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| Issue |
Title |
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| Vol 15, No 1 (1994) |
Postmodernisme: doelgerig of vrolike fuif? 'n Polisieroman en 'n moorddroom |
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W. Burger |
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| Vol 15, No 1 (1994) |
Afrikaanse oorlogspoësie na Sestig |
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F. I.J. van Rensburg |
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| Vol 15, No 1 (1994) |
Literatuurgeskiedskrywing en diskoers: die ‘begin’ van die Afrikaanse letterkunde |
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P. John |
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| Vol 15, No 1 (1994) |
Bevrijding en verzoening in ‘Libera nos, Domine’ |
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M. B. de Wind |
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| Vol 15, No 1 (1994) |
Die term dramaties: terug na Aristoteles |
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D. A. Pauw |
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| Vol 15, No 1 (1994) |
Die klassiflkasie van die antieke Griekse liriekvorms |
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W. J. Henderson |
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| Vol 14, No 3 (1993) |
The skaz narrative mode in short stories by W. C. Scully, Percy FitzPatrick, Perceval Gibbon and Herman Charles Bosman |
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C. MacKenzie |
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| Vol 14, No 3 (1993) |
Die verdonkerende spieël: Simbolistiese trekke in Wilma Stockenstrom se eerste drie bundels |
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M. Lombard, H. Viljoen |
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| Vol 14, No 3 (1993) |
Ideologie, ‘egte’ norme en literêre taalhandelinge |
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M. Rossouw |
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| Vol 14, No 3 (1993) |
Uitgebreide attributiewe konstruksies in Duits - ’n uitdaging vir Afrikaanssprekende studente |
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E. C. Steyn |
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| Vol 14, No 3 (1993) |
Vondste uit de oude doos: Hommage á T.T. Cloete |
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L. Venter |
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| Vol 14, No 3 (1993) |
’n Herlees van ‘Die sindelinghaan’ |
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G. Meintjes |
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| Vol 14, No 3 (1993) |
Die fantastiese as diskoerswyse in Willem Brakman se Glubkes oordeel |
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M. de Vries |
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| Vol 14, No 3 (1993) |
Fictionalization, conscientization and the trope of exile in Amandla and Third Generation |
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J. Geertsema |
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| Vol 14, No 2 (1993) |
Via alruin en seks tot God: die eiesoortige mistiek in die poësie van T.T. Cloete |
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B. J. Odendaal |
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| Vol 14, No 2 (1993) |
Afskeid en vertrek as dekadente roman |
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M. Grobbelaar, H. Roos |
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| Vol 14, No 2 (1993) |
Die andersheid van Die verdwaalde land – die waarheid as storie vertel |
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M. Hattingh |
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| Vol 14, No 2 (1993) |
Ons wag op die kaptein (Elsa Joubert): Bybel en Christendom as intertekste |
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M. J. Prins |
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| Vol 14, No 2 (1993) |
Drama en geskiedenis: ’n voorlopige verkenning |
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J. L. Coetser |
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| Vol 14, No 2 (1993) |
Afrikaans en interdissiplinêre studie: moontlikhede en eise in 'n toekomstige Suid-Afrika |
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W. A.M. Carstens |
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| Vol 14, No 2 (1993) |
The shape of a woman's life: Lady Anne Barnard's Memoir |
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M. Lenta |
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| Vol 14, No 2 (1993) |
Le mythe du bon sauvage Hottentot |
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M-J Boisacq |
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| Vol 14, No 2 (1993) |
Medieval English root clauses |
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H. W. Broekman |
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| Vol 14, No 1 (1993) |
’n Interpretasie van Karel Schoeman se roman, ’n Ander land binne die raamwerk van die laat negentiendeeeuse estetisistiese en dekadente literêre tradisie |
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M. Grobbelaar, H. Roos |
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| Vol 14, No 1 (1993) |
Op soek na die paradys: paradigma-ondermyning as leesstrategie toegepas op ‘Vrees van die arbeider’ (Heilige beeste) deur DJ. Opperman |
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D. J. Jordaan |
