |
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| Vol 11, No 1 (1990) |
Wilma Stockenstrom en die Simbolisme |
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F. R. Gilfillan |
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| Vol 11, No 1 (1990) |
Symbolism in French literature |
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R. Pack |
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| Vol 11, No 1 (1990) |
Simboliek in Totius se werk |
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T. T. Cloete |
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| Vol 11, No 1 (1990) |
Die simboliseringsproses by D.J. Opperman |
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A. P. Grové |
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| Vol 10, No 3 (1989) |
Die transkripsielees van T.T. Cloete |
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T. Gouws |
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| Vol 10, No 3 (1989) |
Transformations of Beckett: the case of Athol Fugard |
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W. Huber |
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| Vol 10, No 3 (1989) |
Meaning despite ambiguity: discourse of narrator and character in Bernanos’ Monsieur Ouine |
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L. Peeters |
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| Vol 10, No 3 (1989) |
Die struktuur van die spontane mondelinge vertelling in Afrikaans met spesiale verwysing na die rol van tempusverwisseling |
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S. Prinsloo |
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| Vol 10, No 3 (1989) |
St. Teresa van Avila: sentrale figuur in die werk van Cussons en Van Wyk Louw |
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H. van Vuuren |
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| Vol 10, No 3 (1989) |
Die struktuur van die tekskode: die strukturele organisasie van 'Die jonkmanskas' van Koos Prinsloo |
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R. Botha |
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| Vol 10, No 3 (1989) |
Feministiese fasette in Klipkus van Marlise Joubert |
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J. W. du Plessis, D. H. Steenberg |
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| Vol 10, No 2 (1989) |
Die mutasie van feit tot fiksie: die faksionele kode in 'Die jonkmanskas' van Koos Prinsloo |
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R. Botha |
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| Vol 10, No 2 (1989) |
Some problems of writing historiography in Southern Africa |
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S. Gray |
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| Vol 10, No 2 (1989) |
Die rol van die magistraat in Toorberg van Etienne van Heerden |
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M. Lombard |
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| Vol 10, No 2 (1989) |
Van Wyk Louw en sensuur |
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F. I.J. van Rensburg |
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| Vol 10, No 2 (1989) |
Dik en dun, gesirkuleer en afgestroop - kringlope om ’n gedig van T.T. Cloete |
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H. Viljoen |
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| Vol 10, No 2 (1989) |
Die klempatrone van Afrikaanse en Nederlandse simplekse - ’n vergelyking |
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D. Wissing |
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| Vol 10, No 1 (1989) |
J.M. Coetzee’s Life and Times of Michael K and Foe as Postmodernist Allegories |
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L. O’Connell |
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| Vol 10, No 1 (1989) |
Reaiismusproblematik: sprachrealistisch nähergekommen Einige illustrative Beispiele |
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J. D.C. Potgieter |
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| Vol 10, No 1 (1989) |
Religion and the Literary Critic |
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A. M. Potter |
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| Vol 10, No 1 (1989) |
Kontemporêre literatuurteorie en die studie en onderrig van die Afrikaanse letterkunde |
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H. du Plooy |
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| Vol 10, No 1 (1989) |
Antonio: The other Jew in The Merchant of Venice |
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S. M. Finn |
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| Vol 10, No 1 (1989) |
Angela Borgia: C.F. Meyer’s 'Göttliche Komodie' |
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G. Oberprieler |
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| Vol 9, No 3 (1988) |
Ekstratekstuele relasies van 'spieël' in die poësie van Breyten Breytenbach |
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J. Ferreira |
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| Vol 9, No 3 (1988) |
Turtaios van Sparta as ‘betrokke’ digter |
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W. J. Henderson |
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| Vol 9, No 3 (1988) |
’n Kort herbetragting van Uys Krige se prosa met verwysing na 'The dream' as sleutelteks |
