Original Research

Die dramatiese discours in Pas de deux van Hugo Claus

R. Vaughan
Literator | Vol 11, No 2 | a805 | DOI: https://doi.org/10.4102/lit.v11i2.805 | © 1990 R. Vaughan | This work is licensed under CC Attribution 4.0
Submitted: 06 May 1990 | Published: 06 May 1990

About the author(s)

R. Vaughan, Universiteit van die Witwatersrand, South Africa

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Drama is action, verbal drama is speech action, and the dramatic text is subject to a similar set of rules as that governing the extra-literary communication situation. Dramatic irony, the very essence of drama itself, is generated by a dual, mutually interactive process of communication, whereby the audience is “written into” the text in a way distinguishing it from other literary genres, and by a systematic flouting of the rules governing communication. Pas de deux demonstrates the peculiar duality of dramatic discourse by its complex exploitation of the breakdown/non-breakdown of Grice’s Co-operative Principle-. communication/non-communication becomes reversible and, therefore, mutually constitutive concepts “releasing meaning” and conveying the “ideology” of this play.


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