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| Vol 14, No 1 (1993) |
Zen-Boeddhistiese selfloosheid as sentrale interteks van die Breytenbach-oeuvre |
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M. Sienaert |
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| Vol 14, No 1 (1993) |
Gordimer’s rendition of the picaresque in A Sport of Nature |
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M. Wenzel |
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| Vol 14, No 1 (1993) |
More echoes from David Lodge’s Small World |
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D. Godwin |
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| Vol 14, No 1 (1993) |
Die rol van bioptemie in die postmodernistiese teks |
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M. Muller |
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| Vol 14, No 1 (1993) |
Extraordinary events and primeval images: Magic realism in the works of Northern Sotho novelist O.K. Matsepe |
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G. M.M. Grobler |
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| Vol 14, No 1 (1993) |
‘Die dood van Digenis’ - mistifikasie van ’n Bisantynse held |
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B. Hendrickx |
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| Vol 13, No 3 (1992) |
Postmodern cinema and postmodern culture: information-communication, otherness and history in Wenders’s Himmel über Berlin (Wings of Desire) |
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B. Olivier |
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| Vol 13, No 3 (1992) |
The terminator syndrome: Science fiction, cinema and contemporary culture |
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J. Sey |
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| Vol 13, No 3 (1992) |
Time, technology, cinematic art and critique in The Terminator and Terminator II - Judgment Day; a philosophical interpretation |
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B. Olivier |
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| Vol 13, No 3 (1992) |
‘Where meaning collapses’: Alien and the outlawing of the female hero |
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C. Belling |
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| Vol 13, No 3 (1992) |
The Unbearable Lightness of Being - a philosophical exploration |
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J. Degenaar |
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| Vol 13, No 3 (1992) |
Beyond Propp and Oedipus: Towards expanding narrative theory |
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J. Prinsloo |
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| Vol 13, No 3 (1992) |
The saving of appearances: Denys Arcand’s Jesus of Montreal |
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J. J. Snyman, H. P.P. Lötto |
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| Vol 13, No 3 (1992) |
The ‘unreel’ in Woody Allen’s Zelig |
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L. Nas |
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| Vol 13, No 3 (1992) |
Documentary realism and film pleasure: Two moments from Euzhan Palcy’s A Dry White Season |
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J. Higgins |
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| Vol 13, No 3 (1992) |
Die ontvanger en Die vuurtoring, ’n metadiëgetiese televisiedrama |
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S. Louw |
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| Vol 13, No 3 (1992) |
Orkney snork nie/Orkney sno…: Perspektiewe op herhaling en ironie |
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J. Geertsema |
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| Vol 13, No 3 (1992) |
Roman en film - stories in woorde en beelde ’n Voorstel vir ’n gevorderde kursus in literatuurwetenskap |
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H. du Plooy |
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| Vol 13, No 2 (1992) |
The willing suspension of belief in the French seventeenth century fairy tale |
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D. Godwin |
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| Vol 13, No 2 (1992) |
Die siening van die Griekse tragedie by Aristophanes |
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P. J. Conradie |
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| Vol 13, No 2 (1992) |
Aristoteles se siening van dramatiese spanning in die tragedie en die invloed daarvan op moderne dramateorie |
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L. Cilliers |
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| Vol 13, No 2 (1992) |
Volkskuns en fin de siêcle: Perspektiewe op parallelle tendense in die Vlaamse en Afrikaanse prosa |
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H. Roos |
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| Vol 13, No 2 (1992) |
Fallosentrisme, feminisme en die lesbiese paradoks: Chauvinisties-getinte aantekeninge oor die erotiek in die jongere Afrikaanse poësie |
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D. J. Jordaan |
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| Vol 13, No 2 (1992) |
Die konsolidasie van die Afrikaanse taalgemeenskap |
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H. du Plessis |
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| Vol 13, No 2 (1992) |
Het die tekslinguistiek enige implikasies vir die studie van literatuur? |
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W. A.M. Carstens |