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J. L. Marais |
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| Vol 9, No 3 (1988) |
Vrouwees: perspektiewe in die meer onlangse Afrikaanse poësie en prosa |
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R. Marais |
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| Vol 9, No 3 (1988) |
The diamond novels of Luderitz: fact or fiction? |
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G. Thiel |
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| Vol 9, No 3 (1988) |
Die Afrikaanse en Nederlandse verkleiningsisteme - 'n vergelyking in metries-fonologiese kader |
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D. P. Wissing |
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| Vol 9, No 2 (1988) |
Die rol van fokalisering as manipuleringstegniek in die produksie en resepsie van jeugverhale: die verhouding tussen volwasse outeur en jeugleser met spesiale verwysing na drie verhale van Dolf van Niekerk |
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I. A. Meyer |
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| Vol 9, No 2 (1988) |
Die rol en funksies van die didaskalia in Reza de Wet se Diepe grond |
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M. Mouton |
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| Vol 9, No 2 (1988) |
Pindar Pythian I |
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P. Murgatroyd |
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| Vol 9, No 2 (1988) |
Tristia in historiese konteks |
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H. van Vuuren |
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| Vol 9, No 2 (1988) |
Solon van Athene as ‘betrokke’ digter |
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W. J. Henderson |
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| Vol 9, No 1 (1988) |
The form and function of space in the Jonah narrative in Prudentius Cathemerinon 7.81-175 |
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J. H. Barkhuizen, M. J. Mans |
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| Vol 9, No 1 (1988) |
’n Bespreking van enkele aspekte in Pieter Fourie se Ek, Anna van Wyk |
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M. Mouton |
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| Vol 9, No 1 (1988) |
La défense de l’identité provençale dans I’oeuvre de Frédéric Mistral (seconde partie) |
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R. Pach |
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| Vol 9, No 1 (1988) |
Die tekskritiese notas by die Nuwe Testament van die nuwe Afrikaanse vertaling |
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K. Petzer |
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| Vol 9, No 1 (1988) |
Helmut Eisendie: zur Verteidigung eines Sprachterroristen |
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P. D.C. Potgieter |
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| Vol 8, No 3 (1987) |
Die direktief as dramatiese taaihandeling in Krismis van Map Jacobs |
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M. J. Prins |
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| Vol 8, No 3 (1987) |
An unusual encounter between Man and Death in the Middle Ages as portrayed in Der Ackermann aus Boehmen |
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G. Thiel |
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| Vol 8, No 3 (1987) |
The utilization of space in Martial 1.86 |
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M. J. Mans |
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| Vol 8, No 3 (1987) |
Morality and the politics of Shakespeare’s Macbeth |
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E. Lickindorf |
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| Vol 8, No 3 (1987) |
The inescapable bond with a predetermined heritage: a phenomenon illustrated by representative characters from three Athol Fugard plays |
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C. Angove |
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| Vol 8, No 3 (1987) |
La défense de l’identité provençaie dans I’oeuvre de Frédéric Mistral (premieré partie) |
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R. Pach |
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| Vol 8, No 2 (1987) |
Sisteemtendense in die Afrikaanse literatuur: ’n bestekopname van 1983 |
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F. Galloway |
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| Vol 8, No 2 (1987) |
Paul Claudel, la foi et I’histoire |
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F. Durand |
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| Vol 8, No 2 (1987) |
'Die man van Nizjni-Nowgorod': Leroux in embrio |
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M. J. Prins |
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| Vol 8, No 2 (1987) |
'Literaturgeschichte als Provokation' und die Theorie-Debatte der siebziger Jahre iiber die Rezeptionsästhetik |
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B. H.J. van der Berg |
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| Vol 8, No 2 (1987) |
Drie kortverhale van Maarten’t Hart - literêr-esteties en lewensbeskoulik bekyk II |
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M. Rossouw |
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| Vol 8, No 1 (1987) |
