Original Research

Volkskuns en fin de siêcle: Perspektiewe op parallelle tendense in die Vlaamse en Afrikaanse prosa

H. Roos
Literator | Vol 13, No 2 | a739 | DOI: https://doi.org/10.4102/lit.v13i2.739 | © 1992 H. Roos | This work is licensed under CC Attribution 4.0
Submitted: 06 May 1992 | Published: 06 May 1992

About the author(s)

H. Roos, Universiteit van Suid-Afrika, South Africa

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Abstract

In nineteenth century Europe, the fin de siécle was in a literary sense characterized by the aesthetic cult, Symbolism , and a decadent mood . However, the traditional historians of Flemish and Afrikaans literature accentuate the mild romanticism and realism as typical of what have since become, for a corresponding period (± 1895-1925), in both those literatures their canonized texts. Literary history also identifies in Flemish and Afrikaans prose a definite striving towards a ‘national’ literature, thus reflecting the nationalistic political and cultural movements of those early times. This article focusses on a few, but interesting deviations from that established pattern. It reveals that, especially in works of prose written by surprisingly many of those authors (who were often identified with a ‘national’ cause), some marked tendencies of the decadent fin de siêcle are clearly present. A contextual rereading of these texts - which even now are either completely under-estimated or ignored by conventional literary history - may bring about a re-evaluation of the existing canon of early Flemish and Afrikaans prose.

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