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| Vol 13, No 2 (1992) |
City and labyrinth: Theme and variation in Calvino and Duranti’s cityscapes |
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R. Wilson |
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| Vol 13, No 2 (1992) |
Simbolistiese trekke in die poësie van C. Louis Leipoldt |
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M. Bosmart |
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| Vol 13, No 1 (1992) |
Woman and language in darkest Africa: The quest for articulation in two postcolonial novels |
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A. Brink |
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| Vol 13, No 1 (1992) |
Breyten Breytenbach en die Simbolisme - ’n voorlopige verkenning |
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H. Viljoen |
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| Vol 13, No 1 (1992) |
Die Afrikaanse letterkunde in ’n amptelik Engels-eentalige Suid-Afrika |
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H. P. van Coller, J. C. Steyn |
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| Vol 13, No 1 (1992) |
Interpretatiewe strategieë en betekenis - ’n herlees van ‘Ná ’n besoek aan die dieretuin’ |
Abstract
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D. J. Jordaan |
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| Vol 13, No 1 (1992) |
Suidpunt-jazz van André Letoit: Waardeoordeel en die lees van ’n postmodernistiese prosateks |
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W. Burger |
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| Vol 13, No 1 (1992) |
Digter en gehoor in Alexandrië |
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W. J. Henderson |
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| Vol 13, No 1 (1992) |
Neo-Fascisme, norme, literatuur: Oor Pieter Stoffberg se Die hart van ’n bond |
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M. de Jong |
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| Vol 13, No 1 (1992) |
Notes sur deux énigmes concernant Le Printemps d’Yver |
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C. Cordell, D. Godwin |
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| Vol 13, No 1 (1992) |
The reader’s role in the fiction of Menán du Plessis |
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M. J. Daymond |
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| Vol 13, No 1 (1992) |
Trashing the millenium: Subjectivity and technology in cyberpunk science fiction |
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J. A. Sey |
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| Vol 13, No 1 (1992) |
Digterskap en poëtíkale besinning by vier Franse Simboliste |
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L. Peeters |
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| Vol 12, No 3 (1991) |
Denying history or defying History? John Fowles’s A maggot and the postmodernist novel |
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M. Marais |
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| Vol 12, No 3 (1991) |
Sien (en hoor!) is glo: ’n voorlopige verkenning van ikonisiteit as retoriese strategie aan die hand van twee kort gedigte |
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B. J. Odendaal |
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| Vol 12, No 3 (1991) |
Outobiografie of nie: aantekeninge oor die outobiografiese aanwysers in enkele Afrikaanse tekste |
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R. Scheepers |
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| Vol 12, No 3 (1991) |
Mythos as paradigma - Jan Rabie se 'Die groot vrot' |
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E. Deudney-Theron |
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| Vol 12, No 3 (1991) |
Dat die klip kan heers: Pieter Fourie se Die koggelaar |
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J. L. Coetser |
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| Vol 12, No 3 (1991) |
Elisabeth Eybers: die volgehoue 'edel spel' |
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H. du Plooy |
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| Vol 12, No 3 (1991) |
Uit die oogpunt van ’n vrou? Perspektief op feministiese literêre kritiek in die kader van die Airikaanse prosa |
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J. W. du Plessis, D. H. Steenberg |
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| Vol 12, No 3 (1991) |
Glasnost in Soviet literary criticism: current debates on the Russian national character (1988-1990) |
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H. Mondry |
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| Vol 12, No 3 (1991) |
Karakterisering in Christine: ’n Jungiaanse perspektief |
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M. L. Crous |
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| Vol 12, No 3 (1991) |
Death and meaning: the case of Tristan |
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L. Peeters |
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| Vol 12, No 2 (1991) |
Collage in Volmink |
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A. van Eeden, D. H. Steenberg |
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| Vol 12, No 2 (1991) |
Aspekte van Lacaniaanse psigo-analise as kode by ’n semiotiese lesing van Breytenbach se ('yk') |
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M. Sienaert |