De miskenning van Theo van Doesburg; zijn bijdrage tot de ontwikkeling van de konkrete poëzie |
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J. van der Elst |
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| Vol 8, No 1 (1987) |
Literatuur en rewolusie met besondere verwysing na Anna M. Louw: Twenty days that autumn en Jeanette Ferreira: Sitate om ’n rewolusie |
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D. H. Steenberg |
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| Vol 8, No 1 (1987) |
Die inisiasiemotief by Hugo Claus, verduidelik aan die hand van 'De ingewijde' en ander gedigte |
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S. W. van Zuydam |
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| Vol 8, No 1 (1987) |
Drie kortverhale van Maarten ’t Hart - Literêr-esteties en lewensbeskoulik bekyk (I) |
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M. Rossouw |
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| Vol 7, No 3 (1986) |
Komas uit 'n Bamboesstok en Invisible Cities van Italo Calvino |
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H. van Vuuren |
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| Vol 7, No 3 (1986) |
Enkele Bedenkinge oor die Vervangingsprocédé as Literêre Handgreep |
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H. le R. Slabbert |
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| Vol 7, No 3 (1986) |
Sonde en Mistiek in Kroniek van Perdepoort (Anna M. Louw) |
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E. Linde, D. H. Steenberg |
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| Vol 7, No 3 (1986) |
Fiksionaliteit in die Dramawêreld |
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M. Mouton |
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| Vol 7, No 3 (1986) |
Ein Literarisches Kuckucksei: Der Essay |
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J. D.C. Potgieter |
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| Vol 7, No 2 (1986) |
Koerant en Konteks in Opperman se Poësie |
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S. Potgleter |
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| Vol 7, No 2 (1986) |
Twee Bybelse Verhale van Abraham H. De Vries |
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P. van der Merwe |
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| Vol 7, No 2 (1986) |
‘Saltimbanque en Vriendin’ Opnuut Gelees |
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H. van Vuuren |
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| Vol 7, No 2 (1986) |
The linguistic minorities of France |
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R. Pach |
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| Vol 7, No 2 (1986) |
Bacchylides Ode 3: Translation and Essay |
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P. Murgatroyd |
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| Vol 7, No 2 (1986) |
Intertekstualiteit en die Bose in Kroniek van Perdepoort (Anna M. Louw) |
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E. Linde, D. H. Steenberg |
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| Vol 7, No 1 (1986) |
‘De Regenkoning’ van Hugo Claus |
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S. W. van Zuydam |
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| Vol 7, No 1 (1986) |
The Changing Significance of the Figure of Death in Various Everyman Plays |
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G. Thiel |
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| Vol 7, No 1 (1986) |
The Structure of the Castle of Perseverance |
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D. Levey |
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| Vol 7, No 1 (1986) |
‘A man’s scenery is other men ...’ Athol Fugard’s latest plays |
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A. Combrink |
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| Vol 7, No 1 (1986) |
Algehele Assimilasie of Konsonantweglating? |
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D. P. Wissing |
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| Vol 6, No 4 (1985) |
Latyn en die eenheid en verskeidenheid van die romaanse tale |
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M. J.H. du Plessis |
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| Vol 6, No 4 (1985) |
Deug en ondeug by Hieronymus |
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A. G.P. van der Walt |
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| Vol 6, No 4 (1985) |
Die vertaling van literêre tekste: ‘n Bespreking aan die hand van Catullus se Carmen 84 |
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J. Swanepoel |
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| Vol 6, No 4 (1985) |
Die Klassieke vandag - Klassiek of Modern? |
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P. H. Fick |
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| Vol 6, No 4 (1985) |
Latynse vertalings van die Ou Testament - ’n Bespreking aan die hand van Genesis 17: 1-7 |
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H. F. van Rooy |
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| Vol 6, No 4 (1985) |
Ambrosius en die virginitas |
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C. J. Malan |
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| Vol 6, No 4 (1985) |
