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| Issue |
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| Vol 43, No 1 (2022) |
Reading blank space from an ecopoetic perspective in selected poems by E.E. Cummings and William Carlos Williams |
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Etienne J. Terblanche |
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| Vol 43, No 1 (2022) |
Some reflections on selected themes in Chimamanda Ngozi Adichie’s fiction and her feminist manifesto |
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Moffat Sebola |
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| Vol 43, No 1 (2022) |
Bosman: A proto-postcolonial author? |
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Farzanah Loonate |
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| Vol 43, No 1 (2022) |
Ritchie and Carter’s beauties and beasts |
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Monique Banks |
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| Vol 43, No 1 (2022) |
In ʼn leefwêreld vervleg: Die gesprek oor Ingrid Jonker op Instagram |
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Burgert A. Senekal |
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| Vol 43, No 1 (2022) |
A blatant disregard of Section 6 (1) of the Constitution of South Africa by higher education institutions and language authorities: An onomastic discrepancy |
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Tebogo J. Rakgogo, Evangeline B. Zungu |
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| Vol 43, No 1 (2022) |
Contested selves and postmodern hybridity: Authorial renunciation and gender revisionism in Patrick White’s Memoirs of Many in One |
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Gregory H. Graham-Smith |
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| Vol 43, No 1 (2022) |
The elevation of Sepedi from a dialect to an official standard language: Cultural and economic power and political influence matter |
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Tebogo J. Rakgogo, Evangeline B. Zungu |
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| Vol 43, No 1 (2022) |
Exploring multilingualism at the national department levels in South Africa post the Use of Official Languages Act of 2012 |
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Abel L. Mohlahlo, Thabo Ditsele |
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| Vol 43, No 1 (2022) |
‘Journeys into Dirt’ in Robyn Davidson’s Tracks (1980) and Patrick White’s Voss (1957) |
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Isabel Rawlins, Myrtle Hooper |
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| Vol 42, No 1 (2021) |
A brief study of the Autshumato Machine Translation Web Service for South African languages |
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Nomsa J. Skosana, Respect Mlambo |
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| Vol 42, No 1 (2021) |
Voicing sentiments of resilience: A corpus approach to 1980s conscious rappers in South Africa |
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Pedro Álvarez-Mosquera, Pejamauro T. Visagie |
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| Vol 42, No 1 (2021) |
Code switching in contemporary isiZulu performance poetry |
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Bongephiwe Dlamini Myeni, Nakanjani Sibiya |
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| Vol 42, No 1 (2021) |
Les manifestes et les programmes littéraires en Afrique francophone subsaharienne : à propos de ‘l’invisibilité’ du corpus dans la critique littéraire |
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Laude Ngadi M |
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| Vol 42, No 1 (2021) |
Exposure to queer characters in Konigsberg’s Openly Straight through social messaging |
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Matthys J. Uys, Salomé Romylos, Carisma Nel |
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| Vol 42, No 1 (2021) |
The onomastic possibility of renaming the Sepedi and Sesotho sa Leboa (Northern Sotho) language names to restore peace, dignity and solidarity |
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Tebogo J. Rakgogo, Evangeline B. Zungu |
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| Vol 42, No 1 (2021) |
Digitale hulp vir akademiese Afrikaans – eerste lesse uit ’n ontwikkelingsprojek |
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Tobie van Dyk, Henk Louw, Marlies Taljard, D.J. Cloete |
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| Vol 42, No 1 (2021) |
Literary translation, symbolic development and inclusion in South Africa |
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Maricel Botha |
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| Vol 42, No 1 (2021) |
Agatha Christie’s Poirot novels as fairy tales: Two case studies |
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Lucyna Harmon |
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| Vol 42, No 1 (2021) |
De Beaumont’s Beauty and the Beast: A feminist analysis |
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Monique Banks |
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| Vol 42, No 1 (2021) |
Students’ perceptions of the inclusion of the English Word Power programme at one university in South Africa |
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Thuli M. Makhura, Gary W. Collins, Hendrietta Segabutla, Madoda Cekiso |
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| Vol 42, No 1 (2021) |
A comparative study that investigates the treatment of technical terms, acronyms and numbers in a Tsonga technical target text |
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Lidon Chauke |
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| Vol 42, No 1 (2021) |
Echoes of lithoko in modern Sesotho poetry: An intertextual perspective |
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Ketlalemang C. Maimane, Nhlanhla Mathonsi |
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| Vol 42, No 1 (2021) |
Exploring Grade 8 Khelobedu-speaking learners’ writing challenges in Sepedi Home Language in Mopani District, South Africa |
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Tsebo Ramothwala, Madikwa H. Segabutla, Christopher Rwodzi, Dira Thokwane |
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| Vol 42, No 1 (2021) |
