Original Research
’n Retoriese analise van die vyf lykdigte in T.T. Cloete se Allotroop
Literator | Vol 16, No 3 | a640 |
DOI: https://doi.org/10.4102/lit.v16i3.640
| © 1995 L. Viljoen
| This work is licensed under CC Attribution 4.0
Submitted: 02 May 1995 | Published: 02 May 1995
Submitted: 02 May 1995 | Published: 02 May 1995
About the author(s)
L. Viljoen, Departement Afrikaans en Nederlands, Universiteit van Stellenbosch, South AfricaFull Text:
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A rhetorical analysis of the five funerary poems in T.T. Cloete’s Alloiroop
This article works from the premise that these poems form part o f a tradition that can he traced back to the funerary poetry of the Dutch Renaissance and from there to the funeral orations of Classical times. After referring to the current revival of interest in rhetoric, attention is given to the role which rhetoric played in Renaissance poetics and the influence it had on the practice of writing funerary poetry. The funerary poems in Cloete's Allotroop are then analysed, making use of the Renaissance descriptions of and prescriptions for funerary poetry researched by S.F. Witstein in Funeraire poëzie in de Nederlandse Renaissance. These analyses prove that Cloete’s poems make use of the elements basic to the Renaissance funerary poem and the classical funeral oration namely praise (laus), mourning (luctus) and consolation (consolatio) and that the rhetorical terminology devised centuries ago can still be useful in the reading of these poems.
This article works from the premise that these poems form part o f a tradition that can he traced back to the funerary poetry of the Dutch Renaissance and from there to the funeral orations of Classical times. After referring to the current revival of interest in rhetoric, attention is given to the role which rhetoric played in Renaissance poetics and the influence it had on the practice of writing funerary poetry. The funerary poems in Cloete's Allotroop are then analysed, making use of the Renaissance descriptions of and prescriptions for funerary poetry researched by S.F. Witstein in Funeraire poëzie in de Nederlandse Renaissance. These analyses prove that Cloete’s poems make use of the elements basic to the Renaissance funerary poem and the classical funeral oration namely praise (laus), mourning (luctus) and consolation (consolatio) and that the rhetorical terminology devised centuries ago can still be useful in the reading of these poems.
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