Enkele opmerkings oor die intrinsieke waarde van die Latynse teks van Kodeks Bezae as herstelbron vir die Griekse teks van die Nuwe Testament |
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G. J.C. Jordaan |
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| Vol 6, No 4 (1985) |
Die Romeinse nastrewing van onsterflikheid deur middel van memoria |
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D. R. Fouché |
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| Vol 6, No 4 (1985) |
Lactantius: ’n Verkenning van ’n vroeg-Christelike denker se lewens- wêreldbeskoulike denke |
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H. W. Simpson |
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| Vol 6, No 3 (1985) |
Monitoring language laboratory work |
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C. van der Walt |
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| Vol 6, No 3 (1985) |
Kinderkarakters in Onse Hymie van Etienne Leroux |
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K. Pottas |
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| Vol 6, No 3 (1985) |
The system of the South African Novel Anno 1981 |
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H. Viljoen |
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| Vol 6, No 3 (1985) |
Verhaalteorie en teksanalise: enkele samevattende gedagtes |
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H. du Plooy |
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| Vol 6, No 3 (1985) |
Die gebruik van dedicare en dedicator deur Tertullianus |
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M. Nelson |
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| Vol 6, No 3 (1985) |
Vervanging toegepas op 'n gedig uit ('Yk') van Breytenbach |
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M. Lombard |
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| Vol 6, No 3 (1985) |
Die grondteks van die Afrikaanse Nuwe Testament |
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J. H. Petzer |
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| Vol 6, No 2 (1985) |
Karakterisering, tema en visie in Klawervyf van Elsabe Steenberg |
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B. van der Westhuizen |
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| Vol 6, No 2 (1985) |
Kinderpoësie: ’n poging tot definisie |
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E. Liebenberg |
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| Vol 6, No 2 (1985) |
Philla en Gouelokkies: Intertekstualiteit in Boom Bomer Boomste |
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G. Wybenga |
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| Vol 6, No 2 (1985) |
Kinderlektuur en biblioterapie |
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C. Lohann |
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| Vol 6, No 2 (1985) |
Oor ’n Esbos, ’n panfluit en ’n bosjannetjie - ofte wel: Die ruimte in die kinderboek met verwysing na Waar is Pappa se panfluit? van Elsabe Steenberg |
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S. F. Greyling |
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| Vol 6, No 2 (1985) |
Afrikaanse Kinderlektuur as literatuur in ’n veelrassige samelewing |
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A-J Tötemeyer |
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| Vol 6, No 2 (1985) |
Enkele gedagtes oor die opvoedkundige onderbou van Elsabe Steenberg se Engel met 'n besemstok |
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P. Pistorius |
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| Vol 6, No 1 (1985) |
Regional and current problems in South Africa and their impact on literature with remarks on the evaluation of the Afrikaans Novel |
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J. van der Elst |
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| Vol 6, No 1 (1985) |
Dualisme as struktuurelement in Opwaaiende Zomerjurken - Oek de Jong |
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A-M Bisschoff |
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| Vol 6, No 1 (1985) |
Poetry and Ethos: toward an ontic understanding |
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G. Kuschke |
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| Vol 6, No 1 (1985) |
The avant-garde and Aesthetic Values |
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T. Pawlowski |
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| Vol 6, No 1 (1985) |
‘Gaston Bachelard, half-way between science and the object’ (A matter of Bergsonian and Bachelardian judgement) |
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C. P. Marie |
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| Vol 5, No 3 (1984) |
Geintegreerde model vir literêre ontleding toegepas pp ‘Droogte’ (Leon Strydom) |
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G. Kuschke |
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| Vol 5, No 3 (1984) |
Metateks ('n Vakfilosofiese vergelyking van twee analises van ‘Droogte’ van Leon Strydom) |
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J. Swanepoel |
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| Vol 5, No 3 (1984) |
Kommentaar op J. Swanepoel: Metateks |
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G. F.T. Kuschkc |
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| Vol 5, No 3 (1984) |
Kommentaar op J. Swanepoel: Metateks |
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I. Gräbe |
