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| Issue |
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| Vol 40, No 1 (2019) |
English as a medium of worship: The experiences of the congregants of a Pentecostal charismatic church in Soweto |
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Thabisile N. Adams, Anne-Marie Beukes |
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| Vol 40, No 1 (2019) |
Africa in Brathwaite: The matrix of cultural quest, identity and history as poetic vision |
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Muchativugwa L. Hove |
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| Vol 39, No 2 (2018) |
Die intensionele afwyking van die norme van Standaardafrikaans in advertensies |
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Angelique van Niekerk |
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| Vol 39, No 2 (2018) |
’n Korpusondersoek na huidiglik |
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Gerhard B. van Huyssteen |
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| Vol 39, No 2 (2018) |
Toe die vierde Taalkommissie in sy spore gestuit is |
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Christo van Rensburg |
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| Vol 39, No 1 (2018) |
Identity, politics and restriction in Athol Fugard’s art: Writing and liberalism in apartheid South Africa |
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Khaya M. Gqibitole, Shamsuddeen Bello |
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| Vol 39, No 1 (2018) |
A survey of undergraduate students’ attitudes towards studying isiZulu at university |
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Nontobeko T. Mbatha, Thabo Ditsele, Linda van Huyssteen, Christopher Rwodzi |
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| Vol 39, No 1 (2018) |
An inter-semiotic approach to translation: Leonard Cohen in Afri-Kaans |
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Suezette Opperman, Marlie van Rooyen, Kobus Marais |
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| Vol 39, No 2 (2018) |
Norme vir huidiglik |
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Gerhard B. van Huyssteen |
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| Vol 39, No 2 (2018) |
Die ontwikkeling van [ʃ] in Afrikaans |
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Daniel P. Wissing |
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| Vol 39, No 2 (2018) |
Woordeboekdidaktiek in ’n omvattende woordeboekkultuur |
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Rufus Gouws |
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| Vol 39, No 2 (2018) |
Politieke strategieë van aktiviste vir die amptelike erkenning van Afrikaans |
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Jaap Steyn |
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| Vol 39, No 2 (2018) |
From pencil and eraser to blending materials and flipping the classroom: A short history of Teksredaksie and Text Editing |
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Kris van de Poel |
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| Vol 39, No 1 (2018) |
Psychological sequelae of political imprisonment, specifically post-traumatic stress disorder, in 491 Days by Winnie Madikizela-Mandela |
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Marisa Botha |
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| Vol 39, No 1 (2018) |
Considering the alternative: Bakhtin’s carnivalesque and convergence of worlds of animals and humans in Yann Martel’s Life of Pi |
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Susan Marais |
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| Vol 39, No 1 (2018) |
‘Stepping into the painting’: Franz Marc, Mary Oliver and the ekphrastic process |
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Tony Ullyatt |
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| Vol 39, No 1 (2018) |
Gender and the transsexual body in Transamerica |
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Amy A. Jensen |
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| Vol 39, No 1 (2018) |
L’héroïsme de la femme dans l’épopée africaine : un regard critique de Soundjata ou l’épopée mandingue, Emperor Shaka The Great : A Zulu Epic et Nsongo’a Lianja : l’épopée nationale des Nkundo |
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Arthur Mukenge, Josue B. Nkaongami |
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| Vol 39, No 1 (2018) |
Die politiek van die mens-hondverhouding in Op ’n dag, ’n hond van John Miles |
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Adéle Nel |
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| Vol 39, No 1 (2018) |
Are ideophones translatable? The case of translating isiZulu ideophones in DBZ Ntuli’s short story Uthingo Lwenkosazana (The Rainbow) |
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Mthikazi Rose Masubelele |
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| Vol 39, No 1 (2018) |
The indigenous Afrikaans film: Representation as a nationalistic endeavour |
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Hendrik P. van Coller, Anthea van Jaarsveld |
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| Vol 39, No 1 (2018) |
‘Wie het die geheim verklap?’ – Seksuele identiteit in Johann Nell se plaasroman Sondag op ’n voëlplaas (2013) |
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Joanita Erasmus-Alt, Hendrik P. Van Coller |
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| Vol 39, No 1 (2018) |
Brugbouer tussen generasies: Koos Roets se samewerkingsnetwerk in die Afrikaanse filmbedryf |
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Burgert A. Senekal, Cornelia Geldenhuys |
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| Vol 39, No 1 (2018) |
Characterisation and social impact of urban youth languages on urban toponymy: S’ncamtho toponomastics in Bulawayo |
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Sambulo Ndlovu |
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| Vol 39, No 1 (2018) |
