Original Research

The ‘unreel’ in Woody Allen’s Zelig

L. Nas
Literator | Vol 13, No 3 | a775 | DOI: https://doi.org/10.4102/lit.v13i3.775 | © 1992 L. Nas | This work is licensed under CC Attribution 4.0
Submitted: 06 May 1992 | Published: 06 May 1992

About the author(s)

L. Nas, University of Cape Town, South Africa

Full Text:

PDF (201KB)

Share this article

Bookmark and Share

Abstract

By presenting Zelig (1983) in the form of a historical documentary using archival film footage, film - director Woody Allen breaks down the conventional distinction between documentary and fiction film. Through metacinematic self-consciousness Zelig hybridly 'chameleonizes’ recorded historical 'truth' exposing this truth to be ‘unreal’: it explodes the notion of the cinematic ‘real’, turning it into the ‘unreel’.

Keywords

No related keywords in the metadata.

Metrics

Total abstract views: 2085
Total article views: 2204

 

Crossref Citations

1. Postmodern mimesis in Woody Allen's film Zelig
Andrej Čanji
Zbornik Akademije umetnosti  issue: 8  first page: 42  year: 2020  
doi: 10.5937/ZbAkU2008042C