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| Vol 5, No 3 (1984) |
Aspekte van poëtiese taalgebruik: Teoretiese uiteensetting en toepassing aan die hand van Leon Strydom se gedig ‘Droogte’ |
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I. Gräbe |
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| Vol 5, No 2 (1984) |
Tipering van Wolf, wolf hoe laat is dit? (Hennie Aucamp) |
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T. van der Merwe |
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| Vol 5, No 2 (1984) |
Brandpunte van omstredenheid in die Liewe Heksie-reeks van Verna Vels |
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B. van der Westhuizen |
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| Vol 5, No 2 (1984) |
Die straatruimte in Liefs nie op straat nie van John Miles |
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J. C. Alberts |
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| Vol 5, No 2 (1984) |
Vervanging en aanverwante verskynsels in die poësie van Breyten Breytenbach |
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M. Lombard |
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| Vol 5, No 2 (1984) |
Die resensent as deel van die literêre kommunikasieproses |
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H. P. van Coller |
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| Vol 5, No 1 (1984) |
Aspekte van Karel Schoeman se Woordwereld |
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L. C. Minnaar |
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| Vol 5, No 1 (1984) |
Vokaalverplasing in die Afrikaans van die Griekwas van Griekwaland-Wes |
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P. J.P. Henning |
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| Vol 5, No 1 (1984) |
Resepsies van Catullus se Carmen XLIX |
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J. Swanepoel |
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| Vol 5, No 1 (1984) |
Aspek en aktionsart in Die Tuiskoms van J. van Melle |
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D. M. Wijbenga |
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| Vol 5, No 1 (1984) |
Analise van die Tswanaraaisel |
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S. A. Swanepoel |
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| Vol 5, No 1 (1984) |
Natur- Und Kulturkatastrophe in Heinrich von Kleists Novelle Das Erdbeben in Chili |
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L. R. Tönsing |
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| Vol 5, No 1 (1984) |
Die rym in Jukstaposisie (T.T. Cloete) en die regverdiging van enkele fonologiese begrippe |
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D. P. Wissing |
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| Vol 5, No 1 (1984) |
Die Godsdiensgegewe in Enkele Hoogtepunte in die prosa van J. van Melle |
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E. A. van der Elst |
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| Vol 5, No 1 (1984) |
Die Literêre Sisteem Van Dertig |
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H. Viljoen |
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| Vol 5, No 1 (1984) |
Waarheid en Leuen: ’n Etiese Studie |
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P. W. Buys |
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| Vol 4, No 3 (1983) |
Teoretiese benaderings van die letterkunde in die jare tagtig |
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H. P. van Coller |
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| Vol 4, No 3 (1983) |
Die godsdiensgegewe in twee romans van Berta Smit |
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E. A. van der Elst |
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| Vol 4, No 3 (1983) |
Tyd as karakteriseringsmiddel in Die Ambassadeur van André P. Brink |
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M. Mouton |
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| Vol 4, No 3 (1983) |
Tipering as literatuurwetenskaplike beskrywingsmetode |
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T. van der Merwe |
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| Vol 4, No 3 (1983) |
Taalhandeling en vooronderstelling |
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P. S. de Bruyn |
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| Vol 4, No 2 (1983) |
Gehalt, Struktur und religiöse Haltung in Novalis’ Hymnen an die Nacht |
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B. H.J. van der Berg |
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| Vol 4, No 2 (1983) |
Auslautsverhärtung in Duits: die implikasies daarvan vir vreemdetaalonderwys |
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D. P. Wissing |
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| Vol 4, No 2 (1983) |
Die naamwoordgedrag in Jan Rabie: Drie kaalkoppe eet tesame |
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D. H. Steenberg |
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| Vol 4, No 2 (1983) |
Eine Interpretation von Heinrich Bölls Roman Und sagte kein einziges Wort |
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C. E. Roets |
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| Vol 4, No 2 (1983) |
Die hulpwerkwoord in Tswana |
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C. J.H. Kruger |