Groen postkolonialisme in Etosha (Piet van Rooyen) |
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Susan Meyer |
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| Vol 38, No 1 (2017) |
Cosmogynesis: The female hero in Tanith Lee’s The winter players |
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Eileen Donaldson |
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| Vol 38, No 1 (2017) |
Maxwell Anderson’s song lyric ‘Lost in the Stars’ and his Ulyssean adaptation of Alan Paton’s Cry, the Beloved Country |
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Etienne Viviers |
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| Vol 38, No 1 (2017) |
(In)dependent meaning: Representations of addiction and recovery in selected poems produced in a rehabilitation centre |
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Antoinette Pretorius, Andy Carolin, Reinhardt Fourie, Lida Krüger |
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| Vol 38, No 1 (2017) |
Gothic landscape, memory and food: A reading of Valerio Varesi’s The Dark Valley |
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Allyson Kreuiter |
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| Vol 38, No 1 (2017) |
Cathy’s mourning in Emily Brontë’s Wuthering Heights |
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J. Albert Myburgh |
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| Vol 38, No 1 (2017) |
‘I was a Girl of my Time’: A feminist literary analysis of representations of time and gender in selected contemporary South African fiction by women |
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Jessica Murray |
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| Vol 38, No 1 (2017) |
Ecofeminist invitations in the works of Sindiwe Magona |
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Dianne Shober |
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| Vol 38, No 1 (2017) |
James Henry Greathead and the London Underground |
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Laurence Wright |
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| Vol 38, No 1 (2017) |
Testing the impact of known variables on the attitudes held by Setswana L1-speaking university students towards their L1 |
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Thabo Ditsele |
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| Vol 38, No 2 (2017) |
Strategies used in the translation of fixed expressions in magazines: A comparison of selected texts with Afrikaans as source language and South African English as target language |
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Alan Murdoch |
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| Vol 38, No 1 (2017) |
Imagining the future nation: A critical appreciation of Emmanuel Ngara’s vision in Songs from the Temple |
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Rangarirai A. Musvoto |
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| Vol 38, No 2 (2017) |
The role of usability in e-lexicography |
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André H. du Plessis |
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| Vol 38, No 2 (2017) |
The semantics of the aan-construction in 16th-century Dutch: A semasiological and onomasiological approach |
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Dario Rens |
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| Vol 38, No 2 (2017) |
‘Taming untamed pests’: Representing female sexualities in Tiyambe Zeleza’s Smouldering Charcoal and James Ng’ombe’s Sugarcane with Salt |
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Asante L. Mtenje |
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| Vol 38, No 2 (2017) |
The representation of women in Huisgenoot in 1963 and 2013: A multimodal discourse analysis |
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Susann H. Marais |
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| Vol 38, No 1 (2017) |
‘Speaking’ and ‘silence’ in the memoirs of Petronella van Heerden |
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Lizelle Smit |
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| Vol 38, No 1 (2017) |
Unhomeliness, unending phobias and liminality in Senait Mehari’s Heart of Fire |
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Nick M. Tembo |
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| Vol 38, No 2 (2017) |
The ghost of Afrikaner identity in Ancestral voices, Leap year and The long silence of Mario Salviati (Etienne van Heerden) |
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Mariëtte van Graan |
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| Vol 38, No 1 (2017) |
Strategies for building wordnets for under-resourced languages: The case of African languages |
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Sonja E. Bosch, Marissa Griesel |
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| Vol 38, No 1 (2017) |
Diversity, variation and fairness: Equivalence in national level language assessments |
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Albert Weideman, Colleen du Plessis, Sanet Steyn |
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| Vol 38, No 1 (2017) |
Michiel Heyns’s Lost Ground: The white man’s sense of identity and place in a decolonised Africa and a democratic South Africa |
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Renate Lenz |
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| Vol 38, No 1 (2017) |
Meditations in a churchyard: An exploration of Afrikaans graveyard poets and graveyard poetry |
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Gerda H. Taljaard-Gilson |
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| Vol 38, No 1 (2017) |
Reading Zimbabwe’s structural and political violence through the trope of the unnameable and unnamed in Brian Chikwava’s Harare North |
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Gugulethu Siziba |
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| Vol 37, No 1 (2016) |
Critical literacy: The encounter between Western secularism and Islamic spirituality in selected young adult novels – An approach |
