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<front>
<journal-meta>
<journal-id journal-id-type="publisher-id">LIT</journal-id>
<journal-title-group>
<journal-title>LITERATOR - Journal of Literary Criticism, Comparative Linguistics and Literary Studies</journal-title>
</journal-title-group>
<issn pub-type="ppub">0258-2279</issn>
<issn pub-type="epub">2219-8237</issn>
<publisher>
<publisher-name>AOSIS</publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id pub-id-type="publisher-id">LIT-39-1454</article-id>
<article-id pub-id-type="doi">10.4102/lit.v39i1.1454</article-id>
<article-categories>
<subj-group subj-group-type="heading">
<subject>Litera</subject>
</subj-group>
</article-categories>
<title-group>
<article-title>Something of a song for Stephen Gray</article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author" corresp="yes">
<name>
<surname>Swanepoel</surname>
<given-names>Charika</given-names>
</name>
<xref ref-type="aff" rid="AF0001">1</xref>
</contrib>
<aff id="AF0001"><label>1</label>School of Languages, North-West University, South Africa</aff>
</contrib-group>
<author-notes>
<corresp id="cor1"><bold>Corresponding author:</bold> Charika Swanepoel, <email xlink:href="charikaswanepoel@rocketmail.com">charikaswanepoel@rocketmail.com</email></corresp>
</author-notes>
<pub-date pub-type="epub"><day>16</day><month>02</month><year>2018</year></pub-date>
<pub-date pub-type="collection"><year>2018</year></pub-date>
<volume>39</volume>
<issue>1</issue>
<elocation-id>1454</elocation-id>
<permissions>
<copyright-statement>&#x00A9; 2018. The Authors</copyright-statement>
<copyright-year>2018</copyright-year>
<license license-type="open-access" xlink:href="https://creativecommons.org/licenses/by/4.0/">
<license-p>Licensee: AOSIS. This work is licensed under the Creative Commons Attribution License.</license-p>
</license>
</permissions>
</article-meta>
</front>
<body>
<verse-group>
<verse-line>Your stance and the ferocity of your frown</verse-line>
<verse-line>shows that you know, that you&#x2019;ve always known,</verse-line>
<verse-line>exactly who Stephen Gray should truly be.</verse-line>
<verse-line>I envy you this surety of self</verse-line>
<verse-line>but, of course, that&#x2019;s only the Italian you.</verse-line>
<verse-line>The &#x2018;accident of your birth&#x2019;, here at home,</verse-line>
<verse-line>still ripples on, still doubts itself sometimes,</verse-line>
<verse-line>still stumbles, yet shares that same forthrightness.</verse-line>
<verse-line>Between local talk, Adamastor, and Shelley,</verse-line>
<verse-line>I&#x2019;ve found you and have made you my own.</verse-line>
<verse-line>Though I hate your love of popular politics</verse-line>
<verse-line>and complacent academic air,</verse-line>
<verse-line>I look at you there,</verse-line>
<verse-line>in that photo Giovanni took,</verse-line>
<verse-line>and I see my own truth,</verse-line>
<verse-line>our truth.</verse-line>
</verse-group>
</body>
<back>
<fn-group>
<fn><p><bold>How to cite this article:</bold> Swanepoel, C., 2018, &#x2018;Something of a song for Stephen Gray&#x2019;, <italic>Literator</italic> 39(1), a1454. <ext-link ext-link-type="uri" xlink:href="https://doi.org/10.4102/lit.v39i1.1454">https://doi.org/10.4102/lit.v39i1.1454</ext-link></p></fn>
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