Original Research

We are aware – Creative writing, concrete poetry and writers’ resistance

Leti Kleyn
Literator | Vol 33, No 1 | a25 | DOI: https://doi.org/10.4102/lit.v33i1.25 | © 2012 Leti Kleyn | This work is licensed under CC Attribution 4.0
Submitted: 12 July 2012 | Published: 13 November 2012

About the author(s)

Leti Kleyn, Unit for Academic Literacy, University of Pretoria, South Africa


Share this article

Bookmark and Share

Abstract

In this article, the focus is on the artist’s book – Sanity on the line – a catalogue of individual work (of students) compiled from a cut-up poetry project that was exhibited as part of the Transgressions and boundaries of the page artist’s book project. Amongst others, the phenomenon known as concrete poetry, which was developed by Hunley (2007) as an alternative approach to teaching through the creative art of writing workshop method, is explored. Furthermore, a few individual works in the cut-up poetry project are discussed by relating them to existing South African examples of concrete poetry. A strong focus is placed on examples from Afrikaans literature as well as the work of Willem Boshoff and Wopko Jensma.

Keywords

No related keywords in the metadata.

Metrics

Total abstract views: 3756
Total article views: 11628

 

Crossref Citations

1. (In)dependent meaning: Representations of addiction and recovery in selected poems produced in a rehabilitation centre
Antoinette Pretorius, Andy Carolin, Reinhardt Fourie, Lida Krüger
Literator  vol: 38  issue: 1  year: 2017  
doi: 10.4102/lit.v38i1.1395