Original Research

Flitse van sosiale verandering in enkele postmodernistiese Afrikaanse romans

D. H. Steenberg
Literator | Vol 18, No 3 | a551 | DOI: https://doi.org/10.4102/lit.v18i3.551 | © 1997 D. H. Steenberg | This work is licensed under CC Attribution 4.0
Submitted: 30 April 1997 | Published: 30 April 1997

About the author(s)

D. H. Steenberg, Departement Afrikaans en Nederlands, Potchefstroomse Universiteit vir CHO, South Africa

Full Text:

PDF (236KB)

Share this article

Bookmark and Share

Abstract

Glimpses of social change in some postmodernist Afrikaans novels
Postmodernist novels, and thus also Afrikaans postmodernist novels, are radically anti-traditional. In one respect, however, they maintain the tradition of Afrikaans fiction: they open perspectives on the development of the society from which they originate. Functioning in a multicultural community, the novelists' awareness often concerns the development of relations between different racial groupings in the South African society, which is seen as basically African. The breaking down of the (colonial) barriers between black and white by writers of historiographic metafiction - like John Miles and André Letoit - can perhaps be regarded the first step in the direction of social transition. Letoit hails Africa as the continent of promise, and authors like Berta Smit, Eben Venter and Etienne van Heerden present visions of a growing harmony between black and white in the new South Africa.

Keywords

No related keywords in the metadata.

Metrics

Total abstract views: 2228
Total article views: 3261

 

Crossref Citations

1. South Africa
Dorothy Driver
The Journal of Commonwealth Literature  vol: 33  issue: 3  first page: 155  year: 1998  
doi: 10.1177/002200949803300307