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| Issue |
Title |
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| Vol 31, No 1 (2010) |
Translating cultural transition in Kgebetli Moele’s Room 207 |
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S.S. Ibinga |
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| Vol 31, No 1 (2010) |
Die sin as narratiewe kode in “Die uur van die idiote” deur Abraham H. de Vries |
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M.J. Prins |
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| Vol 31, No 1 (2010) |
Authorial intention and agency in Luke’s Acts |
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E. Mkhatshwa |
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| Vol 31, No 1 (2010) |
Songs about Zuma: revelations of divisions after democracy |
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M. Groenewald |
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| Vol 31, No 1 (2010) |
The Zimbabwean liberation war: contesting representations of nation and nationalism in historical fiction |
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I. Muwati, D.E. Mutasa, M.L. Bopape |
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| Vol 30, No 1 (2009) |
Op die spoor van kreatiewe kreature: ’n interdissiplinêre ondersoek na die kreatiewe proses – projekbeskrywing |
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S.F. Greyling, I.R. Marley |
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| Vol 30, No 1 (2009) |
The grotesque as it appears in Western art history and in Ian Marley’s creative creatures |
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R. Swanepoel |
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| Vol 30, No 1 (2009) |
Vyf digters in gesprek met Joshua en Ian Marley se kreatiewe kreature |
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H.M. Viljoen |
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| Vol 30, No 1 (2009) |
Possible worlds: a reading of three artworks from the Creative creatures exhibition |
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C. Lotz |
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| Vol 30, No 1 (2009) |
Eyeing the creatures: an exploration of mirth as a personal function of art |
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J.R. Botha |
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| Vol 30, No 1 (2009) |
Kom ek vertel vir jou ’n storie oor Lacan se objet petit a (“kleinletter-ander”): ’n outo-etnografiese verkenning van ’n kreatiewe persoon se ervaring tydens die skryf van ’n akademiese artikel oor die kreatiewe proses |
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R. Hattingh |
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| Vol 30, No 1 (2009) |
Skryfkunsstudente se ervaring van hulle eie kreatiewe proses binne die konteks van die Op die spoor van kreatiewe kreature-projek: ’n narratiewe ontleding |
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S.F. Greyling |
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| Vol 30, No 1 (2009) |
Practice-based research: Tracking creative creatures in a research context |
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L. Combrink, I.R. Marley |
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| Vol 30, No 3 (2009) |
“Accused by the place and face of the other”: negotiations with complicity in the work of Antjie Krog and Yvonne Vera |
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J. Murray |
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| Vol 30, No 3 (2009) |
“Le plat pays” (Jacques Brel) poëties besing in Afrikaans – aantekeninge oor ikonisiteit in die oorspronklike en vertaalde chansontekste |
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B. Odendaal, N. Morgan |
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| Vol 30, No 3 (2009) |
The trace of Jewish suffering in Johannes Bobrowski’s poetry |
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F. Wittenberg, H. Wittenberg |
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| Vol 30, No 3 (2009) |
Class politics in Mda’s Ways of dying |
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M.T. Twalo |
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| Vol 30, No 3 (2009) |
Germany: facing the Nazi past today |
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I. Laurien |
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| Vol 30, No 3 (2009) |
Uitbeelding van skuld en boetedoening deur die gebruik van terugkerende kodes in Die buiteveld (John Miles) |
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S. Harper |
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| Vol 30, No 3 (2009) |
Deculturation: an Afrocentric critique of B.M. Khaketla’s Mosali a nkhola |
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T. Selepe |
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| Vol 30, No 3 (2009) |
G.H. Franz’s Modjadji : archetypes of time and the transcendence of history |
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L.P. Boshego, D.W. Lloyd |
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| Vol 30, No 2 (2009) |
’n Verslag oor die vertaling van dertien Jacques Brel-chansons in Afrikaans |
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B. Odendaal, N. Morgan |
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| Vol 30, No 2 (2009) |
Enriched and empowered: nature’s influence on the psyche in two Afrikaans youth novels |
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S. Meyer |
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| Vol 30, No 2 (2009) |
Metaphors of pain: the use of metaphors in trauma narrative with reference to Fugitive pieces |
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J. Anker |
