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| Issue |
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| Vol 35, No 1 (2014) |
The gendered embodiment of shame: Intersections of acquaintance rape, trauma and self-blame in Pompidou posse by Sarah Lotz |
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Jessica Murray |
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| Vol 35, No 1 (2014) |
A re-evaluation of tenses in isiZulu |
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Hermanus C. Groenewald |
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| Vol 35, No 1 (2014) |
Constructing the autobiographical self, collective identity and spiritual spaces in South African queer autobiography |
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Barrington M. Marais, Cheryl Stobie |
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| Vol 35, No 2 (2014) |
Emplaced writing figuring as a manifestation of an ecocentric mindset in the narrative art of Petra Müller |
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Susan Meyer |
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| Vol 35, No 1 (2014) |
Gender-based genre conventions and the critical reception of Buchi Emecheta’s Destination Biafra (Nigeria) |
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Polo B. Moji |
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| Vol 35, No 1 (2014) |
Amongst the unbelievable: Rage, faith and reason in selected writings by V.S. Naipaul |
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Robert J. Balfour |
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| Vol 35, No 1 (2014) |
‘a grate contribyushun for sience’: Promise, threat, and the trauma of failure in Daniel Keyes’s Flowers for Algernon |
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Tony Ullyatt |
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| Vol 35, No 1 (2014) |
Nadsat: The oscillation between reader immersion and repulsion |
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Natasha E. Ravyse |
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| Vol 35, No 1 (2014) |
Innovation and reciprocity in applied linguistics |
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Albert Weideman |
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| Vol 35, No 1 (2014) |
National trauma work and the depiction of women in two Afrikaans historical Karoo novels: Fiela’s child and Sorg |
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Belinda Du Plooy |
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| Vol 35, No 1 (2014) |
Freedom and culture in Maphalla’s translation of Kipling’s ‘If’ into Sesotho |
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Johannes Seema |
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| Vol 34, No 2 (2013) |
A network analysis of character relations in Etienne van Heerden’s Toorberg |
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Burgert A. Senekal |
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| Vol 34, No 2 (2013) |
Teaching Creative Writing at South African universities: An overview |
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Henning J. Pieterse |
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| Vol 34, No 2 (2013) |
Similarities and dissimilarities between poems and song lyrics |
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Bernardus J. Odendaal |
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| Vol 34, No 2 (2013) |
Multidisciplinary partnerships in community-specific writing or storytelling projects – A case study |
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Anneretha Combrink, Annamarie Kruger |
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| Vol 34, No 1 (2013) |
Poets and athletes: Olympic winners and losers in early Greek lyric |
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William J. Henderson |
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| Vol 34, No 2 (2013) |
The present is a thing of the past: Possible linguistic motivations for the ‘present tense writing tradition’ in Afrikaans prose |
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Adri Breed |
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| Vol 34, No 2 (2013) |
A new myth regarding the Great Trek: Reinvention of identity in Die pad na skuilhoek [The path toSkuilhoek] by Hans du Plessis. |
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Marlies Taljard |
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| Vol 34, No 1 (2013) |
Women, nation and voicing in Sharai Mukonoweshuro’s Shona novels |
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Maurice T. Vambe |
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| Vol 34, No 2 (2013) |
Tinboektoe toe: Spatial explorations |
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S.F. (Franci) Greyling |
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| Vol 34, No 2 (2013) |
Keeping it real for the sake of my career: An exploration of teaching creative writing in the broader Afrikaans literary system (1995–2012) |
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Leti Kleyn |
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| Vol 34, No 1 (2013) |
Reading the rhetor in postcolonial African fiction: Armah’s Two thousand seasons as an illustration |
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George Samiselo |
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| Vol 34, No 1 (2013) |
To map across from one language to another: J.M. Coetzee’s translation of Die kremetartekspedisie |
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Marius Crous |
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| Vol 34, No 1 (2013) |
Shifts and continuities in Zulu personal naming practices |
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Sihawukele Ngubane, Nompumelelo Thabethe |
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| Vol 34, No 2 (2013) |