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| Vol 12, No 2 (1991) |
Interdissiplinêre taal- en literatuurstudie in Suid-Afrika |
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C. F. Swanepoel |
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| Vol 12, No 2 (1991) |
Metapoëtiese raakpunte in die poësie van Gerrit Kouwenaar en Breyten Breytenbach |
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E. Deudney-Theron |
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| Vol 12, No 2 (1991) |
Taaltoer in die woestyn: Marais se Dwaalstories |
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G. A. Jooste |
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| Vol 12, No 2 (1991) |
The matrix and the echo: Intertextual re-modelling in Stoppard’s Rozencrantz and Guildenstern are dead |
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A. de Lange, A. Combrink |
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| Vol 12, No 2 (1991) |
Editors, texts, and performance: the value of textual criticism in the age of relativity |
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A. M. Potter |
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| Vol 12, No 2 (1991) |
Regressiewe stemassimilasie in Afrikaans en Nederlands |
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D. Wissing |
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| Vol 12, No 2 (1991) |
Die Afrikaanse prosa, 1918 - 1926: brandpunt van die geboorte van ’n nuwe bewussyn |
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P. John |
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| Vol 12, No 1 (1991) |
Die tekstuele gesag in Marais se Dwaalstories |
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G. A. Jooste |
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| Vol 12, No 1 (1991) |
Literaire polemiek als gevecht tussen spel en ernst: Een exercitie in literaire speltheorie |
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J. Flamend |
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| Vol 12, No 1 (1991) |
Dirk Ligter as versetfiguur |
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G. Meintjes |
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| Vol 12, No 1 (1991) |
Bosman and self-conscious fiction |
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N. Meihuizen |
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| Vol 12, No 1 (1991) |
Die proloë van Terentius - ’n teatercredo |
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J. Scholtemeijer |
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| Vol 12, No 1 (1991) |
Some notes on further readings of Wilma Stockenström’s slave narrative, The Expedition to the Baobab Tree |
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S. Gray |
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| Vol 12, No 1 (1991) |
The author, his work and his critics: an outline and evaluation of the controversy surrounding Klaus Mann’s Mephisto |
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C. von Maltzan |
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| Vol 12, No 1 (1991) |
A semiotic interpretation of national typology: the English, the Boers and ... the Russians (Ivan Goncharov’s Frigate Pallas) |
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H. Mondry |
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| Vol 11, No 3 (1990) |
’n Potjie representasie, sterk gekruie: representeem en diskontinuïteít in die literatuurgeskiedskrywing |
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H. Viljoen |
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| Vol 11, No 3 (1990) |
On Foucault’s idea of an epistemic shift in the 17th century and its significance for Baroque scholarship |
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B. F. Scholz |
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| Vol 11, No 3 (1990) |
Foucault and Shakespeare’s pedants, dotards and drunks |
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J. Gouws |
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| Vol 11, No 3 (1990) |
Realisme en representasie in wetenskap en literatuur |
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M. E. Botha |
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| Vol 11, No 3 (1990) |
Oor referensie en (tersyde) oor representasie |
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H. Viljoen |
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| Vol 11, No 3 (1990) |
Stromings, sosiokodes en representasies |
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H. du Plooy |
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| Vol 11, No 3 (1990) |
Negentiende-eeuse Realisme: Hildebrand, Conscience, Cachet |
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D. H. Steenberg |
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| Vol 11, No 3 (1990) |
The representation of ideology: Orwell’s (re)reading of ‘Boys’ Weeklies’ |
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A. M. de Lange |
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| Vol 11, No 3 (1990) |
Shalom van ’n Afrikanerdom tikmasjienpianis: Suidpunt-jazz van André Letoit |
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D. H. Steenberg |
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| Vol 11, No 2 (1990) |
The evolution of critical responses to Fugard’s work, culminating in a feminist reading of The Road to Mecca |
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V. Bowker |
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