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Salome Romylos |
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| Vol 37, No 2 (2016) |
Sentential negation in South African Sign Language: A case study |
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Courtney de Barros, Ian Siebörger |
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| Vol 37, No 2 (2016) |
Stylometry and characterisation in The Big Bang Theory |
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Maryka van Zyl, Yolande Botha |
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| Vol 37, No 1 (2016) |
Redemption and the imagination of childhood: Dickens’s representation of children in A Christmas Carol |
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David E. Robinson |
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| Vol 37, No 1 (2016) |
A panorama of portraits: Elements of empathy in the Yiddish poems of David Fram |
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Hazel Frankel |
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| Vol 37, No 2 (2016) |
Travelling terms and local innovations: The tsotsitaal of the North West province, South Africa |
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Thabo Ditsele, Ellen Hurst |
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| Vol 37, No 2 (2016) |
Indlela or uhambo? Translator style in Mandela’s autobiography |
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Amanda Nokele, Koliswa Moropa |
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| Vol 37, No 2 (2016) |
Using ParaConc to extract bilingual terminology from parallel corpora: A case of English and Ndebele |
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Ketiwe Ndhlovu |
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| Vol 37, No 2 (2016) |
Blended learning in a first-year language class: Evaluating the acceptance of an interactive learning environment |
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Jako Olivier |
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| Vol 37, No 2 (2016) |
Black Afrikaans: An alternative use |
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Anna P. Maritz |
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| Vol 37, No 2 (2016) |
The use of comments as a strategy in the accountable editing of academic texts |
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Amanda Lourens |
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| Vol 37, No 1 (2016) |
T.T. Cloete as literary critic, theorist and literary historian (Part 2): T.T. Cloete as theorist of literary history |
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Hendrik van Coller |
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| Vol 37, No 1 (2016) |
T.T. Cloete as literary critic, theoretician and historian (Part 1): Columns, anthologies and literary criticism |
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Hendrik van Coller |
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| Vol 37, No 2 (2016) |
Designing a digital pedagogical pattern for improving foreign language learners’ oral proficiency |
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Carina Grobler, Tom F.H. Smits |
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| Vol 37, No 1 (2016) |
Reading protest and myth in Malawian literature: 1964–1990s |
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Fetson Kalua |
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| Vol 37, No 1 (2016) |
Oral literature and the evolving Jim-goes-to-town motif: Some early Northern Sotho compared to selected post-apartheid novels written in English |
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Lesibana Rafapa |
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| Vol 37, No 2 (2016) |
Inference generation and text comprehension in bilingual children: A case study |
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Agness Hara, Heike Tappe |
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| Vol 37, No 1 (2016) |
Envisioning dystopia: Eben Venter’s Art of Darkness |
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Harry Sewlall |
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| Vol 37, No 1 (2016) |
Mostly ‘black’ and ‘white’: ‘Race’, complicity and restitution in the non-fiction of Antjie Krog |
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Jacomien van Niekerk |
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| Vol 37, No 1 (2016) |
The trauma of home and (non)belonging in Zimbabwe and its diaspora: ‘Conversion disorder’ in Shadows by Novuyo Rosa Tshuma |
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Johan U. Jacobs |
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| Vol 37, No 1 (2016) |
Freud, Said, and the ancient and classical worlds |
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Roger M. Field |
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| Vol 37, No 1 (2016) |
Antjie Krog’s Mede-wete/Synapse as a challenge to new ways of comparative reading |
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Louise Viljoen |
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| Vol 37, No 1 (2016) |
‘Treppie does not like guests’: Xenia in Marlene van Niekerk’s Triomf |
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Marius Crous |
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| Vol 37, No 1 (2016) |
‘An augury of the world’s ruin’ and the making of the tragic hero in Chinua Achebe’s Arrow of God |
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Ignatius Chukwumah |
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| Vol 37, No 1 (2016) |
Promoting the poetic cause in Ben Okri’s stokus from Tales of freedom (2009) |
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Rosemary A. Gray |
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| Vol 37, No 1 (2016) |
‘Kyk hoe elk in die ander pas’: Landskap, liggaam en die visuele in enkele gedigte van Johann de Lange |
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Adéle Nel, Rickus Ströh |
