Hands as markers of fragmentation

A. Barnard; J-L Kruger

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Crossref Citations

1. From an Obscured Gaze to a Seeing Eye? Iris as Victim, Villain, and Avenger in the Role of Writer-as-Assassin in Margaret Atwood’s The Blind Assassin
Tara Hembrough
Sage Open vol: 7 issue: 1 year: 2017
doi: 10.1177/2158244016688933

2. Liberalities of Feeling: Free Market Subjectivities in Margaret Atwood'sThe Blind Assassin
Alaina Kaus
Critique: Studies in Contemporary Fiction vol: 56 issue: 4 first page: 369 year: 2015
doi: 10.1080/00111619.2014.921595

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