A perspective on a period of contact between Khoi and Afrikaans |
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Christo van Rensburg |
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| Vol 34, No 1 (2013) |
Re-examining the relationship between the subject agreement morpheme and (in)definiteness in Northern Sotho |
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Mampaka L. Mojapelo |
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| Vol 34, No 1 (2013) |
Unity-in-multiplicity as structural framework in the poetry of T.T. Cloete, with emphasis on volume construction |
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Bernardus J. Odendaal |
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| Vol 34, No 1 (2013) |
The image of absence and the politics of naming in Shona war fiction |
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Willie L. Chigidi, Davie E. Mutasa |
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| Vol 34, No 1 (2013) |
Grotesque manifestations of power in Dance of the vampires by Bole Butake |
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Naomi Nkealah |
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| Vol 34, No 1 (2013) |
Young South Africans and cultural (mal)practice: Breaking the silence in recent writing |
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Johan U. Jacobs |
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| Vol 34, No 1 (2013) |
‘Listening at the threshold’ – A reading of religion in some excerpts from three of Iris Murdoch’s novels: Henry and Cato, Nuns and soldiers and The unicorn |
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Stella Prozesky |
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| Vol 33, No 2 (2012) |
A conversation spanning three millenia: A poetic re-invention of Homer’s Iliad by T.T. Cloete |
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Marlies Taljard |
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| Vol 33, No 2 (2012) |
The utopian challenge to global capitalism by Walter van den Broeck in Terug naar Walden |
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Andries Visagie |
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| Vol 33, No 2 (2012) |
From the heart of the people and to the heart of the people’ Jan F.E. Celliers as the people’s poet |
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Ingrid Glorie |
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| Vol 33, No 2 (2012) |
‘Never one thing. Always one thing and another’: An introductory comparison of the poetics of Ivan Vladislavić and Etienne Leroux |
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Phil van Schalkwyk |
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| Vol 33, No 2 (2012) |
Expressing the indescribable: Mystic desire and loss in Die sneeuslaper by Marlene van Niekerk |
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Chris van der Merwe |
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| Vol 33, No 2 (2012) |
Transforming a poem |
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T.T. Cloete |
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| Vol 33, No 2 (2012) |
The resurrection of South African literature in Dutch? Some remarks on canonisation of minority literatures |
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Olf Praamstra, Eep Francken |
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| Vol 33, No 1 (2012) |
Comparing imagery in The Greedy Hippo and Crouching Tiger, Hidden Dragon |
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John R. Botha |
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| Vol 33, No 1 (2012) |
Seemingly ‘impossible’ art forms: Strijdom van der Merwe’s land art in the context of the South African art market |
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Jean le Clus-Theron |
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| Vol 33, No 1 (2012) |
The Greedy Hippo and Red Riding Hood: The grotesque in fairy tales |
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Dineke van der Walt |
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| Vol 33, No 1 (2012) |
The Tambani project: A computer animation of The Greedy Hippo |
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Rita M.C. Swanepoel, Christiaan van der Westhuizen |
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| Vol 33, No 1 (2012) |
We are aware – Creative writing, concrete poetry and writers’ resistance |
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Leti Kleyn |
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| Vol 33, No 1 (2012) |
Creative remediation of Pynstiller by Fanie Viljoen: From short story to graphic novel |
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S.F. (Franci) Greyling |
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| Vol 33, No 1 (2012) |
Tender like marrow: A gender-based reading of Boom van my lewe [Tree of my life] and Ad hominem |
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Louisemarié Combrink |
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| Vol 33, No 1 (2012) |
Alienation in Leora Farber’s The futility of writing 24-page letters (2009) |
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Rita M.C. Swanepoel, Moya Goosen |
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| Vol 33, No 1 (2012) |
The diary of Bertha Marks as a heterotopia, as articulated in the artwork, The Futility of Writing 24-Page Letters |
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Leora Farber, Elfriede Dreyer |
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| Vol 33, No 1 (2012) |
Towards a theoretical underpinning of the book arts: Applying Bakhtin’s dialogism and heteroglossia to selected examples of the artist’s book |
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David Paton |
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| Vol 33, No 1 (2012) |