‘Why not follow our words bodily into the future tense?’: Life, death and posthuman bodies in Don DeLillo’s Zero K |
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Adéle Nel |
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| Vol 42, No 1 (2021) |
New approaches and strategies for teaching African children initial reading |
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Martha M. Cronje |
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| Vol 42, No 1 (2021) |
The Gothic genre, classical allusion and other influences in Oscar Wilde’s The Picture of Dorian Gray |
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David E. Robinson |
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| Vol 41, No 1 (2020) |
Grassroots struggle: The representation of the black voice in Maishe Maponya’s The Hungry Earth (1980) |
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Khaya M. Gqibitole, Shamsuddeen Bello |
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| Vol 41, No 1 (2020) |
Dans l’esprit de Rome : le marginalisé de l’Histoire chez les romanciers contemporains ou comment retrouver l’universel par la petite histoire |
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Bernard De Meyer |
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| Vol 41, No 1 (2020) |
A bad name is an omen: Stigmatising names amongst the Basotho |
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Rethabile M. Possa-Mogoera |
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| Vol 41, No 1 (2020) |
The translingual subjects: Shaping identities and deconstructing rainbowism in One Foreigner’s Ordeal |
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Esther Mavengano, Muchativugwa L. Hove |
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| Vol 41, No 1 (2020) |
Imperialism and the abject Gothic double: Jane Goodwin Austin’s ‘After Three Thousand Years’ |
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Allyson Kreuiter |
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| Vol 41, No 1 (2020) |
Die /r/ in Afrikaans: Fonetiese en fonologiese eienskappe |
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Daniel P. Wissing, Wikus Pienaar |
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| Vol 41, No 1 (2020) |
Crampton and Engerth: The ‘mechanical brides’ of J-K. Huysmans |
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Laurence Wright |
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| Vol 41, No 1 (2020) |
Rewards and punishments as developing gendered ideologies in Grimm Brothers’ Briar Rose |
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Monique Banks |
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| Vol 41, No 1 (2020) |
They don’t make plus size spacesuits: A fat studies analysis of selected literary texts |
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Jessica Murray |
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| Vol 41, No 1 (2020) |
Post-imperial imaginaries in Zimbabwe: Interrogating betrayal in the pre- and post-war years in Chinodya’s Harvest of Thorns and Child of War |
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Sifiso Sibanda |
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| Vol 41, No 1 (2020) |
Towards a theory of parental support: Development of English First Additional Language for grade 4 learners |
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Aubrey T. Tsebe, Vanessa Scherman |
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| Vol 41, No 1 (2020) |
Influence of Sepitori on standard Setswana of its home language learners at three Tshwane townships |
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Valencia K. Wagner, Thabo Ditsele, Mary M. Makgato |
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| Vol 40, No 1 (2019) |
Iceni to iconic: Literary, political and ideological transformations of Boudica through time |
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Margaret C. Steyn |
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| Vol 40, No 1 (2019) |
Double standards on dress code and lust in the guise of tradition in the novel Umshado [Marriage], 2006, by N. Zulu: A feminist approach |
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Henry Gumede, Nhlanhla Mathonsi |
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| Vol 40, No 1 (2019) |
Notes on memory culture and the (un)translatable, with illustrative reference to Elfriede Jelinek’s Die Kinder der Toten (1995) |
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Cilliers van den Berg |
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| Vol 40, No 1 (2019) |
Cavafy, Vos, Dangor: A belated reply to Phil van Schalkwyk |
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Roger M. Field |
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| Vol 40, No 1 (2019) |
Learners’ attitudes towards the recognition and development of isiBhaca in the education space in Umzimkhulu, KwaZulu-Natal, South Africa |
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Yanga L.P. Majola, Thabo Ditsele, Madoda Cekiso |
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| Vol 40, No 1 (2019) |
‘We live one in another’: The Gothic and uncanny representation of the female double in The Crime of Laura Sarelle by Joseph Shearing (pseudonym of Marjorie Bowen) |
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Allyson Kreuiter |
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| Vol 40, No 1 (2019) |
Narrative materiality and practice: A study of born-free negotiation of periphery and centre |
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William Kelleher |
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| Vol 40, No 1 (2019) |
Reframing migrant identities: Namelessness and impersonation in Dinaw Mengestu’s All Our Names |
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Nick M. Tembo |
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| Vol 40, No 1 (2019) |
'Wit' armoede en 'wit' bevoorregting in enkele Afrikaanse jeugromans |
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Loraine van der Westhuizen, Jacomien van Niekerk |
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| Vol 40, No 1 (2019) |
Kaka country: An intertextual reading of national dysfunction in Bulawayo’s We Need New Names and Jinga’s One Foreigner’s Ordeal |