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| Vol 30, No 2 (2009) |
Living with grace on the earth: the poetic voice in Antjie Krog’s A change of tongue |
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A. Polatinsky |
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| Vol 30, No 2 (2009) |
The role of the nameless in isiXhosa ntsomi |
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B.B. Mkonto |
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| Vol 30, No 2 (2009) |
Daring to disturb the universe: Heidegger’s authenticity and The love song of J. Alfred Prufrock |
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D. Griffiths |
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| Vol 30, No 2 (2009) |
Some aspects of gender inequality in selected African literary texts |
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L.L. Kwatsha |
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| Vol 29, No 3 (2008) |
Op loop met ’n lyn: T.T. Cloete se “toepassings van dante” ikonies en intertekstueel gelees |
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H.J.G. Du Plooy |
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| Vol 29, No 3 (2008) |
“Ruik die verderf in die kieliebakke”: Breyten Breytenbach se blik op die lyk |
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M. Crous |
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| Vol 29, No 3 (2008) |
Tokkelossie, “’n Boesman, outa Hendrik” en ontkennende close readings |
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H. Willemse |
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| Vol 29, No 3 (2008) |
Die tyd van die triekster: identiteit in enkele hedendaagse Afrikaanse prosatekste |
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P. John |
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| Vol 29, No 3 (2008) |
S.M. Guma and the Sesotho historical novel: an Afrocentric perspective |
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T.J. Selepe |
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| Vol 29, No 3 (2008) |
Aliens and existential elevators: absurdity and its shadows in Douglas Adams’s Hitch hiker series |
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M.A. van der Colff |
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| Vol 29, No 3 (2008) |
Intertextuality shapes the poetry of Xhosa poets |
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M.M. Somniso |
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| Vol 29, No 3 (2008) |
A philosophical interpretation of the significance of oral forms in I. Mabasa’s novel Mapenzi (1999) |
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D.E. Mutasa, I. Mutawi |
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| Vol 29, No 3 (2008) |
Die aantrekkingskrag van die see |
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I. Gertenbach |
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| Vol 29, No 2 (2008) |
Om (somtyds) lig en aandagtig te reis: mistici in drie romans van Lettie Viljoen/ Ingrid Winterbach |
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L. Foster |
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| Vol 29, No 2 (2008) |
The possibility of an island; or, The double bind of Houellebecq’s apocalypse: when the end is not the end |
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E. Snyman |
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| Vol 29, No 2 (2008) |
Memory, history and oblivion in Horrelpoot by Eben Venter |
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M. Postma, M.N. Slabbert |
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| Vol 29, No 2 (2008) |
Woorde wat teken en be-teken – ikonisiteit in die poësie |
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Heilna du Plooy |
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| Vol 29, No 2 (2008) |
Spieëlbeelde in die werk van Ingrid Jonker en Sylvia Plath |
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I. Gertenbach |
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| Vol 29, No 2 (2008) |
Zenobia’s story: how a victim of abuse uses isiXhosa to account for her actions |
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M. Dlali, S. Mokapela |
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| Vol 29, No 2 (2008) |
Die literêre vertaler as kulturele bemiddelaar |
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M.B. Müller, I. Feinauer |
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| Vol 29, No 2 (2008) |
“Beyond stereotypes”: representations of a foreign culture in film students’ productions |
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N. Hyde-Clarke |
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| Vol 29, No 1 (2008) |
Towards a computational morphological analysis of Setswana compounds |
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L. Pretorius, B. Viljoen, R. Pretorius, A. Berg |
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| Vol 29, No 1 (2008) |
Die ontwikkeling van ’n woordafbreker en kompositumanaliseerder vir Afrikaans |
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S. Pilon, M.J. Puttkammer, G.B. van Huyssteen |
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| Vol 29, No 1 (2008) |
Verbal extension sequencing: an examination from a computational perspective |
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W.N. Anderson, A.E. Kotzé |
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| Vol 29, No 1 (2008) |
Outomatiese lemma-identifisering vir Afrikaans |
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H.J. Groenewald, G.B. van Huyssteen |
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| Vol 29, No 1 (2008) |
Die ontwikkeling van ’n fleksievormgenereerder vir Afrikaans |
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S. Pilon |