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| Vol 4, No 2 (1983) |
Sintaktiese ontleding van poësie |
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H. F. van Rooy |
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| Vol 4, No 2 (1983) |
Literatur - das ewige Enigma |
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G. F.T. Kuschke |
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| Vol 4, No 2 (1983) |
Contrastive analysis and its relevance to language teaching |
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R. C. Jansen van Rensburg |
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| Vol 4, No 2 (1983) |
Taalverwerwing (vreemde taal): neurofisiologiese beskouinge |
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M. J.H. du Plessis |
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| Vol 4, No 2 (1983) |
Volks- en kloosterprediking in die vroeë Middeleeue |
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A. G.P. van der Walt |
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| Vol 4, No 1 (1983) |
Iets oor sprekersempatie: ’n Funksionele beskouing |
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H. du Plessis |
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| Vol 4, No 1 (1983) |
A re-examination of ‘form and meaning’ in Camus’ Le Malentendu |
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C. P. Marie |
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| Vol 4, No 1 (1983) |
Drama and world view revisited |
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A. L. Combrink |
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| Vol 4, No 1 (1983) |
Toegepaste Linguistiek as dissipline |
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J. L. van der Walt |
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| Vol 4, No 1 (1983) |
Opening and closing formulae in Tswana folktales: A structural and functional analysis |
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S. A. Swanepoel |
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| Vol 3, No 3 (1982) |
Benjamin Friedman on Arabs in Israeli literature |
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H. F. van Rooy |
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| Vol 3, No 3 (1982) |
Betekenis en gebruik |
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P. S. de Bruyn |
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| Vol 3, No 3 (1982) |
Die plek van die vakdidaktiek by onderwysersopleiding |
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M. C.A. Seyffert |
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| Vol 3, No 3 (1982) |
Shakespeare and Stoppard: Chess and Diabolo |
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B. Claassen |
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| Vol 3, No 2 (1982) |
Bewussynspanning in woordbeeld: ‘Die Wahlerbrug’ (Elsa Joubert) |
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J. Pretorius |
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| Vol 3, No 2 (1982) |
Aanspreekvorme in die poësie |
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D. M. Wybenga |
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| Vol 3, No 2 (1982) |
Is Reisprosa Joernalistiek? |
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M. C.A. Seyffert |
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| Vol 3, No 2 (1982) |
A Christian analytic methodology for the structural analysis of poetry: An explication |
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G. F.T. Kuschke |
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| Vol 3, No 1 (1982) |
Eine Betrachtung von Georg Lukács’ ‘Theorie des Romans’ |
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B. H.J. van der Berg |
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| Vol 3, No 1 (1982) |
Die vergangklikheidsmotief in die poësie van C. Louis Leipoldt |
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D. H. Steenberg |
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| Vol 3, No 1 (1982) |
Nie-foniese verskynsels in ‘Eline Vere’ en ‘Iskander’ (Louis Couperus) |
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A-M. Bisschoff |
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| Vol 3, No 1 (1982) |
Vertaling en werklikheidsvisie |
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M. J.H. du Plessis |
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| Vol 3, No 1 (1982) |
Moderne Liriek |
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L. Tönsing |
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| Vol 3, No 1 (1982) |
Bepaaldheids- en onbepaaldheidsrelasies in Elise Muller se ‘Kinders in die skemer’ |
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T. Pretorius |
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| Vol 2, No 3 (1981) |
Literêre verweer teen sentimentaliteit: Ontginning van oermotiewe in Melk (Elsa Joubert) |
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E. Jooste |
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| Vol 2, No 3 (1981) |
Arthur Rimbaud: French symbolist |
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Y. Raats |
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| Vol 2, No 3 (1981) |
Foniese verskynsels in Eline Vere (Louis Couperus) |
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A-M. Bisschoff |