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Esther Mavengano, Muchativugwa L. Hove |
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| Vol 40, No 1 (2019) |
Leonine imagery in C.S. Lewis’s series The Chronicles of Narnia |
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Dianne Shober |
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| Vol 40, No 1 (2019) |
Character (and absence) as a narrative key in installation art |
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Louisemarié Combrink, Nicholas P.L. Allen |
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| Vol 40, No 1 (2019) |
South African Grade 5 non-native learners learning Mandarin as a second additional language with a focus on Chinese characters |
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Norma M. Nel, Soezin Krog, Lazarus Lebeloane |
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| Vol 40, No 1 (2019) |
Letterkundige en wysgerige kanttekeninge by die transformasie-trilogie van Antjie Krog |
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Hennie P. van Coller, Danie Strauss |
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| Vol 40, No 1 (2019) |
An African’s faith: Discourse and disclosure in selected works by Sindiwe Magona |
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Dianne Shober |
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| Vol 40, No 1 (2019) |
On the neo-Vedanta as reconceptualised by Vivekananda in his Complete Works: A cognitive linguistic analysis in light of Conceptual Metaphor Theory |
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Suren Naicker |
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| Vol 40, No 1 (2019) |
English as a medium of worship: The experiences of the congregants of a Pentecostal charismatic church in Soweto |
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Thabisile N. Adams, Anne-Marie Beukes |
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| Vol 40, No 1 (2019) |
Africa in Brathwaite: The matrix of cultural quest, identity and history as poetic vision |
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Muchativugwa L. Hove |
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| Vol 39, No 2 (2018) |
Die intensionele afwyking van die norme van Standaardafrikaans in advertensies |
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Angelique van Niekerk |
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| Vol 39, No 2 (2018) |
’n Korpusondersoek na huidiglik |
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Gerhard B. van Huyssteen |
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| Vol 39, No 2 (2018) |
Toe die vierde Taalkommissie in sy spore gestuit is |
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Christo van Rensburg |
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| Vol 39, No 1 (2018) |
Identity, politics and restriction in Athol Fugard’s art: Writing and liberalism in apartheid South Africa |
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Khaya M. Gqibitole, Shamsuddeen Bello |
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| Vol 39, No 1 (2018) |
A survey of undergraduate students’ attitudes towards studying isiZulu at university |
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Nontobeko T. Mbatha, Thabo Ditsele, Linda van Huyssteen, Christopher Rwodzi |
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| Vol 39, No 1 (2018) |
An inter-semiotic approach to translation: Leonard Cohen in Afri-Kaans |
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Suezette Opperman, Marlie van Rooyen, Kobus Marais |
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| Vol 39, No 2 (2018) |
Norme vir huidiglik |
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Gerhard B. van Huyssteen |
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| Vol 39, No 2 (2018) |
Die ontwikkeling van [ʃ] in Afrikaans |
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Daniel P. Wissing |
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| Vol 39, No 2 (2018) |
Woordeboekdidaktiek in ’n omvattende woordeboekkultuur |
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Rufus Gouws |
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| Vol 39, No 2 (2018) |
Politieke strategieë van aktiviste vir die amptelike erkenning van Afrikaans |
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Jaap Steyn |
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| Vol 39, No 2 (2018) |
From pencil and eraser to blending materials and flipping the classroom: A short history of Teksredaksie and Text Editing |
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Kris van de Poel |
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| Vol 39, No 1 (2018) |
Psychological sequelae of political imprisonment, specifically post-traumatic stress disorder, in 491 Days by Winnie Madikizela-Mandela |
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Marisa Botha |
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| Vol 39, No 1 (2018) |
Considering the alternative: Bakhtin’s carnivalesque and convergence of worlds of animals and humans in Yann Martel’s Life of Pi |
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Susan Marais |
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| Vol 39, No 1 (2018) |
‘Stepping into the painting’: Franz Marc, Mary Oliver and the ekphrastic process |
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Tony Ullyatt |
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| Vol 39, No 1 (2018) |
Gender and the transsexual body in Transamerica |
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Amy A. Jensen |
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| Vol 39, No 1 (2018) |
L’héroïsme de la femme dans l’épopée africaine : un regard critique de Soundjata ou l’épopée mandingue, Emperor Shaka The Great : A Zulu Epic et Nsongo’a Lianja : l’épopée nationale des Nkundo |
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Arthur Mukenge, Josue B. Nkaongami |
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| Vol 39, No 1 (2018) |
Die politiek van die mens-hondverhouding in Op ’n dag, ’n hond van John Miles |
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Adéle Nel |
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| Vol 39, No 1 (2018) |
Are ideophones translatable? The case of translating isiZulu ideophones in DBZ Ntuli’s short story Uthingo Lwenkosazana (The Rainbow) |