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| Vol 29, No 1 (2008) |
On the development of a tagset for Northern Sotho with special reference to the issue of standardisation |
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E. Taljard, G. Faaß, U. Heid, D.J. Prinsloo |
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| Vol 29, No 1 (2008) |
Derivational relations in English, Czech and Zulu wordnets |
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S. Bosch, C. Fellbaum, K. Pala |
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| Vol 29, No 1 (2008) |
Ontwikkeling van ’n Afrikaanse woordnet: metodologie en integrasie |
Abstract
PDF
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G. Kotzé |
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| Vol 29, No 1 (2008) |
Orthographic measures of language distances between the official South African languages |
Abstract
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P.N. Zulu, G. Botha, E. Barnard |
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| Vol 29, No 1 (2008) |
Besigheidsprosesbestuur in mensetaaltegnologiehulpbronontwikkeling: ’n gevallestudie |
Abstract
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U. Janke |
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| Vol 29, No 1 (2008) |
An overview of the EtsaTrans machine translation system: compilation of an administrative domain |
Abstract
PDF
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L. Ehlers |
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| Vol 29, No 1 (2008) |
Bilingual word list: computational linguistics |
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G.B. van Huyssteen |
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| Vol 28, No 3 (2007) |
Translating culture: Matthee’s Kringe in ’n bos as a case in point |
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W. Cloete, M. Wenzel |
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| Vol 28, No 3 (2007) |
Fay Weldon, liberal feminism and the praxis of Praxis |
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A. Foley |
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| Vol 28, No 3 (2007) |
Humour and the locus of control in The Gruffalo (Julia Donaldson & Axel Scheffler) |
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B. van der Westhuizen |
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| Vol 28, No 3 (2007) |
A psychoanalytical interpretation of the characters in A.C. Jordan’s novel Ingqumbo yeminyanya |
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L.L. Kwatsha |
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| Vol 28, No 3 (2007) |
Crossing lines: the novels of Nadine Gordimer with a particular focus on Occasion for loving and The pickup |
Abstract
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D.A. Barker |
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| Vol 28, No 3 (2007) |
Alan Paton’s unpublished fiction (1922- 1934): an initial appraisal |
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D. Levey |
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| Vol 28, No 3 (2007) |
From self-identity to universality: a reading of Henri Lopes’ works |
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P.K. Mwepu |
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| Vol 28, No 2 (2007) |
Spore van migrasie en verlies in Krzysztof Kieślowski se Three colours trilogy |
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A. Nel |
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| Vol 28, No 2 (2007) |
Die gebruik van humor om kreatiewe skryf in die onderrig van Afrikaans te stimuleer: ’n gevallestudie |
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E. Kruger |
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| Vol 28, No 2 (2007) |
Hard Times as Bodie: the allegorical functionality in E.L. Doctorow’s Welcome to Hard Times (1960) |
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P. van der Merwe |
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| Vol 28, No 2 (2007) |
The mnemonic oral tradition with special reference to the management and expression of conflict in Zulu-speaking communities |
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N.S. Turner |
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| Vol 28, No 2 (2007) |
In the shadow of the cross: on Lagerkvist’s Barabbas |
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G. van der Linde |
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| Vol 28, No 2 (2007) |
Die taal of die cheetah? Perspektiewe op die belang van taalsigbaarheid by die nuwe Vrystaatse nommerplaat as openbare teken |
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T. du Plessis |
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| Vol 28, No 2 (2007) |
Classification of Setswana short stories |
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M.J. Mojalefa, M.M. Makgato |
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| Vol 28, No 1 (2007) |
V.S. Naipaul’s Half a life, Magic seeds and globalisation |
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R. Balfour |
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| Vol 28, No 1 (2007) |
'Confessing out the soul to conform to the rhythm of thought': a reading of Allen Ginsberg’s Beat poetry |
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H. Kruger |
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| Vol 28, No 1 (2007) |
Van Tempeltronk tot katedraal: die kruisweg van Lodewyk XVII |
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N. Morgan |
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| Vol 28, No 1 (2007) |
The symbolic significance of P.T. Mtuze’s poem 'Isinagogo' in Uyavuth’ umlilo |
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Z. Mtumane |