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| Vol 37, No 1 (2016) |
Just when we thought we were producing fine young men |
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Nompumelelo B. Zondi, Thulani J. Mbuli |
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| Vol 36, No 1 (2015) |
The portrayal of single women characters in selected African literary texts |
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Linda Kwatsha |
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| Vol 36, No 1 (2015) |
Die Auslotung des Menschenmöglichen: Die Verschränkung von Sprache und Identität bei Hugo Loetscher |
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Waldo Grové, Stephan Mühr |
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| Vol 36, No 1 (2015) |
Existence and essence in Venda oral literature |
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Jaco Kruger, Anné Verhoef |
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| Vol 36, No 1 (2015) |
A critical analysis of ‘face’-managing factors in isiZulu idioms |
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M.R. Masubelele |
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| Vol 36, No 1 (2015) |
Tradition and the culture of rights at the crossroads: A literary perspective |
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Nompumelelo B. Zondi, Bonginkosi C. Khuzwayo |
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| Vol 36, No 1 (2015) |
Writing back to colonialism, again: The novel The Chimurenga Protocol and the ‘new’ resistance literary culture in post-2000 Zimbabwe |
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Oliver Nyambi |
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| Vol 36, No 1 (2015) |
Lucky Marais: Die verpersoonliking van kameleontiese manlikheid |
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Stefan van Zyl, Heilna du Plooy |
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| Vol 36, No 2 (2015) |
Autobiographical turning points: Remembering and forgetting |
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Michael Sheringham |
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| Vol 36, No 2 (2015) |
Richard Murphy: Autobiography and the Connemara landscape |
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Elsa Meihuizen |
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| Vol 36, No 2 (2015) |
Identity, construction and memory in Joanne Leonard’s Being in pictures: An intimate photo memoir (2008) |
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Heilna du Plooy |
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| Vol 36, No 1 (2015) |
Troubled reading: ‘Sonny’s blues’ and empathy |
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Eva Kowalska |
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| Vol 36, No 1 (2015) |
De fascinatie blijft: Recente Nederlandse reisliteratuur over het nieuwe Zuid-Afrika |
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Loes Nas |
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| Vol 36, No 1 (2015) |
The flâneuse and the City as uncanny home in Lawrence Durrell’s The Alexandria quartet |
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Allyson Kreuiter |
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| Vol 36, No 1 (2015) |
On being a discontinuous person: Ontological insecurity, the wounded storyteller and time in Daniel Keyes’s Flowers for Algernon |
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Tony Ullyatt |
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| Vol 36, No 1 (2015) |
Liminality in J.M. Coetzee’s later experimental texts |
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Annemie Grobler, A.M. de Lange, M.J. Wenzel |
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| Vol 36, No 1 (2015) |
Emancipatory discourse in the names of children of the present generation: Some attempts of balancing power relations with special reference to Tshivenḓa naming practices |
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Thomas Sengani |
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| Vol 36, No 2 (2015) |
E.L. Doctorow’s fictional autobiography: World’s Fair (1985) as a carnivalesque Bildungsroman |
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Philip van der Merwe, Ian Bekker |
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| Vol 36, No 2 (2015) |
Polyphony and counterpoint: Mechanisms of seduction in the diaries of Helen Hessel and Henri Pierre Roché |
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Catherine du Toit |
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| Vol 36, No 1 (2015) |
Umberto Eco’s The Prague cemetery: A game of double co-incidence |
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Maria Spruyt |
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| Vol 36, No 1 (2015) |
Re-framing the prostitute identity in Zimbabwe: An approach to Virginia Phiri’s novel Highway queen (2010) |
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Oliver Nyambi |
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| Vol 36, No 1 (2015) |
Outobiografie as hermeneutiek van die self: Van Rousseau tot Le Clézio |
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Elisabeth Snyman |
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| Vol 36, No 1 (2015) |
Die skep van werklikheidsbeeld in ’n roman |
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Helene de Kock |
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| Vol 35, No 2 (2014) |
Achieving form in autobiography |
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Nicholas (Nick) Meihuizen |
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| Vol 35, No 2 (2014) |
‘In the manner of Cavafy’: The example of the poet from Alexandria |
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Phil van Schalkwyk |
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| Vol 35, No 1 (2014) |
References to Gauguin paintings in Somerset Maugham’s The moon and sixpence |
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Laurence Wright |
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