Transgressions and boundaries of the page as conceptual art |
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Rita M.C. Swanepoel |
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| Vol 33, No 1 (2012) |
Investigating the appropriateness of the theory of organisational knowledge creation as a management model for practice-led research |
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Ian R. Marley |
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| Vol 32, No 3 (2011) |
A 'spirit' of home and exile: a re-evaluation of Breyten Breytenbach’s Memory of snow and of dust |
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T. Jansen |
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| Vol 32, No 3 (2011) |
One rainbow, one nation, one tongue singing: whiteness in post-apartheid pulp fiction |
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M.E. West |
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| Vol 32, No 3 (2011) |
Karakterisering en die gebruik van verwysings na psalms, gesange en hallelujaliedere in die roman Agaat van Marlene van Niekerk |
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H.H. van der Mescht |
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| Vol 32, No 3 (2011) |
'Man muss die Dinge sich vor Augen halten ...': Goethe’s and Adorno’s aesthetic programmes as a critique of Modernity |
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S. Mühr |
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| Vol 32, No 3 (2011) |
Never let me go: science fiction and legal reality |
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J.H. de Villiers, M. Slabbert |
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| Vol 32, No 3 (2011) |
A critical analysis of domestication in Makhambeni’s translation of Chinua Achebe’s novel No longer at ease (1960) |
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M.R. Masubelele |
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| Vol 32, No 3 (2011) |
’n Alfabeties-akrostiese klaaglied |
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R. van der Spuy |
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| Vol 32, No 2 (2011) |
Politieke herskrywings van die Ons(e) Vader-gebed in vier Afrikaanse gedigte |
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G.C. Engelbrecht, P.H. Foster |
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| Vol 32, No 2 (2011) |
“Hell’s view”: Van de Ruit’s Spud – changing the boys’ school story tradition? |
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J. Robertson |
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| Vol 32, No 2 (2011) |
Die moderne self as toneelpop in Woyzeck on the Highveld |
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A. Krueger |
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| Vol 32, No 2 (2011) |
Iconicity as the key to the poetry of Nelly Sachs (1891-1970) |
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H. Ester |
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| Vol 32, No 2 (2011) |
“Gestures of approach”: aspects of liminality and labyrinths |
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Tony Ullyatt |
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| Vol 32, No 2 (2011) |
From foreign to national: a review of the status of the French language in Gabon |
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H.S. Ndinga-Koumba-Binza |
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| Vol 32, No 2 (2011) |
Postcolonial travel accounts and ethnic subjectivity: travelling through Southern Africa |
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L. Nas |
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| Vol 32, No 2 (2011) |
Three protagonists in B.W. Vilakazi’s “Ezinkomponi” (“On the mine compounds”) |
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N. Zondi |
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| Vol 32, No 1 (2011) |
Beckett and Coetzee: alternative identities |
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N.C.T. Meihuizen |
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| Vol 32, No 1 (2011) |
Trauma in Der Nazi & der Friseur von Edgar Hilsenrath |
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J.P.C. van den Berg |
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| Vol 32, No 1 (2011) |
“To say what you are trying to say”: Douglas Livingstone’s personae in A rosary of bone (1975b & 1983) |
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Tony Ullyatt |
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| Vol 32, No 1 (2011) |
Ruimte as tema en metafoor in die poësie van enkele vroulike Afrikaanse digters: 1994-2005 |
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A.M. de Beer, H.J.G. du Plooy |
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| Vol 32, No 1 (2011) |
Animals and nature: mapping storylines and metaphors in David Kramer’s narratives |
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M. Slabbert |
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| Vol 32, No 1 (2011) |
The curious case of legal translation |
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E. Cornelius |
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| Vol 31, No 3 (2010) |
Narratology and the study of lyric poetry |
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H.J.G. Du Plooy |
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| Vol 31, No 3 (2010) |
Plotting the lyric: forms of narration in poetry |
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P. Hühn |
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| Vol 31, No 3 (2010) |
Affordances of form in stanzaic narrative poetry |
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B. McHale |
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| Vol 31, No 3 (2010) |
Narrative strategies in Sir Philip Sidney’s Astrophil and Stella |