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| Vol 28, No 1 (2007) |
Musikale narratief in Benjamin Britten se opera Billy Budd |
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K. Vermeulen, B. Spies |
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| Vol 28, No 1 (2007) |
Philia and neikos in Keats’s 'Song of four faeries' |
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A.C. Swanepoel |
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| Vol 28, No 1 (2007) |
Mystery in Sepedi detective stories |
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M.J. Mojalefa, N.I. Magapa |
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| Vol 27, No 3 (2006) |
Teks op teks op teks: intertekstualiteit in Ingrid Winterbach se Niggie |
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M. Botha, H. van Vuuren |
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| Vol 27, No 3 (2006) |
’n Ondersoek na die kunstenaarskap in Die swye van Mario Salviati binne die konteks van die magiese realisme |
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N. Botes, N. Cochrane |
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| Vol 27, No 3 (2006) |
Riviere as identiteitskonstrueerders |
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S. Meyer |
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| Vol 27, No 3 (2006) |
’n Leksikologiese studie van die klas adjektiewe waartoe ene behoort |
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F. Ponelis |
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| Vol 27, No 3 (2006) |
Country of my skull/Skull of my country: Krog and Zagajewski, South Africa and Poland |
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P. van Schalkwyk |
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| Vol 27, No 3 (2006) |
Sustaining the imaginative life: mythology and fantasy in Neil Gaiman’s American gods |
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M. Slabbert, L. Viljoen |
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| Vol 27, No 3 (2006) |
Richard Murphy: a life in writing |
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E. Meihuizen |
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| Vol 27, No 2 (2006) |
History, memory and reconciliation: Njabulo Ndebele’s The cry of Winnie Mandela and Pumla Gobodo-Madikizela’s A human being died that night |
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R. Goodman |
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| Vol 27, No 2 (2006) |
Male-male relationships in J.M. Coetzee’s Disgrace |
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M. Crous |
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| Vol 27, No 2 (2006) |
Vooruitgang en ondergang: historiese dialektiek in twee tekste van Hans Magnus Enzensberger |
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J.P.C. van den Berg |
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| Vol 27, No 2 (2006) |
Reise in identiteit: aspekte van plek en hoort in verhale van Elsa Joubert en Riana Scheepers |
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S. Meyer |
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| Vol 27, No 2 (2006) |
Onderwysstudente se parodieë as hibridiese tekste: ’n navorsingsverslag |
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E. Kruger |
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| Vol 27, No 2 (2006) |
Identificative copulatives in Southern Ndebele: evidence for diachronic postulations in Zulu |
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L. Posthumus |
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| Vol 27, No 2 (2006) |
Mediadekking in die Suid-Afrikaanse gedrukte media oor taalverwante onderwerpe, in besonder taalregte en taalbeleidskwessies |
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E. Truter |
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| Vol 27, No 1 (2006) |
Afstand en belewenis: liminale ruimtes en oorlewing in Niggie deur Ingrid Winterbach |
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H. Du Plooy |
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| Vol 27, No 1 (2006) |
Subverting the pastoral: the transcendence of space and place in J.M. Coetzee’s Disgrace |
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S. Smit-Marais, M. Wenzel |
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| Vol 27, No 1 (2006) |
'Ek is besig om iemand heeltemal anders te word ...': die ontginning van liminaliteit in Vaselinetjie deur Anoeschka von Meck |
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D. van Zyl |
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| Vol 27, No 1 (2006) |
Wildernis en woestyn: omgewingskragte teen die mens s’n in Boendoe en Toewaaisand |
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S. Meyer |
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| Vol 27, No 1 (2006) |
Liminal spaces and imaginary places in The bone people by Keri Hulme and The folly by Ivan Vladislavic |
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M. Wenzel |
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| Vol 27, No 1 (2006) |
V.S. Naipaul’s A way in the world: contesting liminality by translating the historical past |
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ZHU Ying |
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| Vol 27, No 1 (2006) |
The collective voice in The Madonna of Excelsior : narrating transformative possibilities |
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N.S. Zulu |
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| Vol 27, No 1 (2006) |
Between freedom and self-subjection: the dilemma of writing in an African language |
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N. Maake |
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