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| Vol 2, No 3 (1981) |
Feeling, form and fulfilment: The stewardship of the Christian poet |
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G. Kuschke |
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| Vol 2, No 3 (1981) |
Early Medieval stylistic rhetoric |
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A. G.P. van der Walt |
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| Vol 2, No 3 (1981) |
Die mites rondom die val van Troje en Vergilius se uitbeelding daarvan in die tweede boek van die Aeneïs |
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J. Swanepoel |
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| Vol 2, No 2 (1981) |
Die kritiese taak van die literator |
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A. L. Combrink |
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| Vol 2, No 2 (1981) |
Lifeview and perception of message in drama |
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P. van Rensburg |
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| Vol 2, No 2 (1981) |
Vryheid en gebondenheid van die letterkunde in ’n plurale gemeenskap |
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J. Swanepoel |
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| Vol 2, No 2 (1981) |
Aard, funksie en invloed van die Literatuur |
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J. van der Elst |
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| Vol 2, No 2 (1981) |
Literatuur en kulturele konteks |
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D. H. Steenberg |
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| Vol 2, No 1 (1981) |
Thomas Mann: Tonio Kröger, 'n Struktuuranalise |
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L. R. Tönsing |
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| Vol 2, No 1 (1981) |
Ad fontes - oftewel 'n poging mm Calvyn Afrikaans te laat praat |
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H. W. Simpson |
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| Vol 1, No 3 (1980) |
Romantipologie |
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B. H.J. van der Berg |
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| Vol 1, No 3 (1980) |
Die hoorspel as woordspel: A.S. Van Straaten se Pendoring (edms) beperk |
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D. H. Steenberg |
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| Vol 1, No 3 (1980) |
Perspektief in Raka |
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H. M. Viljoen |
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| Vol 1, No 3 (1980) |
De Straat (Ina Boudier-Barker) |
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J. van der Elst |
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| Vol 1, No 3 (1980) |
Die kort en heel vorm van Breytenbach se Die boenk |
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T. T. Cloete |
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| Vol 1, No 3 (1980) |
Die ideaal van die spreker in die satiriese gedig: M.M. Walters |
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S. M. Cameron |
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| Vol 1, No 3 (1980) |
Joernaal van Jorik (D.J. Opperman) |
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T. T. Cloete |
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| Vol 1, No 3 (1980) |
Comedy in the seventies: A study of certain plays by Harold Pinter |
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A. L. Combrink |
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| Vol 1, No 3 (1980) |
Aspekte van vertelwyse en vertelhouding in Magersfontein, o Magersfontein! |
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D. H. Steenberg |
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| Vol 1, No 2 (1980) |
Hoofaspekte van poëtiese taalgebruik |
Abstract
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R. C. Gräbe |
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| Vol 1, No 2 (1980) |
Breytenbach se Verlies: ‘n verhaal in spreekwoorde |
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T. T. Cloete |
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| Vol 1, No 2 (1980) |
Die aard en problematiek van vertaling |
Abstract
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J. Swanepoel |
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| Vol 1, No 1 (1980) |
The comic vision in contemporary British drama |
Abstract
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A. L. Combrink |
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| Vol 1, No 1 (1980) |
Die beelding van Christus in die Nederlandse letterkunde: ’n oorsig en ’n evaluasie |
Abstract
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J. van der Elst |
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| Vol 1, No 1 (1980) |
Verskeidenheid en samehang in D.J. Opperman se Komas |
Abstract
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H. Viljoen |
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| Vol 1, No 1 (1980) |
Nuwe bundels van Sheila Cussons: sprankelende poësie |
Abstract
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D. H. Steenberg |
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| Vol 1, No 1 (1980) |
Studie van die letterkunde: waarom? |
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D. H. Steenberg |
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