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J. Gouws |
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| Vol 31, No 3 (2010) |
Politics in poetry: epic poetry as a critique of Dutch culture |
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O.M. Heynders |
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| Vol 31, No 3 (2010) |
Dan hecht ik eer geloof aan het verhaal: over enkele narratieve teksten van Martinus Nijhoff |
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F.R.W. Stolk |
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| Vol 31, No 3 (2010) |
“Poëtische avonturen”: over de verhouding tussen narratieve structuren en poëtische aspecten in twee lange gedichten |
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D. Willockx |
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| Vol 31, No 3 (2010) |
Skuil daar ’n verhaal in ’n liriese gedig? Nederlandstalige digters oor narratiwiteit in die poësie: Robert Anker, Tomas Lieske, Leonard Nolens, Willem van Toorn en Eva Gerlach |
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H.J.G. Du Plooy |
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| Vol 31, No 3 (2010) |
Wallace Stevens’s use of narrative markers in Harmonium |
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J. Gouws |
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| Vol 31, No 3 (2010) |
A narratological perspective on Douglas Livingstone’s A littoral zone (1991) |
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J.H. Kahl |
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| Vol 31, No 2 (2010) |
White masculine desire and despair in The good doctor by Damon Galgut |
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M. Crous |
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| Vol 31, No 2 (2010) |
B.W. Vilakazi and the birth of the Zulu novel |
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N.N. Canonici |
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| Vol 31, No 2 (2010) |
Keeping it in the family: incest, repression and the fear of the hybrid in Reza de Wet’s English plays |
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A. Krueger |
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| Vol 31, No 2 (2010) |
Black writers’ Shona novels of the liberation war in Zimbabwe: an art that tells the truth of its day |
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D.E. Mutasa, W.L. Chigidi |
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| Vol 31, No 2 (2010) |
’n Ondersoek na ’n werkswyse: die herskryf van ’n komplekse Afrikaanse roman na ’n draaiboek |
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C.A. Breed, S.F. Greyling |
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| Vol 31, No 2 (2010) |
The presentation of male same-gender abuse in W.K. Tamsanqa’s Ithemba liyaphilisa |
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B.B. Mkonto |
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| Vol 31, No 2 (2010) |
Afrikaanse vryheidsliedjies as herkonstruksie van Afrikaneridentiteit: ’n ideologies-kritiese perspektief |
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L. Lambrechts, M. Viljoen |
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| Vol 31, No 2 (2010) |
Omstrede kwessies en teksinterne korrektiewe in Skilpoppe van Barrie Hough |
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M.J. Fritz, E.S. Van der Westhuizen |
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| Vol 31, No 1 (2010) |
Third World Express : trains and “revolution” in Southern African poetry |
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L. Wright |
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| Vol 31, No 1 (2010) |
Alienation in Irvine Welsh’s Trainspotting |
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B.A. Senekal |
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| Vol 31, No 1 (2010) |
Boer-uitbeeldings in Franse jeugliteratuur tydens die Anglo-Boereoorlog |
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J.E.T. Steyn |
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| Vol 31, No 1 (2010) |
Translating cultural transition in Kgebetli Moele’s Room 207 |
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S.S. Ibinga |
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| Vol 31, No 1 (2010) |
Die sin as narratiewe kode in “Die uur van die idiote” deur Abraham H. de Vries |
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M.J. Prins |
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| Vol 31, No 1 (2010) |
Authorial intention and agency in Luke’s Acts |
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E. Mkhatshwa |
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| Vol 31, No 1 (2010) |
Songs about Zuma: revelations of divisions after democracy |
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M. Groenewald |
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| Vol 31, No 1 (2010) |
The Zimbabwean liberation war: contesting representations of nation and nationalism in historical fiction |
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I. Muwati, D.E. Mutasa, M.L. Bopape |
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| Vol 30, No 1 (2009) |
Op die spoor van kreatiewe kreature: ’n interdissiplinêre ondersoek na die kreatiewe proses – projekbeskrywing |
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S.F. Greyling, I.R. Marley |
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| Vol 30, No 1 (2009) |
The grotesque as it appears in Western art history and in Ian Marley’s creative creatures |
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R. Swanepoel |
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| Vol 30, No 1 (2009) |
Vyf digters in gesprek met Joshua en Ian Marley se kreatiewe kreature |
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H.M. Viljoen |
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