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Mthikazi Rose Masubelele |
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| Vol 39, No 1 (2018) |
The indigenous Afrikaans film: Representation as a nationalistic endeavour |
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Hendrik P. van Coller, Anthea van Jaarsveld |
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| Vol 39, No 1 (2018) |
‘Wie het die geheim verklap?’ – Seksuele identiteit in Johann Nell se plaasroman Sondag op ’n voëlplaas (2013) |
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Joanita Erasmus-Alt, Hendrik P. Van Coller |
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| Vol 39, No 1 (2018) |
Brugbouer tussen generasies: Koos Roets se samewerkingsnetwerk in die Afrikaanse filmbedryf |
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Burgert A. Senekal, Cornelia Geldenhuys |
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| Vol 39, No 1 (2018) |
Characterisation and social impact of urban youth languages on urban toponymy: S’ncamtho toponomastics in Bulawayo |
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Sambulo Ndlovu |
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| Vol 39, No 1 (2018) |
Groen postkolonialisme in Etosha (Piet van Rooyen) |
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Susan Meyer |
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| Vol 38, No 1 (2017) |
Cosmogynesis: The female hero in Tanith Lee’s The winter players |
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Eileen Donaldson |
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| Vol 38, No 1 (2017) |
Maxwell Anderson’s song lyric ‘Lost in the Stars’ and his Ulyssean adaptation of Alan Paton’s Cry, the Beloved Country |
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Etienne Viviers |
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| Vol 38, No 1 (2017) |
(In)dependent meaning: Representations of addiction and recovery in selected poems produced in a rehabilitation centre |
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Antoinette Pretorius, Andy Carolin, Reinhardt Fourie, Lida Krüger |
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| Vol 38, No 1 (2017) |
Gothic landscape, memory and food: A reading of Valerio Varesi’s The Dark Valley |
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Allyson Kreuiter |
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| Vol 38, No 1 (2017) |
Cathy’s mourning in Emily Brontë’s Wuthering Heights |
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J. Albert Myburgh |
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| Vol 38, No 1 (2017) |
‘I was a Girl of my Time’: A feminist literary analysis of representations of time and gender in selected contemporary South African fiction by women |
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Jessica Murray |
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| Vol 38, No 1 (2017) |
Ecofeminist invitations in the works of Sindiwe Magona |
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Dianne Shober |
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| Vol 38, No 1 (2017) |
James Henry Greathead and the London Underground |
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Laurence Wright |
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| Vol 38, No 1 (2017) |
Testing the impact of known variables on the attitudes held by Setswana L1-speaking university students towards their L1 |
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Thabo Ditsele |
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| Vol 38, No 2 (2017) |
Strategies used in the translation of fixed expressions in magazines: A comparison of selected texts with Afrikaans as source language and South African English as target language |
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Alan Murdoch |
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| Vol 38, No 1 (2017) |
Imagining the future nation: A critical appreciation of Emmanuel Ngara’s vision in Songs from the Temple |
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Rangarirai A. Musvoto |
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| Vol 38, No 2 (2017) |
The role of usability in e-lexicography |
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André H. du Plessis |
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| Vol 38, No 2 (2017) |
The semantics of the aan-construction in 16th-century Dutch: A semasiological and onomasiological approach |
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Dario Rens |
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| Vol 38, No 2 (2017) |
‘Taming untamed pests’: Representing female sexualities in Tiyambe Zeleza’s Smouldering Charcoal and James Ng’ombe’s Sugarcane with Salt |
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Asante L. Mtenje |
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| Vol 38, No 2 (2017) |
The representation of women in Huisgenoot in 1963 and 2013: A multimodal discourse analysis |
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Susann H. Marais |
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| Vol 38, No 1 (2017) |
‘Speaking’ and ‘silence’ in the memoirs of Petronella van Heerden |
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Lizelle Smit |
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| Vol 38, No 1 (2017) |
Unhomeliness, unending phobias and liminality in Senait Mehari’s Heart of Fire |
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Nick M. Tembo |
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| Vol 38, No 2 (2017) |
The ghost of Afrikaner identity in Ancestral voices, Leap year and The long silence of Mario Salviati (Etienne van Heerden) |
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Mariëtte van Graan |
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| Vol 38, No 1 (2017) |
Strategies for building wordnets for under-resourced languages: The case of African languages |
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Sonja E. Bosch, Marissa Griesel |
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| Vol 38, No 1 (2017) |
Diversity, variation and fairness: Equivalence in national level language assessments |
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Albert Weideman, Colleen du Plessis, Sanet Steyn |
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